An Album
Five typically matter-of-fact (but also very beautiful) chamber works by one of the UK’s most under-rated composers.
Hymnkus Thoreau Drawings Two
"Some years ago we performed the John Cage Thoreau Drawings work at dawn break in the Yorkshire Sculpture Park on a rather chilly November morning. As a visual artist I have always delighted in Cage’s own visual art and its connections to nature and Henry David Thoreau. The graphical notational elements used in Cage’s score are not, however, his own, but derived from the many small sketches of plants and other natural ephemera found in Thoreau’s Journal, (which I highly recommend also as a porta…
Seduced by (a) last year
Seduced by (a) last year is artist, musician, and researcher, Andreas Hiroui Larsson’s first album under his own name and which features his interdisciplinary music. Larsson weaves together materials from his art,music, and philosophy practices by way of an interdisciplinary artisticmethod, in which imagery, live improvisation, recordings, and text investigate the purpose of one another by entering each other’s fields, andperforming each other’s roles. Larsson’s music constitutes a layered hybri…
In the Asylum
This album collects works for piano through piano quartet by Irish composer Gerald Barry. All, except for In the Asylum are first recordings.
Mixtur 2003 Vorwärtsversion
*2022 Stock.* This recording of an updated version of Mixtur (for 5 ring-modulated orchestra groups, orig. 1964/67) features the Deutsche-Symphonie-Orchester Berlin, conducted by Wolfgang Lischke. In contrast to the original, graphic notation-based version of Mixtur (on The Stockhausen Edition no. 8), all of the orchestra parts for the updated 2003 version are completely notated.- Stockhausenspace.blogspot.com
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 105 contains chamber works recorded between 2011-15. In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. teddy bear costume), basset horn, b…
Pole Für 2 (Integrale Version)
*2022 Stock.* 'The Stockhausen Edition no. 103 contains the first complete recording of Pole (Poles, 1969-70) for 2 soloists with shortwave radio (and small instruments). Vocalists Natascha Nikeprelevic and Michael Vetter are featured here. The score for Pole includes directions for spatial placement of sound sources, which were realized through panning and digital reverb. An earlier recording of this piece with Péter Eötvös & Harald Bojé can be found on The Stockhausen Edition no. 15.' - Stockh…
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 102 contains five new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. ted…
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 101 contains four new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. te…
The Complexity Of Distance
At the onset, we hear a single, heavily distorted power chord. The chord fades, and then we hear three more iterations of the chord in regular, pulsed attacks. To some, especially fans of metal and its many subgenres, this sound is welcoming and familiar. To others, this sound is surprising, perhaps arresting—an unexpected opening from a composer known for music of quiet, prolonged stillness. This chord and its four attacks signal the opening of The Complexity of Distance, a 58-minute collabora…
The Sea Maid's Music
*2022 stock* Adapted from Shakespeare's Midnight Summer Dream. Realized April-May 1990 using the Syter system developed within Groupe de recherches musicales by Daniel Terruggi. Composed by Jean Schwarz, vocals by Elise Caron
James Tenney
By Zeitkratzer director Reinhold Friedl's personal request now available on vinyl for the first time: Zeitkratzer's critically acclaimed interpretations of groundbreaking compositions by James Tenney.James Tenney (1934 - 2006) was a composer, music theorist and pioneer especially in the field of microtonal music, being an influential part of the so-called New York avantgarde scene (Cage, Feldman). Besides his compositonal work, Tenney was teacher at various universities with students like Charle…
Betula
Dutch composer/clarinetist Germaine Sijstermans is one of the emerging artists of the new generation of the contemporary classical music scene, regularly and closely working with artists associated with Edition Wandelweiser. This is her debut album as a composer, a double CD containing seven of her recent pieces, all composed between 2017-2019 and performed by the ensemble of six musicians who had worked closely together from the very start of the project: Antoine Beuger (concert flute), Germain…
Jubiläum
*2022 Stock.* Jubiläum and Tierkreis (Zodiac) for orchestra. This disc features primarily orchestral works, as well as recordings of the Tierkreis melodies while installed for the Cologne Town Hall carillon. - Stockhausenspace.blogspot.com
Treue
*2022 Stock.* Treue (Fidelity, 11th Hour from Klang, for wind trio, 2007) and Erwachen (Awakening, 12th Hour from Klang, for trio, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
Hoffnung
*2022 Stock.* Hoffnung (Hope, 9th Hour from Klang, for string trio, 2007) and Glanz (Brilliance, 10th Hour from Klang, for septet, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
Balance
*2022 Stock.* Balance (7th Hour from Klang, 2007) and Glück (Bliss, Eighth Hour from Klang, 2007) are both wind trios which adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
Harmonien
*2022 Stock.* Harmonien (Harmonies, 5th Hour from Klang, 2006) consists of three adaptations (for bass clarinet, flute, trumpet) of a composition for a solo melody instrument, in which broad melodic fragments are answered by brisk cycles of related arpeggio figures (or broken chords). These ostinato figures are modulated dynamically so that they subtly approach and recede. In Schönheit (Beauty, 6th Hour from Klang, 2006) the material from the three arrangements of Harmonien are layered and synch…
Klang- Die 24 Stunden Des Tages: 3.Stunde: Natürliche Dauern Für Klavier
*2022 Stock.* Natürliche Dauern (Natural Durations, 3rd Hour from Klang) for piano (2005/06) is presented in a 2 CD set. Some of these short piano etudes (24 in all) are predicated on the decay times of sustained, pianistic attacks, while others are fascinating explorations of melodic and rhythmic contrast. These final, late-era piano pieces are truly beautiful postcards of shape and color.- Stockhausenspace.blogspot.com
Freude
*2022 Stock.* Freude (Joy, 2nd Hour from Klang) for 2 harps (2005) consists of 24 moments, each linked with a liturgical verse sung by one or both harpists during performance. This piece is one of Stockhausen's most lyrical pieces in the traditional sense, although it is still based on a chromatic tonality.- Stockhausenspace.blogspot.com