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The imagery of musical forms emptied of earthly meaning, of solitude, and of a connection to the divine were irresistible to Federico Mompou. A desire to be alone had shaped Mompou’s early musical direction: as natural shyness ended his ambitions to be piano virtuoso, after studies at the Paris Conservatoire he turned to composition instead. His approach remained introspective – far removed from the overt and public expressions of the avant-garde, both before and after the Second World War – and…
In the Understage area of the Alexandra Trianti Hall, the musical saw in the hands of Nikos Giousef, and accompanied by piano, samplers and analog synthesizers, is transformed into a voice. 'An otherworldly child's voice', 'a Siren's voice' or 'a castrato voice', as it has been described, it easily climbs to tonic heights that the human voice can only reach with great effort. The pieces chosen for the program reflect this criterion, with works such as the aria 'Erbarme Dich, Mein Gott' from the …
Putojefe Records is proud to present Vortice Rosso, the first album by Italian composer Flavio Bonometti: a tumultuous journey through the languages of the avant-garde masterfully synthesized in 12 pieces of contemporary classical. After a brilliant career as a violist at La Scala Theatre in Milan and in many other orchestras, Flavio Bonometti gave up the stage to dedicate himself exclusively to his music. The tracks of Vortice Rosso, produced and recorded over the last 10 years, are born from t…
“Give me some music!” These words from Shakespeare’s Antony and Cleopatra, which open Cleopatra’s Songs, seem particularly well chosen to characterize Agata Zubel’s relationship to music. Music: a vital need, a thirst, but also something that you give.
This portrait album with three major works, performed by leading ensembles, including the Klangforum Wien and Ensemble intercontemporain, follows her receipt of the Erste Bank Kompositionspreis in 2018.
The idea of exploring important 20th century electro-acoustic compositions within their historically informed performance practices, and using this as the basis for the production of a new interpretation in 5.1 surround sound, has created quite a stir. It originated at the Institute for Computer Music and Sound Technology (ICST) at the Zurich University of the Arts, and found its expression in the double SACD Les Espaces Électroacoustiques I. — This album now brings us further milestones of ele…
In modern experimental music, and especially among a number of musician-composers emerging in America during the Sixties, a fixation on process and awareness became a structural hallmark, exploring the gradual change of sonic materials, built environments, and the human body. Though much maligned as a term by its practitioners, figures like Steve Reich, La Monte Young, Philip Glass, and Terry Riley were among these 'minimal' composers; askew of them were electroacoustic explorers like Alvin Luci…
We want to fabricate a new music. We imagine a situation in which the sounding together of tones is never taken for granted, is continually renewed and reinvented. We know that the effect of any set of simultaneous tones, by means of the multiplication implicit in the harmonic series, totals much more than the number of notes played. A room can be made to vibrate with hundreds of frequencies by a single chord. We want to enter into a universe of harmony in which it becomes possible to hear into …
Chris Brown’s (b. 1953) compositions Some Centre (2019) and First Light (2016), performed with such assured lucidity and subtle shading by the three members of The Chromelodia Project, engage with significant precursors in music and in literature, drawing upon their words and innovations, their insights and adventurous spirits while, in the process, transporting those uncompromising benefactors to a different frontier. Brown makes songs from poems by Emily Dickinson (1830–1886) and Jackson Mac L…
The title of this recording has multiple meanings for its composer, Larry Polansky (b 1954). These are the generations... is a translation of the Hebrew title for the second work on the program, Eleh Tol'd'ot, the first words of the thirty-fifth verse of the first book (B'rey'sheet) of the Torah. Beyond referencing Polansky's Jewish heritage, the phrase reflects this particular collection of works on several levels.
