Electronic / All styles

LP edition: born out of both creative empathy and chance, Organ Eye were formed in the wake of a live concert of David Maranha (Osso Exotico) and Minit (Jasmine Guffond & Torben Tilly), which took place at the ZDB Gallery in Lisbon, Portugal at the end of February 2005. With the addition of Patricia Machás (also a member of Osso Exotico), the quartet that now forms Organ Eye was completed and in March and December of 2006, they recorded their eponymous debut album.The two raga-like tracks that c…

"For this live-to-air outing, Raphael Lyon’s primary instrument is a customised organ, with which he sketches out simple cyclical themes that suggest either a more rudimentary take on Terry Riley’s Persian Surgery Dervishes or a more involved reworking of Rick Wright’s Eastern-tinged organ mantras on Pink Floyd’s Ummagumma. He adds field recordings and occasional processed vocal incantations. Though modest in ambition, this is impressively concentrated work; its sense of warmth and honesty under…

Norwegian guitarist Håvard Volden (12-string guitar, objects) and Japanese master Toshimaru Nakamura (no-input mixing board) recorded these two pieces in Norway in 2008, creating what one Norwegian reviewer calls "a timbre based album with some auditory surprises." The music is "slow and quiet, with contrasting elements. A cutting tone, a crackling flicker, or a deep bass tone gives the progress colour. It is exciting to listen to an expression that moves with this much unpredictability." Norman…

'The first release from Andy Moor and Colin McLean since they disbanded Dog Faced Hermans 13 years ago. A collection of live recordings of improvisations over a period of three years in collaboration with several dancers that took place in Amsterdam at OT 301. Andy's unmistakable guitar blended with live sampling and electronics from Colin, creating a dark filmic atmosphere.'

Is MTV unplugged still going? I haven’t watched MTV in about 15 years... Anyway Aidan Baker has a CD out on Install called ‘Dry’ and the name is a clue to what’s happening on the recording. Basically the man is playing his electric guitar ‘“Dry” i.e zero effects. Okay so his guitar is plugged in but this is kinda like his Unplugged session. What a session it is too as his sound is stripped right back to its basic elements. What this really reveals is his genius guitar playing which can sometimes…

Another week, another fine drone/ambient release, this one is from Jason and Shinobu through the mercurial Install. Slow waves of evocative drifting textures are randomly assaulted by sinister outbursts of grizzled fuzz, creeping up the sides of the stately walls like curious splashes of acid whilst someone in the distance metrononically taps a length of piping in an echo chamber. Further investigation reveals a CD that is quite bleak & industrial, kinda post apocalyptic. The sounds on 'Headless…

The latest Preservation release hails from the USA's Midwest, featuring a double helping of songs from multi-instrumentalist and lo-fi folkster Clare Adrienne Cameron Hubbard. Although each CD is only an EP's length, the two sets of songs have been divided to denote the stylistic differences between sets, even though Hubbard's songwriting tone remains steady throughout. On the first disc Caethua evokes the raw intimacy of Diane Cluck, occasionally augmenting her spindly acoustic guitar accompani…

Limited to 500. Katie English uses conventional & her own home made instruments to add loops & layers, until the track is ready to take on its own shape & form. Maybe it will be the sound of a lonely alien crying on a tranquil moon, a field of singing flowers staring at the sun, or just my past dreams sailing away on an endless ocean.

LP album, glossy cover, numbered and pressed on red vinyl. "Realites Servomecaniques" is an improved version faithful to the original recordings with visuals specially reworked, answering to a categorical assertion, theoricaly and practicaly on Vivenza's bruitist point of view, who presents sounds, « noises », under their rawest and genuine aspect: sounds are machines / machines are sounds. Thus Vivenza captured the essence of factories with a strong sense of austerity, radicality, verticality, …

His first solo album, Off Light finds Scott Goodwin (known for his work as part of trio Bonus), exploring the microtones associated with overlapping sine wave oscillations. 'Off Light' and its accompanying piece 'Arc' both focus on the very subtle interplay and morphing interactions of these fundamental waveforms, taking on a level of meditative discipline that's sure to require a good deal of patience and concentration both on the part of Goodwin and the listener. Minimal as it may be there's u…

The Italian label Synesthesia Recordings is ‘to be intended as a repository of live improvised electroacoustic works. The main goal is to retrieve the late Renaissance praxis of ‘Ricercare’ intended as exploration of a technical device playing it, subverting it in different ways’. Translated to the world of audio, this is done by the U.S.O Project, a duo of Matteo Milani (from Milan actually) and Federico Placidi, both of whom I never heard. Both have a background with digital sound synthesis an…

the pure union musician, was the sawtooth performer with the occupation musician who serves the oboe player of the los angeles symphony. it attends the musician of the band companion in the back, announcing the extremity of sawtooth performance with the transcendent tech which is lined to the beauty consciousness and professional ability of western classical music. the elegant solo album 1985 indicates one direction of sawtooth music. the japanese first appearance. the booklet attachment of valu…

