Composition / All styles

First recordings of Wolfgang Rihm's Sphäre um Sphäre for ensemble and Frage for female voice and ensemble, played by ensemble recherche, which premiered both, with Salome Kammer and conductor Lucas Vis. A coproduction with WDR.

Live recording of Dieter Schnebel's Orchestra, symphonic music for mobile musicians, at his 70th birthday concert on 14 March 2000 at the Universität der Künste Berlin, played by students and teachers under three central conductors.

Five orchestral works by Herbert Willi, including the trumpet concerto Eirene and the concerto for flute and oboe ... geraume Zeit ..., with Reinhold Friedrich, Wolfgang Schulz, Hansjörg Schellenberger and the Rundfunk-Sinfonieorchester Saarbrücken, 1999-2004.

Bernd Alois Zimmermann's Un petit rien, Das Gelb und das Grün, the serial cantata Omnia tempus habent and the film music Metamorphose, with soprano Angelika Luz and the Collegium Novum Zürich under Peter Hirsch.

Conlon Nancarrow's Studies for Player Piano in transcriptions for piano four hands, the Three Canons for Ursula, Tango?, Blues, Sonatina and other pieces, played by the Bugallo-Williams Piano Duo (Helena Bugallo and Amy Williams).

Hans Werner Henze's radio operas Ein Landarzt (after Kafka) and Das Ende einer Welt (libretto by Hildesheimer), revised versions, premiered live in the Cologne Philharmonie on 27 September 1996 with the WDR Sinfonieorchester under Markus Stenz.

First recording of Hans Werner Henze's children's opera Pollicino, after Collodi, Grimm and Perrault, sung in German by young soloists with a choir and orchestra of Berlin music school students under Jobst Liebrecht. Echo Klassik 2004.

Five early works by Hans Werner Henze (1946-1951): Ballett-Variationen, Concertino, Rosa Silber, Kammerkonzert and the Boulevard Solitude interludes, played by the NDR Sinfonieorchester under Peter Ruzicka with Christopher Tainton and Matthias Perl, 2002-2003.

Seven percussion works by Vinko Globokar, including Toucher for a speaking percussionist, ?Corporel for body percussion and Ombre with tape and rhythm machine, played by Matthias Kaul, a coproduction with Deutschlandfunk.

Five piano sonatas by George Antheil from 1923 to 1950, three in first recordings (the Third, Fifth and Woman Sonata), played by Guy Livingston on a Fazioli piano, recorded in Paris in July 2003.

Christian Wolff's For 1, 2 or 3 People, Exercise 27, Bread and Roses and Edges, played by violinist Malcolm Goldstein and percussionist Matthias Kaul (also voice and hurdy-gurdy), recorded at Hessischer Rundfunk in 1999 and 2002.

Three orchestral works by Hans Werner Henze from 1950 to 2001, Scorribanda sinfonica, Antifone and Piano Concerto No. 1, played by the NDR Sinfonieorchester under Peter Ruzicka with pianist Christopher Tainton, recorded in Hamburg.

Four orchestral works of the 1950s by Bernd Alois Zimmermann, with the live world premiere of the Märchensuite and the first recording of Alagoana, played by cellist Lucas Fels and the Rundfunk-Sinfonieorchester Berlin under Peter Hirsch, January 2001.

Three ensemble works of the 1990s by Detlev Müller-Siemens, Phoenix I-III, Light blue, almost white and Cuts for alto saxophone and ensemble, played by Ensemble Phoenix Basel under Jürg Henneberger with Marcus Weiss, recorded in Basel in 1999.

First recording of the original version of Penderecki's Symphony No. 7 Seven Gates of Jerusalem, live at the Vienna Musikverein on 16 November 1999 with the Warsaw National Philharmonic Orchestra and Choir under Kazimierz Kord.

Four orchestral works by Chinese composer Xiaogang Ye, including the Pipa Concerto and Symphony No. 2 Horizon, played by the Rundfunk-Sinfonieorchester Saarbrücken under Yi Zhang and Günther Herbig with Wei Lu, Wu Man, Yanyan Wang and Song-Hu Liu.

Works for wind ensemble and concert band by Paul Hindemith, Ernst Toch, Hans Gál and Ernst Krenek, three of them written in 1926 for Donaueschingen, played by the Deutsches Symphonie-Orchester Berlin under Roger Epple.

First recording of Karl Amadeus Hartmann's Wachsfigurenkabinett, five little operas of 1929-30, with Claudia Barainsky, Michelle Breedt, Tom Harper, Michael Kraus and members of the Deutsches Symphonie-Orchester Berlin under Roger Epple, recorded 1999.

Harry Partch's The Wayward (Barstow, San Francisco, The Letter, U.S. Highball), hobo texts set for voices and Partch's own instruments, played by Newband under Dean Drummond, recorded in New York in December 1999.

Hans Werner Henze's Drei sinfonische Etüden, Quattro Poemi, Nachtstücke und Arien (Ingeborg Bachmann) and La selva incantata, played by the NDR Sinfonieorchester under Peter Ruzicka with Michaela Kaune, recorded 1999.

Choral works by Heinrich Poos: Magnificat, Sphragis, Nachklänge after Eichendorff, Hypostasis vel Somnium Jacob and Zeichen am Weg, sung by Schola Cantorum Gedanensis and the SWR Vokalensemble Stuttgart.

