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*200 copies limited edition* With this seventh chapter of your favorite dungeonsynth magazine on tape, we intensify the pace of the releases. In fact, this is the second spring issue of this 2022: your contributions are many and we thank you from our heart for all the commitment and affection you show! We also remind you that, in addition to music, we are very pleased to receive proposals from writers to help us conceive the stories. On the other hand, the peculiarity of this magazine is indeed …
*120 copies limited edition* "A war, the only war ever fought, devastated the world. The wise and advanced Eloi used their technology to try to defeat the furious Morlocks army. This confrontation devastated the world until it was unrecognizable. Until powerful crystals were shattered and their power began to stain all that existed. Until an disturbing maelstrom engulfed the sky. Reality changed profoundly, in the very essence of things. Neither side dared to claim victory; the former were tortu…
The EC Band is a collaboration between American Brussels-based painter, former grindcore singer and musician Luke Calzonetti and Belgian visual artist, performer and percussionist Stijn Wybouw. Their first EC Band outing sees them conjure up four transcendent tracks driven by improvisation. The instruments used and the way the EC Band naturally and fluidly edit their musical output, make for flickers of musical mirages, infusing everything with a sense of space and abstraction. On the edge of wh…
** 2022 Repress, black vinyl** Flux is the 1981 debut solo outing of Robert Turman, an American multi-instrumentalist and avant-garde composer. Until recently, Turman was perhaps best known for his contributions to the ballistic NON project with Boyd Rice, as well as other obscured U.S. industrial acts such as Z.O. Voider. In the summer of 1981, Turman decided he would take a drastic turn from the noisy/electronic/industrial work of his compatriots, and began work on what is now the classic Flux…
Jon K & Elle Andrews' MAL imprint returns with its second release - a long rumoured excursion from Equiknoxx skippers Gavin “Gavsborg” Blair and Jordan “Time Cow” Chung operating under the Gav & Jord masthead for the first time. It’s their most probing x tight set of productions thus far - showcasing that naturally wild rhythmic mutability that’s earned them followers in every corner of the experimental paradigm over the last few years.
‘Writings Ov Tomato’ ties off a loop between Equiknoxx and …
In process of stocking Fractal head rearrangement from Keith Fullerton Whitman on his first vinyl release in what feels like years, here blessing Japan’s Nakid label with a new instalment in his forever-evolving Generators project, arcing from bleeping post-Kosmische sounds into completely unexpected drum mutations in footwork and grime modes. It’s properly head melting gear that links the algorithmic mind-fukkery of Laurie Spiegel with the floor-bending rhythmic experimentation of Mark Fell, Ri…
LP version. Composer and conceptual artist Conrad Schnitzler (1937-2011) was one of the most influential figures of the electronic avant-garde in Germany. In 1967/68, the Joseph Beuys student founded the Zodiak Free Arts Lab, which became a playground for Berlin subculture. In addition to many other musical stations, bustling Schnitzler was a member of the kraut-electronic formations Tangerine Dream and Kluster. Numerous solo releases complete his extensive oeuvre. One of them is Con 84, probabl…
LP version. Composer and conceptual artist Conrad Schnitzler (1937-2011) was one of the most influential figures of the electronic avant-garde in Germany. In 1967/68, the Joseph Beuys student founded the Zodiak Free Arts Lab, which became a playground for Berlin subculture. In addition to numerous solo releases Schnitzler was also involved in various band formations not least Tangerine Dream and Kluster. Representing another of his musical landmarks are the Consequenz releases. Consequenz II eme…
*In process of stocking* This soundtrack was composed, performed, mixed by Nicolas Murer at Studio Les Floralies in Grenoble in 2018, using Roland MC-808, Roland SH-101, Roland JUNO-106 and MAM MB33. The tracks were mastered by helmut erler at dubplates & mastering, berlin. The third track on the B side “Nightmare”, was released under the name “Flavin” in April 2018 on the After Hours Eden Prostitute Maurer’s tape. Nicolas Murer would like to thank lili and all the people that count.