The bran new album by MAURZIO BIACHI is the first in a series on SILENTES. M.I. NHEEM ALYSM is a decompositive triad for reverbarating piano and osmosized keyboards, idealized and carried out between the autumn 2003 and the spring 2004. Dedicatated to all the people they proclaim the liberation of the modest minimalistic sound. A true manifesto. M.I. NHEEM ALYSM is the first cd in SILENTES MINIMAL EDITION serie... Silentes Minimal Editions Packaged in a folding cardboard sleeve with insert.

Conceived in the same direction of the previous CD titled Colori, this new work found its bases in the revaluation of the events the started the Creation, when an intelligent and complex act of sublime love started our physical universe off, transposing them in form of 8 electronic compositions elaborated in a 2 year work. A darker atmosphere marks the background sounds giving to the whole program a more obscure and less 'easy' impression while the more melodic traces fluctuate without direction…

Four artistic projects concerning historic sound devices from Steve Roden & Martin Riches, Thilges and Frank Bretschneider in a DVD of sound and video performance captured at Tesla in Berlin, 2006

May is the latest collaboration between New York composers Taylor Deupree and Kenneth Kirschner. Recorded on May 9, 2008 at the OFFF Festival in Lisbon, Portugal, the album represents the first available live recording of Deupree and Kirschner's concert performances. Continuing in the direction of their acclaimed post_piano series, Deupree and Kirschner's live work explores the intersection between piano and digital music technology. For this performance, Deupree and Kirschner took an even more …

Like a chorus of eunuchs standing over you on your deathbed sending you off to hell with jews harp and squalid tunes from children?s plays?or like outtakes from a Diamanda Galas Mass, in which the choir tries to have fun with the libretto to keep from killing themselves-- Walter & Sabrina makes us fear them and fear for ourselves on ?We Sing For the Future.? The title track is a cover of the Cornelius Cardew piece (CC being Walter?s father and huge influence) which sets the stage for a whimsical…

Limited edition of 150 copies. Martin Luiten and Frans de Waard are both from Nijmegen and both part of the same musical 'scene' - if there is such a thing. They played together in 2003 when their bands Girlfriends and Beequeen played a collaborative concert, and the two met on the sunday afternoon improvisation concerts. Yet its not been until this year that they decided to work together, Martin on guitar and electronics and Frans picking the sound up with his laptop. Extremely fruitful session…

2004 release ** 3"The different musical experiences of the individual members are evidence of the promiscuity put into play. Valerio Zucca (aka Abstract Q) and Fabrizio Buzzoni, respectively on electronics and guitar, grew up musically in the 80s with the crossover band Nasty Nurses, influenced by Faith No More and Naked City. Zucca will go through the most diverse experiences, from the psychedelia of Disoriente, to the jungle-ambient duo Abstract Quadrant, also active in the cinematographic fie…

T.A.C. sonic trip goes on through unexplored territories, forcing the borders between electronica and new psychedelic soundscapes, making room for gentle ballads merciless deconstructed ... Enter now T.A.C.’s surreal and swirling world. The tribernetic shamans are back…

Done by ibitsu, March 2008. Mastered at Piethopraxis, Köln, September 2008. Artwork by Soma, July 2008. A curious and highly fine tuned digital composition emerging from somewhere in Japan. Starting life nearly a decade ago, this piece was refined, restarted, thrown away, though lost and finally adjusted and completed in March of this year. A shimmering sub rumble counters hi-end tweaks, like an acid drenched take on the spirit of early trente oiseaux releases. 'foolproof betters fools bettering…

'Silvia Fssler: computer, electronics, guitar. Billy Roisz: computer, turntable. Recorded & mixed June 2007 by Dieter Kovacic at Fleetinsel-Hamburg. Mastered by Martin Siewert at Motone Sound Services-Vienna. 'Skylla' is a monster. A sheering, scathing collision of computer generated sounds meshed with guitar and turntable. The results are intense yet bearable, funny but not stupid. From the rhythmical excesses of 'Pink Umbrella' and 'Kirre' to the subtle dronescape of 'Syne', this is a full on …

