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Four remixes of four tracks taken from the latest albums on Morphine Records, by Erika, Zoë Mc Pherson, Sugai Ken and Thomas Brinkmann. Hand-crafted cover by M-L-XL.A1 Original version on doser035Lp AMA by MA.Reworked by Sugai Ken.A2 Original version on doser033LP Euganea by Upperground Orchestra.Reworked by Erika Sherman.B1 Original versions from on doser036LP Contagious by Contagious.Remixed by Zoë Mc PhersonB2 Original version on doser034LP Quellgeister3 by Stefan Fraunberger.Reworked by Tho…
"Originally released by Side Effects in 1986, Zamia Lehmanni was the third (and final) core SPK album and was Graeme Revell’s first truly solo project. He was in a period of transition, somewhere between the industrial noise of the early years and his later award-winning soundtrack work. On the day before this was first released, this style of music, now ubiquitous (especially in soundtracks), did not exist.After Information Overload Unit cleared a space for subsequent explorations, and the envi…
**2019 stock** "Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way…
**800 copies** From the Catskill Mountains, Emily Sprague channels a timeless mix of new age ambience and poetry in her captivating debut for RVNG Intl. Compiling Emily’s two self-released tapes Water Memory (2017) and Mount Vision (2018), this sublime package brings us right up to date with her effortlessly enchanting solo output. Across 14 parts in 80 minutes, she proves equally adept at sprawling out in longer forms, as with At Lake, as she is at capturing crystalline vignettes like the kale…
Ernest Hood’s Neighborhoods was released some two decades after the Portland, Oregon born and raised musician’s first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood’s privately-pressed opus of 1975.Sprawling through a haze of zither, synthesizer melodies, and foraged pedestrian sound, Neighborhoods is both a score and documentary composed and directed by Hood to…
**150 copies** "In 2013 my wife Gaia was pregnant. We were then waiting for our first born to come, expected for November of that year. A few little obstacles and troubles occurred during the nine months, so my anxious nature at the time generated in me the need to somehow express the feelings in a record, where I conveyed the worries that a father, especially a musician that needs his own moments for playing, may have in terms of an expected potential future lack of time and energies.I also dec…
Limited edition of 200 copies. Native Instrument is the collaborative project of field recordist Felicity Mangan and abstract vocalist Stine Janvin Joh. Often referred to as insect techno, Native Instrument’s music is constructed using electronic and vocal adaptations of wildlife audio recordings originating mainly from the Australian and North European fauna; mixing the natural rhythms of animal calls with digital effects and vocal imitations, Native Instrument enlightens a sonic ambiguity betw…
In process of stocking. Infinite Fog Productions is glad to announce this vinyl edition of Michael Stearns' Ancient Leaves, one of the most important ambient reissues on the year and a pure gem of early ambient music.Michael Stearns is an ambient music composer and performer, film composer, sound designer and soundtrack producer for theatrical films, documentaries, large format films, commercials and themed attractions. His award winning scores to Ron Fricke’s non-verbal global film masterpieces…
Akuphone presents a compilation of Wladyslaw Komendarek, the Polish genius of synthesizers. This selection comes from tree albums released between 1987 and 1990, a very important political and social period in Poland, marked by the last convulsions of communism. Komendarek’s music offers a unique patchwork of synthesizer sounds, “art of noise” and cosmic flights far beyond the realm of conventions that dominated the Polish electronic music scene at the time. It brings a weird mixture of electron…
