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Centered around the mesmerizing voice of Robert Ashley, presented here is early version (released on LP by Lovely Music in 1979) of "The Park" and "The Backyard", a masterpiece in its simplicity of form and in the purity and intensity of its effect on the listener. These two pieces were later to become the opening and closing segments of the seven part opera for television, Perfect Lives. Personnel: Robert Ashley - voice; "Blue" Gene Tyranny - keyboards; Kris - tablas.
Yet another triumph from the legendary multi-instrumentalist, Joe McPhee, Corbett Vs. Dempsey drops "The Mystery J", their first ever full-length vinyl release, issued in a limited edition of 500 copies. Recorded in 2014 with violist Jen Clare Paulson and Brian Labycz on electronics, it writhes with bristling tension, while retaining a remarkably minimal form. Visionary experimentalism and freejazz reimagined on entirely singular terms, 'The Mystery J' encounters McPhee producing some of his bes…
This is the third and final chapter of a project/research on "minimalisms" that the Italian flutist Manuel Zurria, acclaimed instrumentalist and passionate lover of the more adventurous contemporary music, began in 2007. The double CD include near two and a half hours of music, which reveal how much different the approaches to the beloved "minimalist" verb can be. And how much an inquiring and participatory interpretation can lead to exciting results. In this brilliant collection Zurria not only…
Ever unpredictable, Kevin Drumm this time takes the fellow time-traveller through what sounds like an electronic field recording, a journey through an electronic soundscape of luminescent textures that invites immersive listening.
"Each composition arises from a clear idea that the listener can grasp. That is their beauty, I’d argue – there’s no need for, or possibility of, any process of beautification. They are conceptual art in the broadest sense, but vividly concrete in their sonorous properties. So they are a paradigm of musical art – for music is an art that is abstract in form, concrete in utterance." - Andy Hamilton
Alabaster DePlume’s debut poetry collection, Looking For My Value: Prologue To A Blade, offers readers a deeper exploration of the themes of dignity, sovereignty, and the work of healing that are present in his music. Arriving as a limited gatefold custom A6 pocket book featuring cover art by British illustrator Ian Wright and design by London-based Jamie Coull, this collection features raw and vulnerable prose that reflects DePlume’s journey toward finding and taking responsibility for his own …
Black vinyl, 500 copies. With liner notes by renowned musicologist and sound researcher Petri Kuljuntausta. Love Records (of Sperm fame) owner Otto Donner saw the commissioned work by electro-acoustic musicians Åke Andersson and Antero Honkanen, who in their daily life were sound technicians at the Finnish Broadcasting Corporation, and immediately wanted to produce an album of the project. The 1977 album, which has ended up a very costly collector’s item, hasn’t been reissued in any format until…
"If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated."- Hiroshi Yoshimura
Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes, intended to function as an “amenity” desi…
Reissue of the cursed Dustbreeders album “No Rain", old songs (1990 - 1997) recorded on 4 tracks, summer 97 (except 5). The most misleading title in the history of record titles, when you know where these people come from cassette format to keep up with the times artefact farewell to their no wave destruction derby period zombified rock, first platinum emotions, illicit mise en abyme saved from oblivion for the good of humanity by Tanzprocesz and Fougère.
A delicate and mysterious vinyl LP release of two works for chamber ensemble in which Reymolds addresses the dualistic nature of aural perception, approaching the elusive territory between the polarized pair and the unified whole.
Carolin Widmann’s widely acclaimed ECM recordings have traversed a broad arc of music – from Schubert to Xenakis. Here she turns her attention to one of the pivotal compositions of Morton Feldman. Violin and Orchestra, composed in 1979, marked a new direction, with an almost painterly attention to detail in slowly unfolding music. It is not a concerto in the strict sense of the term, not soloist with orchestral support. The violinist must move inside the glowing colour-field of sound. In t…
"The bass music you will hear on this album is, it might be said, a child of the seventies. A ferociously radical time in the development of the double bass as a solo instrument found composers eager to formulate soundscapes that would send our Bottesinis and Dragonettis running for the exit !
As an emerging bassist in these heady times, immersed deeply into the art of improvisation where almost on a daily basis colleagues pushed the boundaries of instrumental possibilities, I found myself addit…
* 300 copies on black vinyl * Lost studio sessions from 1973 revealed for the first time. Comes in a beautiful silk screen thick carton sleeve. Includes a full colour 12 page booklet with linernotes from researcher Frank Jochemsen. 678 Records is proud to announce the Dutch incarnation of Third Eye: cosmic space music from Jan Huydts (Fender Rhodes piano & synthesizer), John Schuursma (guitar & sitar) and Leo de Ruiter (drums & percussion).
48 years after the recordings were made, 678 Records i…
*2025 stock* In 1975, Snakes Alive released a rare album with only 50 copies, blending Progressive Rock and Jazz with a mix of guitar, drums, bass, keyboards, woodwinds, and trumpet. Despite its high musical quality, its limited release kept it from reaching a wider audience. A quarter-century later, a pirated CD revealed the band's exceptional performance and intricate compositions. Snakes Alive's roots trace back to the 1972 band Aragorn, which recorded a 43-minute suite inspired by J.R.R. Tol…
*Limited edition of 500 copies.* Eiko Ishibashi and Jim O‘Rourke created the installation Lifetime of a Flower for the Dortmund exhibition Flowers in 20th and 21st Century Art. In it they set parameters, but allowed the process itself to literally grow uncontrollably: they planted seeds in the garden of their Japanese house and filmed as the plants grew for the duration of the exhibition. Visitors were able to watch the stream in real time, while listening to a composition that reflected the org…
Psychic Ills and Gibby Haynes’ Nowhere in the Night arrives from somewhere sometime ago, a document of sound bending, twisting, and stretching with the joy of collaboration and untethered aspiration.
Psychic Ills, then the trio Tres Warren, Elizabeth Hart, and Brian Tamborello, first intersected musically with Gibby Haynes, then and forever the founding member of Butthole Surfers, when the two groups with Texas roots toured extensively in 2009, and next when the Ills invited Haynes to contribute…
* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
Sun Ra is better known to most as a musician than a poet, but he identified equally as both. My Words Are Music provides direct access to the sentiments of a poet who never called Earth home. The spoken word album hosts an inspired array of artists who personally chose their favorite Sun Ra poems to recite. Freed from the page, his poetry acquires an unexpected simplicity and poignance it possessed all along. This all-star and intergenerational lineup of artists conjure wisdom from his words: sp…
The raging drums scorch the times. Accompanied by a whirlwind of young talents, Takeshi Inomata proudly heralds the arrival of the golden age of jazz-rock. Takeshi Inomata, a drummer who led the jazz scene in Japan with his precise stick work and musicality that looked ahead to the times. At the end of the 1960s, he was influenced by brass rock, which was flourishing at the time, and formed Sound Limited.
"I want to fuse jazz and rock and bring together young musicians to do music with vitality,…
"Kiso", "Asama", "Hakuba" and "Hida". He recalls the landscapes of his past and carefully weaves his feelings and emotions into the music. This work is one of the pinnacles that Akira Miyazawa has reached.