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* Beautiful gatefold vinyl designed by the studio Experimental Jetset, Amsterdam with 12 page booklet featuring the photographic work of Johannes Schwartz and text of Maria Barnas used in the multimedia production of the work. * Face is a multimedia …
Four chamber works by the Toronto-based composer Martin Arnold, whose previous album ‘The Spit Veleta’ sold out last year. Beautifully played by Apartment House. "There are number of ways that the word 'ballad' could be applied to a lot of the music …
* Edition of 300 * Foliage by Elliott Sharp is a long-form graphic music score that offers abstract instructions allowing for infinite possible interpretations by performing musicians. Featuring a series of 80 risograph prints, Foliage is, in Sharp’s…
The first ever survey of the seminal British experimental music collective, Gentle Fire, "Explorations (1970 - 1973)" offers a remarkable and previously unavailable glimpse of their activities during the early 1970s.
In the Understage area of the Alexandra Trianti Hall, the musical saw in the hands of Nikos Giousef, and accompanied by piano, samplers and analog synthesizers, is transformed into a voice. 'An otherworldly child's voice', 'a Siren's voice' or 'a cas…
“Glasspieces” was originally performed in 1983, “In The Upper Room” suite premiered in 1986, and both accompanied a ballet performance. This is the only place you can find the ensemble version of the “Funeral” from ‘Akhenaten’, which was a show-stopp…
* 2020 Stock * Florian Fricke (1944 – 2001) was a German music pioneer who started his career in electronic music using the Moog synthesizer within the famous Krautrock group ‘Popol Vuh’. Fricke studied piano, composition and directing at the conserv…
The pianist, two days in the studio, alone at the piano. A retreat in Zurich. Focus is on the now, the recording is running. Preparation time for the new compositions: about a year. Getting attuned to the music: a lifetime. Alexander von Schlippenbac…
* Edition of 200 * A composition for two bass Renaissance flutes. Performed by Mara Winter and Johanna Bartz. Rise, follow is a dialogue of long tones played by two bass Renaissance flutes, featuring subtle but persistent changes over the duration of…
* Edition of 500 * In Catherine Lamb's Prisma Interius series the unpredictability of the outside articulates the field of perception through precise bandpass filters, while acoustic instruments and musicians guide the unfolding of its harmonic space…
* Edition of 500 * Marc Sabat's Gioseffo Zarlino is "the third in a series of pieces inspired by ideas in the history of music theory, which I seek to experience and unfold in a sounding world" (taken from the liner notes by the composer). In the pie…
** Edition of 300 * From an idea by Adrian Corker and Lucy Railton. Cover is a detail from "Placebo Painting No 7" by Dillwyn Smith. Tracks 1+2 recorded by Peiman Khosravi and mixed by Peiman Khosravi and AishaOrazbayeva. Track 4 recorded by Chris Wa…
"Music for Violin Alone" was recorded in a makeshift studio in an empty house in Le Poujol sur Orb during the first two weeks of the French lockdown. Recorded both as a response to all loss of work due to COVID-19 and a way to be heard again. The pie…
** small repress, absolutely astounding! ** Anyone encountering the efforts of the cellist, Okkyung Lee, faces an unavoidable truth. She’s an unreckonable force. Few players in the contemporary landscape relinquish themselves so completely to the pra…
Putojefe Records is proud to present Vortice Rosso, the first album by Italian composer Flavio Bonometti: a tumultuous journey through the languages of the avant-garde masterfully synthesized in 12 pieces of contemporary classical. After a brilliant …
With Steve Reich’s Music for 18 Musicians, the French ensemble Links presents a classic of the 20th century: Written in 1978, it was Reich’s first work for a larger ensemble. From today’s perspective, it is an icon of American post-minimalism which h…
“All works of this album are part of my Fluxus cycle, which is inspired by physical phenomena associated with fluid mechanics. Space is not a mere concept: It is an experienced reality where frames, forces and fluxes interplay in a creative dynamic –…
“Give me some music!” These words from Shakespeare’s Antony and Cleopatra, which open Cleopatra’s Songs, seem particularly well chosen to characterize Agata Zubel’s relationship to music. Music: a vital need, a thirst, but also something that you giv…
Experiencing La lontananza utopica futura has enriched my musicianship. The unusual openness of the original materials by Nono required the establishment of an interpretive path through tapes and scores. This need has led to the emergence of a creati…
The idea of exploring important 20th century electro-acoustic compositions within their historically informed performance practices, and using this as the basis for the production of a new interpretation in 5.1 surround sound, has created quite a sti…