Farewell said I rising
Another lovely release from Upside label, responsible of the "fantastically primordial soup of dismantled and unstable rhythmic electronics and fractal synth patterns" as Boomkat said while reviewing Nastro / Here’s a very mysterious one-sider from Italian duo CYMBLS, their debut, so information about them is scant. There are five tracks on here which mix Italo-horror atmospheres with an earthy, freewheeling avant-minimal aesthetic as they melt between passages of bright, reverby organ, breathy …
Just like a flower when winter begins
Recorded by RLW (Ralf Wehowsky of P16.D4) and srmeixner (Stephen Meixner of Contrastate) between 2010 and 2013. The first emanation of the project came up with two versions of one mutual piece (Sunglasses by rlw, Wishing by srm). The core structural elements of the release can be seen in srm's meditation on sentiment (old hearts) and rlw's textased pieces (Prach-tjunge, Alle, Definition). More instrumentally based are Gummidorf (srm) and Spaßbremse rlw). Beyond this a signment both artists have …
The Hebrides suite
How does history - past lives and past events - leave sonic traces and how can we hear them? The Hebrides Suite is the result of an attempt to answer this question and the culmination of composer Cathy Lane's three decade long engagement with the Outer Hebrides. The Outer Hebrides form a 130-mile long archipelago about 40 miles off the north-west coast of Scotland. There are more than 200 islands but only a few are now inhabited. In the 2001 census the total population of the islands was 26,502.…
Eins +
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
Piano plus
Piano Music 1963-1998. Piano Plus is a collection of six piano pieces written by Richard Teitelbaum (b. 1939), a pioneer of interactive electronic and computer music, between 1963 and 1998. Piano Plus illustrates the use of cutting-edge technology to extend the range of the traditional acoustic piano. Three of the pieces are played by the composer himself, and the other three are performed by some of the leading interpreters of contemporary piano music. The first piece, 'Intersections' (1963) is…
Broken iteration
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
Ex Tempo Ra
Andrew Pekler makes his first recorded appearance since 'Sentimental Favourites' for Dekorder with these two dippy radiophonic charms for Plant Migration. Much like his sometime bandmate in Groupshow, Jan Jelinek, your Berlin-based protagonist has a canny knack for making the cutest modular melodies, as evidenced on the flowering bleeps and dusted machine pulses of 'Ex Tempo Ra'. Whereas 'Encounter In The Resonant Void' is more isolated, spacewise, drifting out on sparse, trickling martian melod…
Gustoforte (La Prima Volta)
Seemingly born out of the fervent experimentalism of the Italia early industrial scene, this clear vinyl reissue of the highly rare first album by GustoForte (originally released in 1984) beautifully skew mix of improvisation, lo-fi tapework and stretched, ghostly songform actually had more in common with maverick like This Heat and Faust. Outstanding! "Possibly on of the Thirty years ahead of everything you listen to today and everything you will listen to tomorrow. Rome was straight out of a d…
Bits & Pieces
The history of - behind which we find Nico Selen of O.R.D.U.C, E.M.M. and many other guises - and Freiband, the name of Frans de Waard when it comes to all sorts of computer based, goes back for over 20 years. Selen was the first to release a LP by Kapotte Muziek (De Waard's other music enterprise, among many!), in 1990 and they have been off and on in contact. Earlier 2013 released a very limited CDR, which De Waard quite liked and in the next days he kept returning to it, eventu…
Separating day and night
Separating Day And Night - a title tribute to Gil Scott-Heron - is the second Blackthread album. A disc that confirms the very personal musical directions of musician Pierre Georges Desenfant. Based on delicate loops, infinitesimal nuances, sweet electro sounds and melodies of singular clarity, primarily minimalism is claimed: here no multiplication of unnecessary songs, the instrumentation remains very simple and everything seems to highlight the voices and texts. Feeling to break into somethin…
Niaiw Ot Vile
The prickly, Autechrian productions of Chris Douglas aka Dalglish find a sympathetic home on PAN with 'Niaiw Ot Vile'. Under myriad guises - Scald Rougish, Seaes, Rook Vallade, among others - Chris has forged a twenty year career as a self-imposed arch-outsider on the fringes of electronic music, finding recognition and respect from intrepid explorers for his persistence and uncompromising approach, all the while remaining an elusive presence. Most notably he's worked with Mad Mike and Drexciya …
Janus
Recorded, composed, mixed between Paris & Oslo, the Janus LP is a collaboration started in 2008 and finished in 2013. Experimental mouth music duet, free interlaced vocal noises, sonic poetry and free electronics. A convergent formal meeting of two complementary paths between poetry and music. Mastered by Frédéric Alstadt. Master cutting and vinyl manufactoring : magnetic.fr. Cover : Janus bust of Silenus and a Satyr, A.D. 120-150 Roman Marbel, Chrysler collection. Artwork by Joachim Montessuis.