**CD included** Kranky veteran Benoît Pioulard (né Thomas Meluch) has created his first full-length for Morr Music, complemented by a linen book of Polaroid SX70 photographs from more than two years of environmental explorations. The music on Sylva and its 84-page visual companion bear the beauty and strange shapes of nature: desert rock formations and colorful leaves, restless waters and peculiar plants. Meluch’s dreamy ambient drones and saturated lo-fi pop embody the impressionist sensation o…
**130 copies, 2019 stock** Panthalassa is the second official release of Davide Bartolomei, an artist / musician based in Bologna (Italy). Bartolomei has developped his personal language after a first period of noisey experimentations. In his musical output he tries to explore the hidden possibilities of the interaction between strings and circuits.With Remote, a collaborative work with Emanuele Magni, he started to move in the realms of deep meditative music. His second effort goes further in t…
**300 copies, 2019 stock** "Orbit titles the intersection of bassist / composer Scott Worthington and Italian photographer Renato D’Agostin. Worthington’s minimal approach to sound, like D’Agostin’s to image, reveals the hidden complexities of interaction between bodies and the contexts of their transit. With an atmosphere that recalls the self-refractions of Stephan Micus, A Time That Is Also a Place fleshes out the flute of Rachel Beetz like vanes to a feather’s shaft, funneling into a quill h…
**Strictly limited yellow vinyl edition of 300 copies** Beautiful, highly unusual arrangements for synthetic bass & traditional Chinese strings on this spellbinding second volume of Iona Fortune’s ’Tao Of I’ series, the first volume of which was one of the standout albums of 2017 and still on heavy rotation here. Fortune once again re-frames three-thousand year old Chinese text and instrumentation within the context of hyper-modern bass music, stripped bare. There’s really nothing else quite lik…
**300 copies** Experimental solo cellist Oliver Coates (Rvng Intl., Prah) and techno-dub minimalist Spatial (Infrasonics) coalesce with the new installment for the Decouple ][ Series by subverting -through subliminal interventions and refined focus changes - pre-packaged music forms and textures in favor of new self-organizing tendencies. Surprisingly enough, two producers of such different DNAs converge to a similar systemic approach, delivering a set of music that flows with solid and endearin…
Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone quickly follows-up Baroo with a double-LP album of recent works, including the final section of Fujiken, his epic journey through southeast Asian field recordings and street cassette culture.On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, …
"I have always been searching for a way to articulate the intangible area between the recognizable and the unfathomable, a feeling perhaps informed by some long-abandoned experiments with psychedelics. This has been a continued pursuit starting with my tape experiments in the 1970’s until the present, with technological evolution driving new ways of expression.With the exception of Xé May, which is performed on an Elektron Octatrack, these pieces were constructed for live performance using a lap…
Love Waves Ecstatic Charge uses visual material to construct sonic architecture. The visuals are one hundred and six still images taken from an experimental video which was initially shot when Rob Mazurek was in residency at Abbaye Royal de Fontevraud, France, 2005. Upon his return from the residency he discovered the camera broken and barely operational other than the fact of being able to extract frame by frame 106 distorted still images and fragmented skipping sound that would on occasion bur…
Faitiche welcomes two young artists from Canada. Jonathan Scherk and Daniel Majer hail from the post-rock and experimental scene in Vancouver, where they shared a studio for several years. In artistic terms, too, there is a surprising coherence: on It's Counterpart, their solo work naturally blends to create a joint album, making it hard to distinguish between their contributions. Majer describes his part as a shadow-like reflection to Scherk’s brightly meandering collages. The album’s title ref…
**50 copies** Starting off Otomatik Muziek in 2016 as a means to release music and working together with friends, S.U.V. aka Franz Joseph Kaputt went on a long journey since then. After the brutal no-input-noise of New Dark Age and excursions in the realms of dark, psychedelic folk on 2018’s Sterben / Shifting, he began working with synthesizers, mostly because they... synthesize. With the pragmatic approach to replace a merzbau of pedals by using synths as multi-faceted tools for live shows, Ka…
**280 copies, 2026 stock** A publication for the exhibition Schleifen – November 10-24, 2016 – at «Kassette.für projekte» in Zurich, Switzerland. Book has 52 pages, 30 drawings, size A5 (148 x 210 mm), includes Audio CD. Cover: digital printing on black paper (Outside: white, Inside: varnish). Content: offset printing (silver mixed with black).