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It all started here... “Eternal Paralysis” and “Peony Crackers” is two fantastic works produced by T. Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them. The red and green paper is used as in the original release, and the handwritten logo and titles by T. Mikawa on the master tape case are reproduced in full. The result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The…
It all started here... “Eternal Paralysis” and “Peony Crackers” is two fantastic works produced by T. Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them. The red and green paper is used as in the original release, and the handwritten logo and titles by T. Mikawa on the master tape case are reproduced in full. The result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The…
Since 1992, Robin Storey (founding member of the pioneering post-industrial band Zoviet*France) has been creating innovative and thought-provoking music under the Rapoon moniker. Drawing inspiration from his early days with Z*F, he continues to push the boundaries of ambient, industrial, and world music genres, earning him a dedicated following across the globe. Originally available in 1994 as a limited-edition DAT tape through Staalplaat Records, Cidar was later included as a bonus CD in the re…
Rare original issue. Recorded by the husband and wife duo of Kurt Schwertsik and Christa Schrwertsik, “Manchmal Vertrödelt Christa S. Den Tag” is a dreamy gestalt, an album that borders Chanson, spoken-word, Ubu-esque passages, chanting and singing, against a variety of textures and jazz noir. Kurt Schwertsik (b. 1935) is an Austrian experimental/avant-garde composer. His music is mercurial and idiosyncratic with a refreshing lightness of touch. Though a pupil of Karlheinz Stockhausen, the compo…
"The material on From Out Front To Booker Little And Friend Revisited is Little’s collective chef d’oeuvre. It is exploratory but also strewn with retentions from tradition. The dense yet sonorous dissonance, the graceful tempo and metre shifts, the extended forms that give equal weight to composed and improvised sections, together these „alter the present“ and „direct the past“." – Chris May
Big Tip! Listening is the foundation of Raven Chacon’s (b. 1977) wide-ranging artistic practice. “I am a listener,” he simply declares, but the attention he gives to sound is complex and vast, encompassing far more than what is immediately audible. From his earliest works, Chacon has been dedicated to amplifying the unheard, calling attention to what is absent or unknown. Although Chacon classifies the compositions on this recording as chamber music, all three of these works “zigzag” through his…
Double LP version. "Open Vocal Phrases, Where Songs Come in And Out and Sketches For World of Echo (AU 1029CD) offer two intimate unedited Arthur Russell solo live performances recorded at Phill Niblock's Experimental Intermedia Foundation in Downtown NYC on 12/20/85 and 06/25/84. Phill curated and produced with Arthur both concerts at EI that would become part of the foundation for the World of Echo album. These extraordinary performances were recorded 18 months apart between 1984/85 by Steve C…
2025 Stock. Taking a short sabbatical from their journey into the spiritual stratosphere and beyond, Work Money Death landed on terra firma just long enough to record a follow up to the critically acclaimed “The Space In Which The Uncontrollable Unknown Resides Can Be The Place From Which Creation Arises”. The new album “Thought, Action, Reaction, Interaction” explores many of the meditative motifs that mould this unique group in their quest for the perfect sound and space. Those who are familia…
You probably don't need us to translate ELEKTRONISCHES DEUTSCHLAND for you. But to expand on that a little, we're heading back to the 1970s and a country then known as West Germany for this month's Electronic Sound cover story. We're bundling the issue with an exclusive orange vinyl seven-inch by kosmische pioneers Cluster too.
Our cover image is based on the artwork of the debut album from Harmonia, krautrock's first supergroup, and you will find five connected articles inside the magazine, inc…
Huge Tip! Recorded 67 years ago, reissued in Shirley Collins's 90th year in this universe. 'Sweet England' along with its sister album 'False True Lovers', was recorded in the spring of 1958 when I was twenty-two years old. I had been living for the previous two years in London with Alan Lomax, the American folklorist, working for him as editorial assistant on his book The Folk Songs of North America and on his field recordings from America, Great Britain, Italy and Spain. The tracks that make u…
While his recordings with Archie Shepp and 7-Tette established Bill Dixon as a distinctive jazz modernist, ahead of the curve, creating a niche within a crowded field of emerging artists, it is Intents and Purposes (Orchestra) that established his singularity. Together, they constitute the first chapter of a recorded legacy that continues to grow in status and influence. – Bill Shoemaker
Biiig Tip! Edition of 300. Paal Nilssen-Love and Joe McPhee started playing together when Paal was 25. Now he’s 50, so this musical dialogue has been going on for the quarter of a century. It has taken many forms, first with The Thing, then The Thing/Cato Salsa Experience big-band, on to the Peter Brötzmann Chicago Tentet, with several one-off collaborations on the way (some previously released on PNL) – but throughout the years the duo format has been the best way to hear these two voices. It’s…
“He was nomadic. The strongest and most lasting thing you can say about Alan is that he was
an original, as original as you can get. He didn’t want any academic guidelines to equip him to
reinvent the wheel. If he saw something like that, he’d go the other way.” – Wayne Shorter
The 1968 debut album from Norwegian guitar legend Terje Rypdal stands as a significant entry in the late 1960s jazz landscape, exemplifying the transition from psychedelic rock to a more intricate, freeform blend of jazz elements. Collaborating with legendary musicians like Jan Garbarek, Rypdal's work on this album showcases his innovative talent.
Recorded during three sessions in Oslo in 1968, Bleak House marks Rypdal’s departure from the psychedelic group The Dream as he ventured into new musi…
Huge Tip! There is so much that we at Dirter could say about the legend that is Chris Connelly performing his takes on the music of the equally legendary TG, but this time we’re going to leave it in the words of the man himself. This record goes ahead with the blessing of the surviving members of Throbbing Gristle, Chris Carter & Cosey Fanni Tutti.
“Having carved a twisted career with behemoths Ministry and Revolting Cocks over the past 40 years, starting life with the formidable Fini Tribe and …
"Marion Brown was already defying categorisation in 1966 when he recorded Three For Shepp, whose six tracks open Three For Shepp To Gespächsfetzen Revisited. Brown’s opening “New Blues” and Archie Shepp’s closing “Delicado,” though compelling,are relatively orthodox expressions of mid 1960s NewThing. The four tracks they bookend, however, are distinctive even today. Brown’s exquisite “Fortunato,” though it sounds like nothing Pharoah Sanders ever wrote, inhabits similarly pretty terrain as Sand…
"Although alto saxophonist Noah Howard never quite managed to garner the reputation that several of his more well-known playing partners did, to those 'in the know', he was every bit as essential and extraordinary as Archie Shepp and Albert Ayler. A player and composer of direct and emotionally charged music, Howard's career saw him bear witness to some of the most tumultuous periods in jazz, giving voice to the cry for freedom – both musical and political – that characterised the late 1960s and…
A split album by Christopher Hobbs, John Adams, and Gavin Bryars, released in 1975 as the second title on Brian Eno's imprint Obscure. The album includes two pieces by Hobbs and one each by Adams and Bryars. Side A opens with the experimental compositions of Hobbs, followed by Adams’ spoken-word and orchestral work, while Side B concludes with Bryars’ dissonant, frontier-classical ambient piece, featuring contributions from Brian Eno and Derek Bailey. "Aran" and "McCrimmon Will Never Return" (19…