Closed categories in cartesian worlds
We are very happy to announce the release of GW 010, a 72-minute CD version of Closed Categories in Cartesian Worlds, for crotales and sine tones (composed by Michael Pisaro, performed by Greg Stuart, mastered by Michael Pisaro and Joe Panzner). Those interested in more info and sound examples can look below. The disc also comes with extensive notes and a reproduction of a page of the score. From the notes: 'This record consists of four crotales, each bowed for 16 minutes. Against each crotale I…
More Alien than Aliens
While the band is preparing for the recordings of the fourth album, Mamuthones goes back to the solo output of Alessio Gastaldello for a new EP of meditative and trascendental music. Once again deeply involved in tradition and ancestral memories, More Alien Than Aliens is mostly based on acoustic instruments with the aid of few analogue synthetizers. You can hear antique rites being consumed around fires at night, cavemen’s invocations and signs of extraterrestrial life as seen by the anc…
Regenstucke Vol. 2
A sensational album by one of the most original composers of our time. Since Regenstucke Vol. 1 deals with rain aesthetic in pure instrumental form, Vol. 2 shows Peter Ablinger´s fascination with techniques of filed recordings, accompanied by different ensembles and orchestra setups. Ablinger has been exploring different sides and features of nature recordings for a very long time, always achieving new territories and pushing boundaries to higher level. This release represents only a minority o…
Ripatti 02
Sasu Ripatti links with the legendary Max Loderbauer (NSI., Sun Electric, MvO Trio) as Heisenberg for two knotty, complex riddim trips on his \"studio diary\" imprint. Adopting the mantle of the eponymous fictional meth chef*, the duo conduct fevered but controlled experiments in frayed, often frantic grooves eaten up with dissonant, freeform electronics. A-side is a 125bpm techno tunnel groove with offset bass hits embedded in a swarm of combustible modular chain reactions that dissolve to a gu…
Retrieval
Blackest Ever Black welcome Barnett + Coloccia to their coven with the desolate scapes of 'Retrieval'. Whilst both artists have a background alloying metal and experimental modes - Faith Coloccia with Mammifer, Pyramids and Everlovely Lighteningheart, and Alex Barnett in Oakeater or more recently, solo for the likes of Catholic Tapes and Nihilist - their introspective 'Retrieval' collaboration is perhaps best defined in terms of their palette: tape-manipulated recordings of acoustic instr…
Red Riding: In the Year of Our Lord 1980
Blackest Ever Black presents the first vinyl edition of Dickon Hinchliffe's original score for 1980 -- the second part of Channel 4 and Revolution Films' Red Riding trilogy, adapted by Tony Grisoni from David Peace's quartet of novels and first screened in 2009. Each film in the Red Riding trilogy, a landmark achievement in British television history, was helmed by a different director and had its own distinctive look, sound and feel. While Julian Jarrold's 1974 and Anand Tucker's 1983 were bo…
As Iron Sharpens Iron... (EP 1)
Digitalis trance-master Ricardo Donoso scales heady heights with the first of two EPs (plus a 3rd remix 12") further exploring the potential of electronic hypnotism. The mission first conceived with 'Progress Chance' has now evolved in line with like-minded projects such as Loreno Senni's 'Quantum Jelly', plotting new vectors for a trance music free of fromage and yet still true to the sound's original intentions. On these four tracks his vision is focussed with laser-guided precision, em…
Hornbread
The collaboration between Victor Meertens & Werner Durand dates back to the mid 90s, when they started performing together in art circles in Germany. At the time their performances consisted of Victor's Actions, which included bread making processes with text recitals in combination with werner's musical performances on his invented wind instruments and his playing of Victor's home baked Bread Instruments with inserted pipes.In 2003/4 Werner was artist in residence in the Worpswede artists…