Hailed in the early seventies as the best Italian group of avant-garde jazz/rock along with Area and Perigeo, in the mid-seventies, with the release of their second album, Dedalus started a much more uncompromisingly experimental approach to music through the use and combination of disparate musical materials: improvisation, electronic music and musique concrète techniques, elements of contemporary classical composition, folk tunes, jazz, use of self-built and modified instruments for timbric re…

From A to Z offers ten enticing selections of compelling, engaging electroacoustic music. It's a specially priced compilation that's an excellent introduction to the Starkland label. The diverse music ranges from Tod Dockstader's powerful musique concrète to the digitally sampled bovine vocalizing in Phillip Bimstein's udderly charming portrait of a Utah farmer. The CD opens with three excerpts from Starkland's two Dockstader "organized sound" CDs, widely praised in over 25 highly positive revie…

Electroacoustical music from the Inventionen Festivals 2005 and 2006. Composers/tracklist: Edgar Barroso 'ODD'; Mario Verandi 'Comme un jeu des images'; Paul Wilson 'Through the Rain'; Ricardo Climent 'Wallwoodpeckers'; Vladimir Djambazov 'The Secret Life of a Snare Drum'; Ludger Brümmer 'Glasharfe.' Most composers work with field recordings or acoustc object phenomena and process these sounds with digital software means. The brilliant piece from E. Barroso uses only the "noise"-components of in…

York University's music department houses one of the UK's first-ever electronic music studios, and during the early '70s, it was a hotbed of creative activity. Much of the released output from the studio at this time revolved around the work of the dynamic composer Trevor Wishart. Journey Into Space was his first release, composed between 1970 and 1972, and was privately-pressed (shortly before the formation of YES records), as two separate LPs in 1973. (The CD cover amalgamates the two or…

Icelandic musician (now based in Hannover, Germany) Sigtryggur Berg Sigmarsson has been a longtime member of the band Stilluppsteypa. Since some time he has been releasing solo works as well, with albums on Trente Oiseaux, ERS and Fire Inc. This is his new solo album, and the best example of the variety of his musical talent. A Little Lost contains three lengthy tracks, one beautiful piece that gets close in spirit to ambient, one collage piece using amongst else spoken word and a third track wh…

Recorded live on 20th May 2002 at Musique Action, Vandoeuvre-Les-Nancy, France.

This CD represents a 25-year collaboration between renowned British avant-garde improviser Peter Cusack and instrument builder and sculptor Max Eastley. Cusack and Eastley have made these short episodes together between busy careers recording experimental music alongside artists such as Nicolas Collins, Steve Beresford, and David Toop). With numerous releases on ReR and Incus, the two musicians are mainstays of the British improvised music world, and Eastley is particularly prominent for his wor…

Morphogenesis started recording in January 1985 and this is our sixth CD release, coming 3 months after the release of Volume 1. Like Volume 1, this CD also contains excerpts from 3 concerts (all in London this time) and a studio piece. Morphogenesis play a few concerts a year, almost always in London. In fact we have only ever played outside the UK twice. Concerts have always yielded our most varied material, but until now our CD's have mainly documented our studio work. Both volumes of 'In Str…

Maurizio Martusciello (sampler, objects) with Filippo Paolini (sampler, Lps, cds).

Korm Plastics is proud to present the thirteenth release in the Brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative projec…

2005 release ** "Edgar Olivier Charles doesn’t exist, it’s the alter-ego of Roger Tellier-Craig, who works as Et Sans, Le Fly Pan Am and Set Fire to Flames. So far so good. ‘Rediscovered music recorded in Montreal between september 2002 and january 2005, it says on the cover and rediscovered are three tracks. In each subtitle, to each track, a name is mentioned: Iannis, Karlheinz and John – so, I’d say Xenakis, Stockhausen and Cage (well, more likely than, say Adams? Lennon?). And maybe Edgar Ol…

Croatian composer and pianist Dubravko Detoni is a name barely familiar to even the most hardened and fanatical followers of avant-garde composition. Although he has managed to consistently escape almost all forms of wider public recognition, Detoni has, since 1970 -- both in the solo context and with his Acezantez ensemble -- doggedly pursued a singular and unique musical path. Drawing on the conventions and traditions of modern composition, avant-garde electronics, musique concrète and group a…

This mini-CD follows on from Akemi Ishijima's previous electroacoustic composition on Variations 2 -- A London Compilation. It includes one new piece and a reissue of "Ab Ovo," previously released on 5 Composers Second Coming on Fylkingen. The two pieces explore a broad range of traditional electronic techniques, both subtle and powerful. "Time Drops" (2000) -- a single stroke of a bell, in its decay, sometimes evokes a sense of infinity in our mind. "Time Drops" is an attempt to express such id…