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*100 copies limited edition. Totally sold out at source. Housed in high quality card stock with art silk screened by Alan Sherry at SIWA Printing.* The latest mysterious musical missive from these soundohm faves, NYC's psychedelic improv free rock explorationists No Neck Blues Band, a reference whenever we need to describe some sort of tribal freeform psychedelia or jazzy abstract drift, or dirgey home-brewed free form minimalism, or pretty much any stop in between, these guys are the modern mas…
Ilian Tape kicks on with another entry into its ITX Series, this time with a lovely hand-stamped long player from MPU101. It is a deep dive into escapist ambient worlds with plenty of grainy tape hiss and cosmic static, celestial melodies and provocative moments of introspection. Analogue machinery is really brought to the fore on fuzzy sounds like 'CreamyPORTAL-Xa' with patient and pastoral synth smears, while 'APEX CA 91352' has brighter and more mellifluous melodies rising up through the mix.…
Arthur Russell first visited The Gallery in 1976 with his then boyfriend Louis, who introduced him to Nicky Siano. Arthur became a regular at the space and one night as Siano was playing “Turn the Beat Around”, which had just been released, Arthur waved at him from outside the booth and asked to come in. Nicky opened the door and Arthur suggested they make a record like this together. This ended up being a huge step for Siano as it marked the first ever production by a DJ making a record from sc…
Yellow Vinyl. Exclusive LP reissue of "Tappeto Volante", third and last one release by Aktuala, replica of the original Bla Bla release. "Tappeto Volante" is the third and last one of this series, made by an 'open musical collective' from milan, a fixed nucleus with many different contributes from guest musicians. As the Third Ear Band have always been inserted in the international prog panorama, the same happened with Aktuala, who were real music pioneers able to blend world, ethnic, jazz and a…
In the World is an album by jazz saxophonist Clifford Jordan which was recorded in 1969 and released on the Strata-East label in 1972. "Whether at the helm of a record date or as a sideman, Clifford Jordan was known for giving his all. These studio recordings were originally made for Strata East, a label known for its adventurous spirit" - AllMusic
After being out of stock for years finally the debut release of Habibi Funk by Tunisian band Dalton is back in stock including an updated artwork and booklet.
*2024 stock. 300 copies limited edition* the music on Lines and Dots is subtle yet tough, sinewy and risky in all the right ways. Splitting the difference between free jazz and post bop, Ahlén and his crew manage to sound distinctive...these fellows play like cagey, seasoned veterans; necessarily because of the way Ahlén's music balances composition and free improvisation...Filled with fresh, fascinating sounds, Lines and Dots is an impressive debut!”4.5 stars out of 5 /Dave Wayne, Allaboutjazz…
Beat Records Company, in collaboration with Cabum Edizioni Musicali is glad to present the original motion picture soundtracks of the movies Anche gli angeli mangiano fagioli, Anche gli angeli tirano di destro. Two movies respectively directed by Enzo Barboni in 1973 and 1974 featuring Giuliano Gemma first with Bud Spencer, than with Ricky Bruch, two entertaining comedies set in New York of the early 30s, in full prohibition. The great casts give life to a series of images on which Guido & Mauri…
*300 copies limited edition* Clothilde’s new album sounds like a constant departure from almost everything. Up until now, her music pieces seemed uncontrolled, a total commitment to the machines. She was, somehow, in between us - listener, audience - and the idea of a machine producing sounds she doesn’t seem to control. Of course, none of this was entirely true, she was mostly in control, but the fantasy, the orchestration of it was beautiful. It was sci-fi-ish, Metropolis-magnificent. In “Cros…
*2023 stock* The journal Source: Music of the Avant-garde was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time: John Cage, Harry Partch, David Tudor, Morton Feldman, Robert Ashley, Pauline Oliveros, Dick Higgins, Nam June Paik, Steve Reich, and many others. A pathbreaking publication, Source documented crucial changes in performance practice an…
In collaboration with Edward R. Pressman Film Corporation, Music Box Records proudly follows their IFMCA award-winning release of Bernard Herrmann’s 1976 Oscar-nominated score for Obsession by now going back to his collaboration, one that relaunched his career as well as boldly announcing a new Master of Suspense. Almost forgotten when editor Paul Hirsch was inspired to use Psycho as temporary music, the resulting collaboration between him, filmmaker Brian De Palma and Herrmann showed just how m…
*2024 stock* For a long time downplayed and deprived of any recognition whatsoever, oromo music is one of the liveliest Ethiopian musical traditions. This 28th volume of Ethiopique pays tribute to Ali Birra, the man in whom Oromo music has irrepressibly affirmed itself since the 1960s. A very unusual groove, very different from gouragué, amhara and tigrignarhythms, a relentless quest for identity and, on top of that, a guitar style that would stand out anywhere. (Most of the pieces presented her…
Black Editions presents “Historic Music Past Tense Future”, the first ever album to feature the meeting of Peter Brötzmann, Milford Graves and William Parker. Three of the towering figures in the history of Free Jazz forge an incredibly vital free music born from lifetimes of uncompromising, ceaseless artistry. “Historic Music Past Tense Future” is the inaugural release by Black Editions Archive and the first in a series of records that will present previously unreleased works featuring Milford …
Dis FAC is the first release of an eponymous project which sees Andrew Hulme (co-founder of O Yuki Conjugate) reunited with Tom Fazzini for the first time in 20 years since their previous group A Small Good Thing (active 1989 - 2002).
"This album began as a pipedream about 5 years ago and became reality in the Summer of 2023. I've been a huge fan of ATA Records for years now and have wanted to record at the ATA Studio for equally as long, but I had found out that it no longer operated as a commercial studio and just served as a place where Neil (Innes, ATA head honcho and member of Work, Money, Death/The Sorcerers) could record his own music for his label. So I gave up on the idea of ever going there... Then, randomly, I met …
The story of electronic music pioneer Kerry Leimer continues with a focus on his auteurist studio project Savant. Compiling the standalone album, 1983’s The Neo Realist (At Risk), with Savant’s debut 12″ and a grip of compilation and unreleased tracks, Artificial Dance documents Leimer’s complete collaborative venture into the unpredictable realities of music, exploring the gulf between what is expected by its creators and what is eventually – and eternally – committed to tape.Savant was designe…
Audion 38 (8/1997) 48 pages. Cover article: Rock In Opposition - Part 4: The French Connection (Etron Fou, ZNR, Albert Marcoeur, Art Zoyd)plus: NME at the NFT - Julian Cope Presents A Krautrocksampler, Sphere & IQ - The Palace Theatre, Newark, 11/5/97, Artemiy Artemiev, Cluster On Tour, Volcano The Bear - Physio & Firkin, Leicester 1997, SFF - An interview with Heinz Fröhling, Urban Sax - "Street Life" at the South Bank, London 18/7/97, The Deviants, King Crimson "Epitaph", Cunieform Records, Se…
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - September 30, 1979. This is the seventh concert that Tom Albach recorded at Immanuel United Church of Christ. A wild and beautiful performance from beginning to end. Opening with an angelic take of Coltrane’s ‘Equinox’ which turns into a Coltrane medley, this recording is obviously a special one from the start… the existence of an unheard Sabir Mateen composition from 1979 (‘A C…