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*2023 stock* Pivotal work in Mimmo’s discography this “Prossime Trascendenze” explores the intriguing relationships between composed and improvised forms, “tight corners” and collective interplay. A seamless orchestration toward a higher level of articulation that leads the listener through a textural pulsing structure where enlightened details deliver a splendid intelligibility.
*2023 stock* "This, the first CD dedicated entirely to work by composer Dario Palermo, features three substantial electroacoustic works written between 2009 and 2012. Palermo (b. 1970) has been involved with the use of new technologies in music since the early 1990s. His background includes studies with Giorgio Colombo Taccani and Giovanni Verrando and others, including Gerard Grisey, as well as in orchestral and chamber performance. His work, as typified in the three pieces presented here, is b…
My Strong Will is a new album of "Ethiopian Classical Music" by Girma Yifrashewa. Recorded with Bulgarian musicians and the Sofia Philharmonic Orchestra in Sofia, Bulgaria, the album is a return to where Yifrashewa completed his own conservatory training in the late 1980s and early 1990s, across both sides of the fall of Communism. Guided by Yifrashewa's piano, these chamber works bring the music of Ethiopia into a Western Classical format, uncovering meditative and emotional new vistas for both…
In 2019, or just a little while before, with plans to release Andrzej Karałow's first duo album with analogue and modular synthesiser player Jerzy Przezdziecki's, we not only made plans for further collaboration, but also talked about our inspirations. It turned out that I had not caught such an understanding with any other artists for a long time, and although for Przeździecki the inspiration was early industrial and for pianist Karałow minimal music and the sonoristic tradition of classical mu…
*Dead stock copy coming from the artist's archive. Possible wear due to the long storage* Pier Paolo Pasolini's lyrics in Friuli dialect from the collections "Poesie Dimenticate" (Società Filologica friulana, Udine, 1976) and "Tal cûr di un frut" (Edizioni Friuli, Tricesimo, 1953) are edited by Luigi Ciceri. All lyrics used thanks to the courtesy of professor Andreina Ciceri. Digitaly mixed and recorded in Bologna april 1987/august 1988.
Founded in 1997 by Cyril Secq and Yvan Ros as a guitar/drums duo, Astrïd subsequently expanded and settled around the violin player Vanina Andreani (1998), followed by the clarinet player Guillaume Wickel (2005). The core of the group is based in Nantes, France.
Astrïd’s instrumental and expansive music has been inspired by improvised music, folk, post-rock and jazz, as well as by classical and contemporary composers, from Ravel to Arvo Pärt. Their work has been released across a number of albu…
Tip! Gene Coleman is a composer, musician and video director, who has created over 70 works for various instrumentation and media. Central to his work is the inventive use of sound, image and time, and the desire to create experiences that expand our understanding of the world. Since 2001 he has explored the global transformation of culture and music’s relationship with video, science and architecture. Gene has been developing a series of works around concepts of Neuro Music and Transcultural Mu…
A mysterious entry in the canon of Japanese minimalism, Série Réflexion 1 was the debut and swan song of Oscilation Circuit, a short-lived ensemble helmed by composer Kenichiro Isoda. Released in 1984, the album was intended to launch a new series for Satoshi Ashikawa’s Sound Process label, whose Wave Notation albums had already heralded a new phase of ambient composition. Where composers like Ashikawa and Hiroshi Yoshimura took ques from Satie, Eno, and Budd, Oscillation Circuit’s interests lay…
Softcover ediion, 1070 pages (!) Cornelius Cardew was a musician of genius for whom Life and Art were as one. He was a radical, both artistically and politically, becoming a tireless activist and uncompromising Marxist-Leninist. Passion and imagination governed all he did: his boldness and humanity continue to intrigue and inspire.
John Tilbury, whose close friendship with Cardew dates from their first concert together, in January 1960, has worked for many years on this biography, and brings his…
*2023 stock* Nice Music presents the debut solo LP from guitarist and composer Alexander Garsden. Following his 2020 collection of guitar duets (with Tetuzi Akiyama, Julia Reidy and David Stackenäs) on US label Marginal Frequency, 'Solo Guitar I' is the first instalment in a series of releases documenting Garsden's work as a soloist over the last ten years. This recording presents three works for steel-string guitar – contrasting in style and scale, yet linked by Garsden’s fascination with acous…
Bruce Brubaker is one of the most exciting pianists in the contemporary American classical scene, according to Pitchfork. He is back with a follow-up to his 11th album Glass Piano an audacious reprise of compositions by his contemporary Philip Glass. Brubaker’s new album, Eno Piano, is a stunning reinterpretation of selected tracks from Brian Eno’s ambient masterpiece, Music for Airports, as well as three original tracks. Brubaker carefully dissects, rearranges and reconstructs the iconic compos…
Acclaimed NYC composer, producer and saxophonist Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion Of Shadow and Substance.
*300 copies limited release* With Empyrean Traces, De La Catessen Records focuses on another aspect of Adelaide composer David Kotlowy’s career – his works for trio. It follows the 2021 release of Final Fragments: Piano Music of David Kotlowy, where Kotlowy’s solo piano compositions were performed by composer and scholar Stephen Whittington. The three compositions on Empyrean Traces are brought to life by the Benaud Trio, whose ability to carry the gentle poetics of such work allows for bravura …
*2023 stock. 250 copies limited edition* Composer/improviser Magnus Granberg, who lives in Stockholm, has presented outstanding composed works through Skogen, the ensemble he directs, and experimental music ensembles, projects and labels from around the world. He has released three CDs on the Meenna label: "Whose Words?"(meenna-983 / 2017), documenting a trio improvisation performance with Tetuzi Akiyama and Henrik Olsson; and two albums titled "Come Down to Earth Where Sorrow Dwelleth" (meenna-…
*2023 stock. 250 copies limited edition* On this album, works composed in 2018 and '19 by Tokyo-based composer/guitarist Taku Sugimoto are performed by musicians based in Berlin. Sugimoto has in recent years been working on a series in which pieces written as scores for solo performance can also be played as ensembles, with each musician using their respective solo score. For example, a score for guitar solo and a score for cello solo can be played as a duo performance by a guitarist and a celli…
*2023 stock. 300 copies limited release* And / In is the Amsterdam/Berlin-based duo of Heather Frasch and Koen Nutters creating music with objects, text, and vibrations. Shadows and light, audible and inaudible movement, air, liquids, and solids. They conduct musical investigations of objects, bodies, agents, sounds, actions, text and silence. Objects and/in silence. Text and/in sound. Reading and/in actions. A spatio-vibrational theater workshop approaching the meaning and the life of objects a…
Deluxe 2LP, inc printed inners & download of the album dropped to your account. Composed by Lo Kristenson 2017-2018. Recorded + mixed by David Granström, mastered by Mats Erlandsson. Artwork by Julija Morgan, sleeve design by Stephen O'Malley
Born in Yokohama in 1994, Kanon Aonami is an alto saxophonist and composer who plays jazz and improvised music at performance venues mainly in Tokyo and Yokohama. She is also a talented composer, and at Ftarri she often performs her own compositions in addition to improvised music. In June 2021 Aonami started appearing periodically at Ftarri; she has performed with musicians including pianist Fumi Endo, alto sax player Masahide Tokunaga, and British guitarist and Tokyo resident Sean Colum.
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Tip! "Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from the composition written only two years earlier, for here, in contrast to Piano and String Quartet, Feldman makes every effort to integrate the piano into the string section, and the basic formal components of the composition are no longer staves, as…