Various Weights
First collaboration between Frans de Waard and Martijn Comes, deliberately built without an underlying concept. Each artist supplied the other with a pool of source sounds: de Waard sent Comes Korg MS20 and Koma Field FX recordings and field material; Comes sent de Waard a processed stylophone, a loop and recordings from the University of Twente's web Software-Defined Radio. Two epic pieces result: Comes's harmonic deep-sonority drone, de Waard's quieter acousmatic-minimalist hover.
Haarlemmerhout
Polack returns to the park in south Haarlem made famous by Nicolaas Beets's Romantic 1839 novel Camera Obscura, and uses it as the field for an exercise in urban escapism. Local recordings (pigs from the petting zoo, birds migrating north from Africa) are torn apart and rebuilt with layers of synthesis and electronics, blurring the line between unprocessed source and synthetic counterpart. Field-recording ambient in the lineage of Chris Watson, but tilted toward romantic synthesis.
Cuspa Llullu
Second collaboration between Anla Courtis and Daniel Menche, recorded across Portland and Buenos Aires. Two side-long pieces traverse a kaleidoscopic sound labyrinth: Side A moves through metallic, multi-layered corridors in constant mutation, Side B opens outdoors and gradually visits a sequence of interior regions toward a final climax. The sound material is treated as living, vibrating matter rather than inert sample, a study in frequency-as-organism on the drone-noise threshold.
Vlakverdeling
Cinema Perdu's third album for the label, extending his investigation of human impact on landscape after Interventions in a Landscape and Amsterdam CS. The material here is drawn from trips through the Frisian polder, where the strict demarcations of the Dutch countryside change atmosphere with weather and light but above all with the geometric clarity of human marking. Field recordings are read as abstract forms and colours, then translated back into new compositions.
The Age Of Space
* Edition of 200 * Joel Gilardini is an experimental guitarist and sound designer, based in Zurich (Switzerland). His solo ambient oriented works are often based on the use of live‐looping and instant composition techniques. It’s a very unique biosphere of ambient, drone, dub, doom elements and morphing soundscapes. Joel Gilardini opens at Montags for Nik Bärtsch’s Ronin/Mobile on regular basis at Exil club (Zurich/CH), and has taken part to Y2K International Live-Looping festivals in Zurich, Pa…
Magari
* Edition of 300 * Master synthesists Colin Potter (NWW), Alessio Natalizia (Not Waving), and Guido Zen reprise their supergroup for Ecstatic with a seductively serpentine follow-up to their superb debut from a couple of years ago.
PNZ’s pulsing, twanging, expansive ‘Magari’ was recorded between 2018-2020 in the slipstream of ’Shut Your Eyes On The Way Out’, which is surely one of the strongest new kosmiche-related albums of recent years. Where that album refreshed classic styles of European syn…
Natela
Awesome unreleased before recordings from 1974 on Synthi 100 (recorded at Melodya, Moscow) that has never been released - this is the first electronic music piece in Georgian music - composed by female composer Natela Svanidze
Sara Dale's Sensual Massage
CD digipack ed. Sara Dale's Sensual Massage was a delightful erotic video with a mystic soundtrack by Coil. Quite unusual for the band dreamy ambient, almost spa-relaxed soft harmonies, bland tribal rhythms, chimes, and birdsong but still with dark mysterious and inimitable Coil musick's charm. However, the second part of the album explores more rhythmic structures that remind 'Gay Man's Guide...' soundtrack. Besides the OST recordings, the edition includes bonus tracks from the "Basilisk prod.…
Dedicatorias
* 2020 stock * Dedicatorias is a series of 60 sound works each lasting 1 minute which were largely accomplished between 2013 and 2015. The list of dedications is neither exhaustive nor can it be. It is subjective art which comprises very different techniques, influences and materials: sound remnants, illuminated in their confrontation, metamorphosis and combination which bring up to date and question the bearer and media. Radio is the paramount reference.
In these miniatures, there is a place fo…
Great Events Are Coming
* Edition of 200 * Over time, different sound elements have settled, coming to constitute a heterogeneous but at the same time subly fascinating whole. The noise was compounded by infanticidely rhythmic timbres of toy instruments, rustling and crackling of old vintage radios have been joined by snippets of miniaturized voices from the web. The final work is a fil rouge that crosses all these elements joining them in an unconventional sound research hypothesis.
