We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Ellen Reid — the Pulitzer Prize-winning composer and sound artist renowned for her “ineffably moving” (LA Times) works that span opera, sound design, film scoring, avant-pop, and so much more — announces Big Majestic, a stunning new album out August 30 via Amsterdam Records / Eclipse Projects. It’s a transformative and meditative work that finds Reid exercising her towering compositional command and casting her unique voice into fresh shapes as it traverses the worlds of ambient, jazz, post-rock…
Rough Magic features premiere recordings of four works created for and (significantly) with the group, is an explosive departure from their previous recordings, leading listeners through the beauty and struggle of language while showcasing, once again, the band’s unwavering commitment to pushing the boundaries of vocal music. From high-gloss, 80s-style synth-charged passages to early Steve Reich tape-piece-type sounds, Rough Magic articulates a grand experience of language, its limits, and its r…
each sound in solitude, a succession wound among absent threads falling, falling, lighter, lighter— cavernous mouths crown a flickering song without content, exiled from my container, like any other thing, i enter as a thing alone into the world. the world is what enters into nothing— things communicate only by their solitude. three sections, one melody—silences before and after each section. i) player a ii) players a & b iii) player b entries free, note duration and space between notes open, an…
Giant thanks and appreciation to Cecyl Ruehlen for his patience and support in putting this out into the world. Dedicated to my dear Dad for teaching me to keep my ears wide open. Lucky is a compilation of happy accidental living room sit-down sessions of what fell out of my hands, recordings made for filmmaker Jeremy Moss (Franklin & Marshall) and choreographer and filmmaker Tori Lawrence (Tori Lawrence + Co), and field recordings of fortunately minimal-to-no people-produced sounds (voices or…
GOD Records is very happy to present its first release from the controversial composer with cult status, Erik Satie. He influenced not only the entire musical language of John Cage but also an entire generation of 20th and 21st -century composers, whose influence remains noticeable today. This unique release presents two of his rather obscure and lesser-known, but unique pieces, both composed for visual arts: a movie (Cinéma) and a ballet (Uspud).Renowned Serbian piano player Branka Parlić, famo…
This album contains three new works by Italian composer Giuliano d'Angiolini, ')))(((', '7 flauti', and '100100', following his previous three albums: 'Simmetrie di ritorno' (Edition RZ, 2010), ‘Cantilena’ (Another Timbre, 2016) and ‘Antifona’ (Another Timbre, 2020). ')))(((' was composed in 2023 for four flutes and sheng or accordion, or six clarinets, and the version here is for four flutes and six clarinets. It is recommended to listen at high volume. '7 flauti' was written in 2010 for seven …
John Cage’s Variations and the expansion of the score, sonic materials, space, and the environment. Book edited by Cat Hope and Lindsay Vickery, including CD recording of the 8 John Cage ‘Variations’ (1958–76), recorded by the Australian ensemble Decibel.
"Spektralmaskin, a collaborative album by the Norwegian musicians Jo David Meyer Lysne and Peder Simonsen, owes its name to a sort of prospecting: the process of sliding e-bows—small magnetic motors of adjustable speeds used to sustain sounds, here of Lysne’s own design—along guitar strings to produce harmonics. As these harmonics can occur erratically, the technique rewards the musician patient enough to scoot the e-bow about the string, waiting for the delicate sounds to crest. The duo’s fasci…
Original 1972 LP of Christian Wolff's seminal chance compositions featuring David Tudor, David Behrman, Gordon Mumma, etc. on Wergo’s legendary Studio Reihe Neuer Musik series. Complete with insert.
First 1962 edition on Time Records' important Series 2000 (Cage, Stockhausen, Kagel, Berio, Wolff, etc.) of one of the most influential compositions on the American avant-garde by maverick composer Charles Ives, performed by Stockhausen's pianist of choice Aloys Kontarsky.
John Cage's importance for a comprehensive aesthetic reorientation of New Music after the Second World War can hardly be overestimated. His self-discovery and compositional articulation took place particularly in the field of piano music: in the art-merging experimental laboratory of New York around the dancer Merce Cunningham, the painter Robert Rauschenberg and the congenial performer and pianist David Tudor.
It is good fortune that Sabine Liebner, who has already released several internationa…
** Edition of 300 copies, gold foil printed sleeve, includes 12-page booklet and 2 leporello inserts printed on translucent paper ** Since their founding during the early years of the new millennium, the Italian imprint, Holidays Records, has stood at the vanguard of forward-thinking sound, building a carefully curated catalog of releases that collectively build context and conversation across numerous avenues of exploration - contemporary and historical sitting side by side - within the wider f…
Tip! Explicit isolation is the third album by the international collective E/I, led by composer and percussionist Szymon Pimpon Gąsiorek. The group’s seven core members came together while studying at Copenhagen’s Rhythmic Music Conservatory and the Royal Danish Academy of Music. For this latest release, they are joined by Slovenian musicians Samo Kutin (hurdy-gurdy) and Kaja Draksler (organ), alongside Danish tuba player Rasmus Svale. The three compositions distill sound down to its essential e…
Anton Lukoszevieze, cellist, composer and interdisciplinary artist, founder of Apartment House. Le Jardin des Plantes, in four parts, for cello and electronics. A place in Paris and a novel by Claude Simon. Memory spaces, a source, a scrying of time.
*200 copies limited edition* Theatre of the Mind is a work for bass clarinet and electronics by Swiss composer Roland Dahinden. It was commissioned by the Dutch Foundation Mousai, an organisation that uses contemporary music as a platform to explore and work with issues of mental health. It was written for bass clarinettist Gareth Davis. Roland's composition takes elements of his mixed background performing in jazz and improvised combinations with Miles Davis and Anthony Braxton while at the sam…
*2024 stock* An outstanding pianist and a remarkable composer, Emahoy Tsegué-Maryam Guébrou, now a Christian nun in a Jerusalem monastery, recorded her own piano solo works, seeped in Ethiopian culture. Their rich, personal poetry brings to mind Carlos d’Alessio’s «India Song». A rare curiosity indeed, with beautiful melodies and a charming interpretation.
*2024 stock* Erwan Keravec's 4th opus devoted to contemporary music, Goebbels/Glass/Radigue features a trio of contemporary music maestros. Evocative, minimal or sensitive, 3 very different ways of imagining music. Heiner Goebbels places the bagpipes in the mountains, then abruptly in an industrial landscape, all the while quoting Bach, while Philip Glass' music uses the repetition of 5 notes served by continuous breathing. Finally, Eliane Radigue brings the instrument closer to intimacy.
"My reasons for writing pieces are often very surprising.... Two Pages, you'll recall, is a unison. Someone asked me if I was trying to follow the evolution of music history and if, then, my next piece would follow that logic and be fifths. So I wrote Music In Fifths. All movement is parallel, so I had to do one with contrary motion. After Music In Contrary Motion came its opposite, Music In Similar Motion. It was all very simple. In 1969, nobody knew me or really cared what I could write, so I …
*2024 stock* It's quite unusual for me to take on an existing piece. Since I've been interested in contemporary music, I've devoted myself to commissioning new pieces. This time, it's a bit different. I wanted to extend the ringers' quartet into a form reminiscent of a bagad. In C (1964) consists of 53 ordered patterns. The musicians repeat them freely and move on to the next. Terry Riley simply explains that each musician must be neither too far behind nor too far ahead of the others. This grea…