The compositions included stem from different generations of Polansky's musical …
Wrestling with the notion of balancing both formal construction and creative spontaneity has allowed Scott Fields (b 1952) to compose a powerful body of work with ties to extramusical concerns from the realms of literature, philosophy, and science. Seven Deserts (2019), rather than operating from a fixed narrative structure with predetermined events, lays out the ground rules for a manifestation that is absolutely identical in every performance in its operations and sonic vocabulary, but with ea…
**2020 stock** I was born in Detroit (1931), studied chemistry and music at Princeton (1949–53), and after the army, pro-baseball, and working as a chemist at Cape Canaveral, I went to “Koln State” (Music School) in Germany on the GI Bill, (1959-63) and spent a lot of time watching Karlheinz Stockhausen work. I then “visited” Rome (1964–87) where Frederic Rzewski, Alvin Curran, Jon Phetteplace and I put together a group, “Musica Elettronica Viva” (MEV), to create electronic- sounding music in co…
This historic recording features the first-ever release of the two earliest surviving recordings of David Tudor's seminal work, Rainforest. Sandwiched in between are six keyboard works by Gordon Mumma in recordings featuring the composer and his close collaborator, Tudor. Together, these works constitute a fascinating and historically important document of the 1960s avant-garde in America.
In early 1968, Merce Cunningham created a new dance whose apparent impetus was Colin Turnbull's The Forest …
At Synge Verden Ind I En Ny Og Mangefoldet Tid was composed during Anders Lauge Meldgaard’s period as composer in residence at the old Danish castle Rønnebæksholm on the south of Zealand. He has previously released music as Frisk Frugt, Supermelle, Music for Six Electric Guitars, Kirsten Ketsjer and been a part of the experimental collective yoyooyoy.
This release marked Anders taking on new musical adventures by composing for an ensemble of classical musicians. The music, however, retains the f…
The second release to be drawn from Orange Mountain Music's Philip Glass Archive series, this disc - if you hadn't guessed - focuses on the composer's orchestral works, namely his compositions Days And Nights In Rocinha and Persephone. The former of these was inspired by the titular neighbourhood in Rio De Janeiro, best known for its celebrated samba school. Accordingly, the piece is redolent of a Latin American influence, opening with a languid romantic melody only to eventually augment itself …
* Edition of 300 * The Clywdian Range in North Wales is a landscape of outstanding beauty, forged as much by the forces of nature as the hands of generations who lived and worked in its valleys and peaks from times of antiquity. It is a place of Neolithic mounds, Roman hill forts and a remarkable chain of Iron Age earthworks fashioned over two thousand years ago. In this borderland, close to Offa's Dyke, the eighth century boundary between England and Wales, a musician came wandering and wonderi…
12 instrumenter til Henning (english: 12 instruments for Henning) is a new arrangement by Danish composer Anders Lauge Meldgaard (formerly known as Frisk Frugt) that sees Meldgaard exploring the music of Danish avant-garde artist and composer Henning Christiansen. A trio piece by Christiansen from 1975 is the source material for a bright and stimulating new work for extended chamber ensemble, with the tonal language the original blossoming outwards via Meldgaard’s own brilliantly colourful sound…
* Limited Edition Green vinyls + insert * Ars Subtilior (14th century) and the Noise: the two inspirations of Christophe Guiraud which are like two rivers which are woven in a writing of great power. The French young composer is the link between the most accomplished scholarly music and some radical aspects of noise. Born in Toulouse mid-seventies, he settles in Brussels - which becomes the crossroads of a continuous creation. Currently works and has been collaborating since several years with …
* 2021 stock * Nobody who attended the first performance of Sexo Puro is ever likely to forget it. On that October afternoon, the conciliatory power of this work, which Maria de Alvear sees as a “meditation on inner goodness”, came into sharp collision with the irreconcilable powers that sometimes gather at contemporary-music festivals.
It was probably not even the theme of sexuality that so profoundly disturbed a part of the audience at the 1998 Donaueschingen Festival, even though it is seldom…
* 2021 stock * The structures of Chris Newman's music are apparently simple, like his music pictures: large, thick dots of notes, but a lot of space in between: "The raw and the cooked" (Roland Barthes). He himself likes to cook well and with pleasure. Just his lamb chops, for example. He only puts them in a hot pan with oil; there is also chard, just pulled out of the water, but also more complicated things: coq au vin or bœuf bourguignon.His music has a strong physical structure, is quasi carn…
* 2021 stock * Acousmatic events dispense with performers. There are no musicians, even at public concerts. The audience is able to follow what is emanating from the loudspeakers with eyes closed and still not miss anything. What it hears is composed, and demands the same attention as any other kind of music listened to on a stereo system or via headphones. It is worth remarking this fact because so many people are no longer able to hear things without seeing something as well in video clips or …