Guest Room
Francesco Serra (born 1980) is an Italian guitarist from Cagliari who lives and works in Bologna. His music research focuses on performance practices aimed at expanding the timbre qualities of the electric guitar, emphasising the evocative potential of sound and exploring possible contaminations among sound, space and image. He started recording solo under the name Trees of Mint in 2008, progressively deconstructing, in the span of three albums, his initial approach to song structure through sou…
The Tao Of Cwmdonkin Drive
"Having witnessed with awe his sagacious feline-managerial skills with music and musical psyches of many a stripe (including *cough* my own), I was certain that Andy McAuley was the right person to orchestrally illuminate my semi-inchoate ego-laced narrative. Zooming in and out of rainbow-hued classical fractal frequencies like an electronic-inculcated dervish and weaving keyboard themes (one composed by Saichairí McAuley), Udu-fronted percussion and vibraphone from the Terpsichorean Martin Pyne…
Upadesa
Ángel Rada is one of the most interesting music experimantalists of Venezuela. He started his career in the late 1960s as a member of The Gas Light, one of the big names on Venezuela's live circuit in the era, sharing the stages with other artists such as Apocalipsis, Un Dos Tres y Fuera, Vytas Brenner, Daniel Grau, Pablo Schneider, Miguel Ángel Fuster... Rada is one of the three basic artists who set an electronic music scene in Venezuela, along with Miguel Ángel Noya and Vinicio Adames. Rada h…
Musica Para El Fin De Los Cantos
This is a very serene, almost entracing record that seems to inhabit its very own space, between "classical" ambient music (Eno, Budd), "systems music" (Reich, Glass, Riley, Hassell), japanese kankyo ongaku (Hiroshi Yoshimura, Takashi Kokubo), even hinting at what would become 90's ambient electronica (B12, Nuron, SAWII-era Aphex Twin or the Fax +49-69/40464 label). Actually, Lech would be one of the few artists to perform at the first-ever Sonar Festival (Barcelona) back in 1994 (together with …
00 Time
Released on Karl Kronfeld's Synoptik Records, it was the label's only release, thus becoming a rare, sought after, private pressing. Weird, intriguing atmospheres and a plethora of synthesized sounds, sequencers, cold sounding keyboards and even mellotron parts make this a darker offering than Aphorisms Insane. Venturing into stark, spooky post-industrial territories it manages to combine the primitive cosmicism of early Tangerine Dream with the dystopic sound-scapes of Asmus Tietchens, 80's Con…
Baku: 1922
A welcome departure from their first effort, the record has gained greater reconection in recent years when contemporary audiencies could fully aprreciate the strenght and harsher direction the duo decided to take for their follow-up album. More rhythmically-oriented tunes whilst revisiting some old-favorites like Daguerrotipo or La Edad del Bronce (both off their first album, but albeit in new mixes).The Wah Wah edition has been mastered from the original tapes by Eugenio Muñoz, reproduces the …
¿Qué Sucede Con El Tiempo?
Recorded over the course of 4 years during late-night, afterhours sessions at RCA's Studio @ Calle Carlos Maurrás in Madrid (one of Spain's best and bigger studio around that time), it was the result of the duo's interest in unorthodox sound-sources which they manipulated in a sort proto-sampling collage technique based on random tape-loops and best heard in their original percussive studies; their dreamy, surrealist-like lyrical passages or the sort of deep primeval atmospheres first conjured b…
The Gag File
The work of noise musician Aaron Dilloway, formerly of Wolf Eyes, exudes a raw vulnerability and needling playfulness. His new album strikes a balance between dread and curiosity.
