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**100 numbered copies in gatefold sleeve, to be released in June 2020** Chimeratorium is based on an audio dream that Deison had. He dreamt about making a new piece together with John Duncan: they were in a large room, in an old church, sculpting frequencies repeatedly for hours. Sounds and frequencies have been then recreated in the studio according to that particular event, becoming the long beautiful suites Theta Waves and Portal, the latter being a collaboration track by both artists.John Du…
**500 copies. Lovely crafted tip-on sleeve. Remastered from Master tapes** The music on this compilation was, for the most part, originally released privately in Geneva as a box set containing five LPs by The Mega Wave Orchestra and five prints by the artist Richard Reimann. The Mega Wave Orchestra, the brain-child of musician, mathematician and composer Christian Oestreicher, was conceived as an multi-media electronic music big-band. It was comprised of seven keyboard players Christine Schalle…
**100 copies** Tropical Syndroms is the second album by Thé Déluge, a.k.a. Vincent Caylet, also known as Cankun (Not Not Fun / Hands in the Dark). Like his debut album Forest Structures (Umor Rex, 2017), this new installment is an amalgam of sounds generated through multiple devices and analog synthesizers, loops and layers creating an incredible mix of textures, sounds that can almost be touched.In Caylet’s work, there is always a certain familiarity in the tones, there is an implicit nature pr…
**100 copies** In just a few years and with a handful of releases, the Canadian producer better known as Yves Malone has earned himself a reputation. In The Beginning of Nothing he continues working with many layers of analog synths and a keen sense of drum machines to create atmospheres and textures extracted from late twentieth-century collective fears of a dystopian future. Created as a sort of score to an internal elegy, Yves Malone creates soundtracks of the daily fear, regret, and resignat…
"Unbegrenzt" is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows "Selected Early Keyboard Works" and "Selections from 100 Models of Hegikan Roku" (named the #1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled "Poësy Matters" and "Other Matters".
On Factitious Airs (Electronic Music), Robert Worby sculpts tiny recorded fragments into teeming electroacoustic architectures, where hiss, wobble and incidental detail become the main event - a poised, radiophonic hallucination that feels both mid‑century and sharply contemporary.
Two musique concrète symphonies of industrial sound, in which musical relationships emerge from sounds more often regarded as noise. All the sounds were recorded by Sounds of Changes, a pan-EU project capturing obsolete and endangered industrial and domestic sounds.
Plexi-glass special cover. Edition of 100. This CD was released at the publishing event of "0g_02", "0g Night: Do Bloom in the Silence". It contains tracks by Incredible Plexi-Glass coverMadegg, Yui Onodera, Isolate Line, Akihiko Matsumoto, and Arms selected by Agi Yuzuru.Tracklist:01. Madegg "Eyes (premastering)"02. Yui Onodera "Mon"03. Isolate Line "Astral"04. Isolate Line "Mantra"05. Akihiko Matsumoto "ReModel06. Arms "Saints #1"07. Arms "Saints #2"08. Arms "Saints #3"
Finally, after all that waiting, The Future arrived in 1980. Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade's high-tech, free-market, pre-AIDS promise, 1980's Freedom of Choice would rocket what Devo co-founder Gerald Casale calls his "alternate universe, hermetically sealed, alien band" both into the arms of the Earthlings and back to their home planet in one scenic trip.Before an artistic and com…
Ko Shin Moon's third LP puts the use of samples on a background layer and asserts his place as an instrumentalist. Leïla Nova presents itself as a nocturnal digression where analogical synthesizer, rhythm box, vocal tinkering, and colorful instrumentation are mixed together. Psychedelia, electronic variations, dance music, synth folk, and filmed approach, blend with traditional Greek, Afghan, Lebanese-Syrian, Turkish, and Indian revisited repertoires. The artwork is designed by Lebanese artist R…
The playful confidence that exudes Finlay Shakespeare's practice is flagrantly laid out on Domestic Economy, his extraordinary debut full-length. Domestic Economy displays two eventful sides evidencing the unique musical approach Shakespeare has developed in such a short period of time. Let's get some facts straight, Finlay is young. And talented. His programming skills belie his years and one can detect a sharp appreciation of historical electronic pop whilst simultaneously developing a canny u…
Oscillatorial Binnage's "Agitations: Post-Electronic Sounds" is an 11-track album of post-digital, post-electronic music. The recordings are deeply acoustic - no electronic processing features anywhere. The sounds are produced by the experimental manipulation of repurposed recycled objects subjected to electromagnetic force fields. The 'infinite world of the real' offers up richly unpredictable effects, with fields of vibration producing psychoacoustic flourishes, along with spontaneous, arbitra…
Chris Korda’s new album Polymeter is unique as entirely composed in complex polymeter sequences, a unique way to compose music with a new generation of algorithm, inside which Chris injects DNA of neo classical, ambient and jazz music. This refreshing album will please both those who are into complex musical composition, conceptual music and who are just seeking for a beautiful, emotional and accessible, unique, musical moment. This is a “In your hearts not the charts” album, as Irdial Discs onc…
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
Tip! Alessandro Pizzin’s production work resonates far and wide throughout the prolific music scene of 1980s Venice, Italy. His work as one half of the influential experimental combo Ruins gave way to his later productions as a founding member of the acclaimed ambient electronic group Wind Project, whose whose complete works were recently reissued on CD. Though Pizzin’s sonic fingerprint is present throughout many landmark recordings of the minimalist and experimental Venetian music scene, his g…
**250 copies** Previously only available on extremely rare DIY cassettes, this quite fantastic new/no wave-era synthesizer music was masterminded by Steve Cohen in the '80s. Aircraft was the name Steve Cohen used for the largely unknown and quite fantastic synthesizer music he was creating in NYC in the '80s. This was in the same period Steve was in the late-period No Wave band, China Shop, along with guitarist Naux (who would go on to play with the Voidoids) and percussionist Richard Edson (who…
*Edition of 200* Chicago’s Haptic are often mistaken for drone musicians. Certainly sustained sounds, mostly of either electronic or percussive origin, are integral to their approach. The Medium opens with a spray of metallic resonance, probably courtesy of Necks drummer Tony Buck – nearly every Haptic concert features a fourth member – which doesn’t let up for another 19 minutes. Vibes criss-cross the shimmer, then a series of smaller sounds manifest; a slow bass pulse, an organ’s swell, the sh…
Italian sound artist Giulio Aldinucci returns with his third album on Karlrecords: "Shards of Distant Times" is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed "Borders and Ruins" (2017) and "Disappearing in a Mirror" (2018) which both made it onto several year's best lists.
Fortuna Records return with an exceptional reissue of a mid-80s early electronica LP by keyboardist Raviv Gazit. The album was composed entirely on the Synclavier synthesizer in the basement of the Tel-Aviv University in 1985. Gazit was ahead of his time composing cold yet blissful electronic music for film and theatre which he later released as an album. An unexpected yet extremely welcome addition to Fortuna's killer catalog.