We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
We live in places and they live in us. Sometimes we’re in the same place, linked together by the elements and our immediate surroundings. Other times, we push off into farther flung spaces, but stay connected as though telepathically, treasuring the closeness that once was and will someday be again. Most of the humble music that comprises ‘Canoga to Haʻikū’ was recorded in a single sitting by Carlos and Jesse in Carlos’ studio in California. A little later, Jesse departed for Maui, where an acqu…
The tracks presented here are studio works, edited and composed at my home in Manchester, UK, utilising a number of found or acquired objects. Strongly influenced by my parallel and supporting practice of field recording, they feature the small (and often internal) sound fields of particular things and the specific processes applied to them. The processes include combustion, excitation with an e-bow, plucking and blowing. Such sounds are often accessed by the use of contact microphones, amplific…
Greyscale's 29th full length release is here for you to soak up. 'Anchorage' is the name of personal journey of survival for the new to Greyscale artist 'Phases of Gravity'. An audio scrapbook or audible journal of a special challenging time that they recount where when this Hungarian artist conducts and orchestrates their 'rebirth'. The sounds are stripped down to their primal essence like you hear in the title track. 'Coast Lining' adds the uncertainty and drama that provides a tense soundtrac…
Swiss Chalet is a Eurock chamber and media opera, written by Daniel Schell telling the story of a rich woman, living in Swiss, meeting a Gigolo, then rapted from her chalet and brought to Africa. The first part of the album has African flavours going from traditional, to dub and electronics. The second part is more Cos like the first albums, going also to Classical singing. Three live tracks are added as bonus.
Excited and inspired by the evocative sounds of late 1980s synthesizer scores and the movies they sound-tracked, Rupert Lally returns with new album ‘Profiler’. A scorching 80s synthesizer heavy imaginary soundtrack to the movie playing in his head, ‘Profiler’ by Rupert Lally is a loose sequel to his album ‘Hacker’, a 2022 release also on Spun Out Of Control. But instead of hunting down computer criminals, this time his FBI protagonist, known in the trade as a Profiler, is on the trail of a seri…
Tip! Gabriele Gasparotti’s second full length album, Tropismi, is a collection of mesmerizing compositions with masterful polyrhythmical textures and harmonies, strings, prepared piano, magnetic tape and field recordings. Gasparotti's unique style uses classical composition techniques such as counterpoint, canone inverso and serialism to create morphing expanding harmonies continuously. Tropismi features stunning cellotronics by Benedetta Dazzi, cellist and sound designer with which Gasparotti e…
When White Noise’s debut album, An Electric Storm, landed on Island Records in 1969, it must have sounded like nothing else. Packaged in a striking black and white sleeve that pictured a spark of lightning streaking across a black sky, this was an album that - quite rightly as it turned out - resembled as much a scientific experiment as any conventional musical document.
White Noise were first conceived when American electronic engineer David Vorhaus-- following a lecture by BBC Radiophonic Work…
Dark Entries again shines a spotlight on bathhouse disco don Patrick Cowley with a newly remastered release of Kickin’ In. Although Cowley tragically passed from AIDS-related illness in 1982, he left an extensive archive of unreleased tapes, many of which Dark Entries has had the honor of releasing. While working as a lighting technician at The City, SF’s disco cabaret, Cowley saw rising star Frank Loverde perform. Cowley asked Loverde to contribute vocals to some material in progress, and Frank…
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies.
In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and ado…
*2024 stock. 50 copies limited edition* Recorded to 1/4 inch tape on a 2-track reel to reel during 2021 by Ben Van Houdt using oscillators, tape recorders, tube preamp and effects.
*2024 stock. 50 copies limited edition* "The second tape started to develop when I was looking for a way to play Tape Cuts live. A track was composed and its shapes were repeatedly explored. The final form was ultimately recorded in a single take on 1/4 inch tape, mirroring a live performance and celebrating one moment in time.
After completing this recording I was faced with a mass of tape loops left hanging on the wall, the wreckage of the composing process. Layers and layers of sound buried a…
*50 copies limited edition* "It was a slow growing body of work with material continuously transforming, being re-recorded and discarded, lost sounds emerging from forgotten loops and a few staple tracks dragging at me to dig deeper. I also found myself working on other music during this time and gradually the Blue Cut tapes went lingering into hibernation.
However, early spring brought me focus when I was unable to play music due to surgery I had undergone. Seemingly, the only way of creating m…
What if Coil would have gone playing Black Metal music? Well, we cannot say it for sure, but probably the outcome could have been something very similar to some of these last Teatro Satanico tracks. Heavily influenced by explicit occult and esoteric topics, “Enochian Musick For Beginners" is an unforeseen psychedelic journey beyond the frontiers of the usual post-industrial noise. A true original mixture of electric and electronic frequencies. It got something new, something that inspires awe, s…
After two demos and a trilogy of albums (on OEC, Tesco and Unrest) Böltorn decided to call it quits.The goals were achieved, there was nothing more to accomplish. In their wake they did however leave one recording behind; a "live in the studio" session recorded in January of 2022. These recordings are the most uncompromising ones the band ever did and fueled by anger, rage and alcohol in the company of good friends this is as hard and good as it gets.The live & final BØLTORN album. In one word: …
The summer of love is here...Claudio Frassine (MADEMOISELLE BISTOURI / NORTH CENTRAL) teams up with Henrik Nordvargr Björkk (FOLKSTORM / MZ. 412 / BØLTORN) to bring some seriously filthy noise to your dungeon.This is as extreme as it gets; blazing textures and walls of feedback collide with junk noise, roaring electronics and the commanding lyrics of Nordvargr.Harsh noise connoisseurs as well as power electronics fans take note - this is how it's done!A fantastic heavyweight debut.In a coupld of…
Eternal Paralysis and Peony Crackers was the first two tape albums by Incapacitants released back in 1981 and 1983 by Toshiji Mikawa alone (in the beginning Incapacitants was a solo project) on his own label Pariah Tapes. Two cult and very rare tapes finally made available again, 40 years after their first release. Original tapes has been digitally transferred from the original tapes by din-i-ilahi (advaita records) and was completely re-mastered for best experience on CD format by Mr. Mikawa.
…
A limited CDr included with the A Castle Popping LP (R11, 2015). Tub of Deep Green Ink compliments the nature of the A Castle Popping, presenting ten tracks from 2011-2014. Ranging from layered string recordings, like the pastoral 2012 piece Inverness String Variations, to computerized-vocal experiments, as with ADR Aria & The Wind Sick (both from 2014). Human voice is dissected and stitched back together; examined under odd light. 2011’s Rooms of Night explores the interior of Sean’s old house …
Seeing Matthew Erickson perform live is an impressive experience. The sound he gets by blasting his saxophone through his Fender Twin literally shakes you to the core. Erickson has a great ear for experimental music; exercising tasteful timing and restraint, which I am finding to be more and more important. Whether performing in the sax-guitar duo Sudden Oak, or solo as Radiant Husk, his sonic presence has earned the respect of many.