Hindemith's works for piano four hands and two pianos, including his four-hand Mathis der Maler symphony, Rag Time (wohltemperiert), the Walzer op. 6 and the sonatas of 1938 and 1942, played by Andreas Grau and Götz Schumacher.

Four works by Luigi Nono from 1951 to 1989: Polifonica-Monodia-Ritmica, Canti per 13, Canciones a Guiomar and his last work, "Hay que caminar" soñando for two violins, with Ensemble UnitedBerlin, United Voices and Angelika Luz under Peter Hirsch.

A cappella choral works by Paul Hindemith: Six Chansons after Rilke (1939), the Zwölf Madrigale on Weinheber texts (1958), Five Songs on Old Texts (1937) and nine canons, sung by the Rundfunkchor Berlin under Stefan Parkman, recorded 1996.

Alexander Raskatov's Commentary on a Vision for solo percussion and orchestra and Xenia for chamber orchestra (both 1991), with Mark Pekarski and the Symphony Orchestra "S. Rachmaninov" Moscow under Valentin Ponkin, recorded in Moscow in December 2000.

Orchestral and chamber works by Frank Michael Beyer: Griechenland (1981), the Trio for oboe, viola and harp (1980) with Heinz and Ursula Holliger and Hirofumi Fukai, and Diaphonie (1975), from radio recordings of 1978-1983.

Piano works by Wilhelm Killmayer written 1975-1999: An John Field (five nocturnes), Vier neue Klavierstücke and Klavieralbum mit Sphinxen, played by his former pupil Siegfried Mauser.

Piano works by Wilhelm Killmayer, from the Trois Etudes blanches and Douze Etudes transcendentales to Rundgesänge und Morgenlieder and three pieces from 1957-1968, played by Siegfried Mauser.

Piano works by the German composer Barbara Heller (born 1936), including Scharlachrote Buchstaben, Currants - Johannisbeeren, Das Quintenbuch and Un Poco, played by Deborah Richards.

Hindemith's String Quartets No. 2 in F minor, op. 10, and No. 6 in E flat (1943), played by the Juilliard String Quartet (Mann, Smirnoff, Rhodes, Krosnick), recorded in New York in June 1996 for the Edition Paul Hindemith.

Portrait CD of Achim Bornhöft: six works from 1999-2010 for computer, string quartet, flute and clarinet, percussion quartet, quintet and four electric guitars with live electronics, played by Helios Streichquartett, Ensemble Phorminx, Freiburger Schlagzeugensemble and GoGuitars.

Portrait CD of Hannes Seidl: five works for trombone quartet, mixed ensemble with tape, contrabass clarinet with environmental sound, piano with tape and cello with mixing desk, played by Composers Slide Quartet, ensemble Intégrales, Theo Nabicht, Sebastian Berweck and Andreas Lindenbaum. 2009.

Four works by Jay Schwartz for string orchestra, six voices, twelve cellos and string quintet, recorded live 2005-2008 by the hr-Sinfonieorchester under Diego Masson, Neue Vocalsolisten Stuttgart, SWR Stuttgart cellists under Erik Nielsen and the Kairos Quartett.

Five works (1996-2004) by Sebastian Claren, with Teodoro Anzellotti and trio recherche, ensemble mosaik under Enno Poppe, pianist Ernst Surberg and the Radio-Sinfonieorchester Stuttgart des SWR under Matthias Hermann.

Six works by Tobias PM Schneid for seven instruments, solo clarinet and piano with ensemble, played by Ensemble Musikfabrik under Peter Rundel with Carl Rosman (clarinet) and Ulrich Löffler (piano).

Walter Zimmermann's Singbarer Rest (1993) for nine high female voices and sampler, on Edmond Jabès, and Die Blinden (1984), static drama after Maeterlinck, with Neue Vocalsolisten Stuttgart and Junges Philharmonisches Orchester Stuttgart under Manfred Schreier.

Choral Music of Morton Feldman and Stefan Wolpe Stefan Wolpe (1902-1972), one of the great teachers in twentieth century music, is also now recognized as one of its most significant composers. His Two Chinese Epitaphs, composed in Jerusalem in 1937, illustrates the composer's deep allegiance to socialist issues. He wrote the work swiftly and in anger, just after learning that the Basque town of Guernica had been bombed by the Fascists the previous week. He chose to set two poems by Louise …

Morton Feldman (1926-1987) remains a legendary and key figure in modern American composition. A pioneer of aleatoric and indeterminate music, he was a master of minimal improvisation. Despite many thematic fluctuations in Feldman's compositional style throughout his career, a significant turning point took place in 1949, when he met John Cage, commencing an artistic association of crucial importance to music in America in the 1950s. Cage was instrumental in encouraging Feldman to have confidence…

Thirteen of Morton Feldman's graphic scores, 1950-67, played by the Barton Workshop and soloists including Frank Denyer and Taco Kooistra, with first recordings of several ensemble works. Volume 9 of Mode's Feldman Edition.

Marilyn Nonken plays Morton Feldman's Triadic Memories, a single-movement solo piano work of almost 90 minutes, recorded in 2003 and available on two CDs and on DVD-Audio.