Beyond the …
Since its release in 1996, Surface of the Earth's self-titled first album has gradually been recognized as an unlikely minimalist masterpiece and one of the key albums to emerge from New Zealand’s 1990’s Free Noise movement. Liberated from tonal and structural convention, yet also embracing elements of drone and ambient music, the Wellington trio created an album that defied easy categorization. It has been called "one of the most important albums to ever drag the subterranean vibe of unending d…
Christian Reiner works as speaker for poetry, prose and experimental texts. He works solo and in collaboration with others on theatre projects, book readings, live concerts and music recordings. His work can be seen somewhere between language and music. He presents his texts with various collaborators at festivals, in various music ensembles and has a special programme for children. He is a classically trained singer and expert for the art of declamation. Martin Siewert plays guitar, lap & pedal…
*2022 stock* The Maze is a map of different territories I covered in my recent travels. But the mapped territories are not contiguous: I am the tunnel that links these places and times, I am the border that keeps them together. Now, a geographer who makes a map doesn't make a survey: these are two different things. The survey - the gathering - comes first, but the mapping process includes several subsequent steps: scaling, removing, enhancing, and adding. Scale allows to grasp a large territory …
*2022 stock* Andrew Chalk's Over the Edges was recorded in one day at Colin Potter's studio, using only two strings of an acoustic guitar played with an E-Bow. The results belie the simple sources, and the album is a rich drone texture which draws the listener into its sound world. All four tracks share a common language, a slightly buzzing, gently undulating drone in a lower register, often layered until the pitches grow together. But each track also has noticeable differences from the others. …
Interdisciplinary artist and performer A Space for Sound's latest offering for Commend There, Sometimes underwater (feels like home), is an emotional release that enchants with its otherworldly tranquility. Drawing from a theme of water dealt with extensively across earlier works, the Brooklyn-based artist, real name Rena Anakwe, evokes images of misty rain, burbling ravines and the great depths of the ocean in her latest project. Composed over the course of two days on Anakwe's apartment floor,…
This album is about the micro world of a garden in a small coastal town. For two weeks either side of the 2021 summer solstice Kieran Mahon routinely made field recordings of his garden from pre-dawn until the first stirrings of people beginning their days. “After ending up with hours of recordings”, Kieran explains, “I then spent a long period listening and immersing myself in the environment - the ebb and flow, the subtle changes in atmosphere, the conversations between birds and insects, the …
*300 copies limited edition. In process of stocking* Discrepant presents Istanbul based audio/visual artist Koray Kantarcıoğlu's follow-up to his debut album Loopworks (CREP59, 2018). Whilst the first volume used 60’s and 70’s Turkish records as it source material, Loopworks 2 expands the sampling pool to local records as well as snippets from 70's TV and 80's new age and jazz tapes. This disparate material is mangled and glued together with Koray’s very personal sampling techniques.
This result…
After two long sold out albums, Romperayo (Discrepant, 2015) and Que Jué? (Souk, 2019), Pedro Ojeda’s unique update on classic Colombian music returns for a full long player of future tropical instrumental tunes, heavy on the drum grooves mixed with slow, languid experimental interludes.
This is 21st century Colombian popular music taken to the next level by one of the most singular figures currently active on the Colombian scene. Romperayo’s, aka Pedro Ojeda (Los Pirañas, Chupame el Dedo) solo …
By now counting more than four decades of constant activity, Pierre Bastien erected such a towering and influential body of work that any blurb attempt regarding his music could easily fall into redundancy. Not that his revolving soundworld, deeply personal and unique, has ever stalled into gimmick or self mimicry, being Bastien the tireless explorer whose vision can never be complete, only continuously redefined in a process of discovery equally playful and challenging. So, completely in touch …
Swedish duo Thunder Tillman come together again in healing harmony to produce a much needed LP for troubled times. Thunder and his life coach Pony bring their spirits in sync for 40 minutes of improvised soundtracks for mental and physical wellbeing. Recorded on Stockholm’s Wind Island, the pair have carefully selected specimens from their collection of vintage musical paraphernalia to channel these specific vibrations for maximum healing power.
Side one is a gentle wake up call for the soul, wi…
* 2022 repress * Rarely do two types of music meet on a level where they threaten to cancel each other outlet alone create something even more meaningful in their mutual vanishing. But the music created within the seminal Murder Ballads (Drift) by Martyn Bates (Eyeless in Gaza, & parallel solo career) and Mick Harris (Napalm Death, Lull, Painkiller, Scorn) creates just such a world. Murder Ballads (Drift) evolves Martyn Bates vocalisations / storytelling song-voices, by turns expressed as labyri…