Khamu (She Sleep Walks)
Second installment in a reissue programme for this excellent UK band. C Cat Trance were formed by multi instrumentalist John Rees Lewis after his departure from Medium Medium, taking the band's drummer Nigel Kingston Stone with him. The band are seen as members of the post-punk movement, but that's not all that is to say about their sound.
C Cat Trance incorporated ethnic music into their compositions before world music became a popular genre. Their influences come mainly from Northern Africa an…
500-Push-Up
CD digipack. From Mille Plateaux to Leaf, Staubgold, and Raster-Noton, ~scape, among others, or on his own label Ripatti, the Finnish artist Sasu Ripatti, aka Vladislav Delay, has been exploring various iterations of the "dub culture vs. electronica", since 1997. His sonic crafts and unique signature sound have been sought after by an eclectic range of bands and artists, ranging from Massive Attack, Hauschka, Black Dice, Autopoieses, Animal Collective, or AGF. Vladislav Delay met Sly Dunbar and …
Studies / Studien / Études
**200 copies** Studies / Studien / Etudes' is a collection of pieces on synth by Rotterdam-based artist Joost M. de Jong jr., inspired by the first wave of Krautrock, Wendy Carlos and straight-to-VHS soundtracks. His music is both abstract and melodic, playful and austere, highly experimental and endlessly replayable... TEXT ↓ It turns out that ‘Joost M. de Jong, Jr.’ is just one of the incarnations, in name and character, of the man sitting in front of me. As a person, he is apologetic about…
Eight electronic pieces
**2020 stock** Chance combinations, accidental themes, chaos in general—these are the musical modes that Tod Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising."
This CD is a custom made copy from Smithsonian Folkways collection. Every effort has been made to preserve its historical and aural integrity. The or…
The World Music Theatre of Jon Appleton
**2020 stock** This 1974 recording by electro-acoustic music composer Jon Appleton is designed to take the listener to different musical landscapes. Appleton notes differences in context that will make the music more and less effective (“not everything I intended will be heard by the listener because no two listeners share the same aural experiences…because we are continually expanding our aural vocabulary, the sounds used assume a different significance as time passes”). Liner notes contain a b…
Visions - Music for Orchestra, 2 Pianos and Computer-Generated Tape
**2020 stock** This 1979 record is a five-movement composition for large chamber orchestra by David Cope. First presented by the Santa Cruz Chamber Symphony in 1978, the work attempts to demonstrate the relationships between sound and physical space and to translate them to recorded sound as well as performance. The tapes in the piece were composed at Stanford’s Artificial Intelligence Laboratory and were “spliced” digitally rather than physically. Liner notes contain drawings of the way that Co…
Israeli Electroacoustic Music
**2020 stock** Israeli Electroacoustic Music collects the works of six musicians from varied backgrounds, all recognized for their musical activity in electronic music and in Israel at the time of the album’s recording in 1981. These composers exemplify atonal 20th century music and musique concrete in a mixture of acoustic and electronic instrumentation, ranging from album producer Robin Julian Heifetz’s dark and frantic A Clear and Present Danger (which “attempts to symbolize the fear of a mot…
To Kill a Sunrise and La Ruche
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
Navajo Dedications
**2020 stock** This 1976 Folkways release by David Cope presents modern music based on Cope’s intensive research into—and respect for—Navajo ceremonies, and Navajo music in particular. Ranging from pieces for large chamber ensemble to a work scored for a single performer, the four compositions are unique interpretations of Native American Indian myths and culture. The liner notes include detailed explanations of the inspiration, organization, and arrangement of each of these complex works.
This …
s/t
**Released in a limited edition of 500 numbered copies** A compilation of live recordings specially released for a Die Stadt label night feat. Released in conjunction with a live performance on the 29. April 2012 on the MS Stubnitz in Bremen.
Initial copies were given away for free to ticket holders on the night of the concert.
Track listing:
1. Ditterich Von Euler-Donnersperg - Die Schnarrmaus Des Kleinen Fritz 5:372. Asmus Tietchens - L10RA 11:033. Thomas Köner - Le Bateau Ivre 3:48