Beautiful Illusions
New York painter and musician Tor Lundvall initially envisioned his 14th album, Beautiful Illusions, as an entirely instrumental affair, “inspired by memories of sitting in a church or cathedral watching the shifting sunlight through stained glass.” Although he ultimately chose to wreath the majority of the tracks with hushed, poetic vocals, his original muse still resonates. These are certainly songs of shadowplay and vaulted skies, the quiet grandeur of dusk deepening on the horizon. Lundvall …
Waves 2
Curd Duca follows up last year's "Waves 1", his first album in two decades, with another flawless examination of sound and texture, contorting church bells, percussion, musical samples and field recordings methodically - and often humorously. After his impressive 1990s/00s run on Normal and Mille Plateaux, he disappeared for 20 years before emerging from the aether last year. "Waves 2" takes off into more experimental realms, expanding on Duca's unusual combination of avantgarde aesthetics and o…
Time Machines
Recent re-press “4 Tones to facilitate travel through time.” So begins the listeners’ journey into what has become one of the most treasured and revered pieces of Coil history ever released. Each of the four pieces on Time Machines is named after the chemical compound of the hallucinogenic drug that they were composed for, and the album was meticulously crafted to enable what John Balance referred to as "temporal slips" in time and space, allowing both the artist and audience to figuratively "di…
Sand
**2022 repress ** Since its original release in 1977, Ragnar Grippe’s seminal debut album entitled “Sand” has been adorned with immense praise and influenced a myriad of ambient musicians and minimalist composers. Grippe’s unique approach of bonding post-modern classical composition into the tape techniques of musique concrète allowed him to be one of the leading experimental electronic musicians of the late 20th century. Originally trained as a classical cellist, Grippe had relocated to Paris i…
Hotel Nota
**New pressing, edition of 500 copies in revised artwork and pressed on clear vinyl. Reverse board cover with uv spot varnish designed by Will Boyd. Mastered by Stephan Mathieu at Schwebung, includes an instant download dropped to your account.** If you plot a line between Jon Hassell’s 'Dream Theory In Malaya' and Jan Jelinek’s 'Loop Finding Jazz Records', you’ll find this pearl lodged somewhere in between. Add in cover art that reminds us of the sun-bleached breeze of Antena’s eternally nostal…
Rilascio
This is the beginning of the lumpkinazation of the world: Rilascio is out now on Riforma. The weirdo melting pot between Broshuda and Polonius breaks with an hour and half of music live recorded in Villa Rei (Turin) the 4th September of the 2021. “In Pursuit Of The Dankest Rythms At The Intersection Of Glamcore & Post Wonk Mindstates”. Krush Lumpkin rises up emerging from the crash between Broshuda & Polonius: atmospheric gases, crooked rhythms and flaky textures. At the end of the sunset the tr…
How to Build a Fountain
How To Build A Fountain brings together Josi Arias’ tradition of south of the border synth pop, and her work using cosmic soundscapes. The result is a record that captures scenes off an ethereal nightclub, a discotheque in the sky, an ancient and futuristic female choir, a time to enjoy being alive but also to reflect. This release is paired with a tailor-made scented water mist, that Hydrofemme created according to traditional aromatherapy healing scales with organic herbs. The result is a blen…
Trou Aux Rats Druuna Jaguar
*Limited edition of 50* Split tape between Trou Aux Rats (also Vomir) and Druuna Jaguar. Trou Aux Rats, live in Tokyo at Hikari-No-Uma 20 April 2018 - performed by Romain Perrot. Druuna Jaguar, máquina poema - recorded at atelier 5-7-5 studio in January 2019. Type I Red cassette with pro-printed full color cover and printed case.
Overgrown
First vinyl offering from both Kjostad, and Ligature. FFO: Crude tape manipulation, field recording, harsh noise, spoken word, sound collage. Macronympha meets Yeast Culture.
New Forces
In celebration of the 10th anniversary of New Forces we assembled a compilation CD featuring all-new tracks from 12 New Forces affiliated acts. A snapshot of the sorts of artists this label is dedicated to featuring. More than 60 minutes of tension, intensity, and reflection. Some of the best in contemporary harsh noise, heavy electronics, and industrial music. Includes Mass Marriage, Breaking the Will, Skin Graft, Gnawed, Rusalka, The Rita, Wolf Creek, Worth, Knurl, Kjostad, Treriksroset, and S…
Freundliche Kreisel
"Emerging from Lower Franconia's hidden reverse, Johannes Schebler, known as ambient-poltergeist "Baldruin" and surreal folklorists Christian Schoppik & Katie Rich of "Brannten Schnüre"-fame have puzzled and amazed outernational audiences from the stranger end of the avant/lo-fi spectrum in recent years. The trio is now collectively dreaming as "Freundliche Kreisel", reaching for terra incognita rather than common ground on their most bewildering and accessible outing to date. Arch-pontifices of…
Death Is Certain
Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis finally compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP. While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with th…