Saturn In The Mirror
Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he has self-released a series of cassettes, performed as a member of Pigeon Religion, collaborated with various artists (J.S. Aurelius, James Fella, etc.) as a sound engineer, in live performances, and through sound design. Saturn In The Mirror collects two long appreciated pieces from many, many years ago, c…
Transmutation
"A truly mystical exploration of sound, René Aquarius creates shimmering worlds with Transmutation. Forgoing traditional melody and rhythm, instead René Aquarius lingers about with pure texture. The clever drone work recalls Thomas Koner’s darker impulses, while the metallic sheen further gives the two elongated pieces a feeling of ominous dread. Keeping things quite minimal, René Aquarius ensures that at no point is anything overdone, but rather made to be infinitely eerie. Ghostly imagery cros…
Dwaal / Wold +
Dauw, the great tape label based in Ghent, invited me in 2015 to do a release for them. This resulted in two 18 minute tracks, Dwaal and Wold. Both are exercises in creating an auditory space or sphere rather than sculpting a structured composition. With its orchestral washes amidst a barrage of radio static and erratic noise, Dwaal is the noisy brother of the two. It's a balancing act or battle perhaps between disruptive tumult and serene calm. On Wold, with its sparse piano notes spread out ov…
Smelter
Edition of 300, comes with download code. Prolific experimental music purveyor Machinefabriek and droning free jazz combo Dead Neanderthals team up for the second DNMF album entitled Smelter. Clocking in at nearly 40 minutes, Smelter is a highly dynamic amalgam of metal, drone and dark ambient and is hard to compare to anything else out there. Have a listen and enjoy!
Amsterdam CS
Amsterdam CS by Cinema Perdu consists of various spaces in the station: for example the various roofs, the three tunnels with access to the platforms, the IJ-passage. Even while everywhere there are similar sounds, like talking people, the announcements, loud headphones, rolling suitcases, cleaning machines, etc. acoustics and dynamics change per space.This specific acoustics and dynamics are the starting point of the works on this album. Stop and take some time to listen, in the way of John Cag…
You Are The Universe
It was late 2004 when Spanish label CONV released Textures and Mobiles, by Jos Smolders, in a limited run of only 100 CDr’s. This amazing album was based on a limited set of sounds: dtmf and ccitt tones that were generated by telephones and pure sine waves that interfere with each other. It came in like a wrecking ball! For us at least. A couple of years later, at Jos’ birthday party, we used samples of this album in a celebratory live performance. A couple of more years and years later we decid…
III Hymne
First time LP reissue from the original 1985 master tapes on 180gr vinyl. Including liner notes. On 'III Hymne' Jean Hoyoux further explores the electronic instruments he also used on 'Planètes' which results in a marvelous album that in some way connects the dots between ambient, library, cosmic and spiritual music. Two years after his debut double LP 'Planètes' Jean Hoyoux recorded three new compositions in the home build studio, Madame Bois. In his later published book 'Noos, la naissance à l…
Monolog
Dark Entries is proud to present the first ever vinyl issue of Jon Krocker’s debut album ‘Monolog’ originally released on cassette in 1983. Jon is from Winnipeg, Canada and got his start as half of the synth noise duo Dialog. In 1981-82, while studying for a BA in Film Studies, he would go to the studio and practice. No writing or patch memories, composing on the fly. His set up consisted of a Minimoog, Oberheim Two Voice, Roland RS-202, Roland Space Echo, EML 400, Roland DR 55, Roland System 10…
Conduit
2018 release ** "Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement. Kaori Suzuki (b. Tokyo) is based out of Oakland, CA. Her musical works are concerned with our inner-…
Mellow Toes
"Mellow Toes comes as the second excerpt from my Schnarcharchiv (snoring-collection). This growing collection contains audio-recordings of sleeping humans, friends, and animals in all places and states of rest, sleep and nap, captured during night- and daytime since 2009. It all started during my daily afternoon-naps when I observed my own body getting hyper-sound-sensitive on its way to sleep. In these situations my chest, my arms, my toes turned out to become my biggest ears. It made me search…
Don't Hold Onto The Clouds
Don't Hold Onto The Clouds is the fourth release on Kutiman's own record label Siyal following Space Cassava (2015), the White Monkey 7" (SYL 003EP, 2017), and 6AM
(SYL 002CD/LP, 2016). In the era of the brand, Kutiman is an anomaly. A
musician who's a video artist, a producer, an animator, and also the
unwilling star of one of Israel's most successful recent documentaries,
every one of his records contrasts with whatever it was that came
before. But that's fundamental to his appeal: no one…
Before We Were Foam We Were Unbridled Waves
Erasure of the contradiction between real and imaginary. Temporal layers are juxtaposed with different speeds, creating polyphonies of sound spectrums. The time flux is not regular or linear, it's bent."The latest dispatch from Los Angeles experimental cassette imprint Dinzu Artefacts comes from the duo De Ponti / Moretti. Their tape, Before We Were Foam We Were Unbridled Waves, is out now on its own or as part of the label’s July Batch. The clip, a live studio excerpt, provides a glimpse of the…
Learn To Love Solitude
The Verge of Ruin is a research in sound and poetry that started in December 2015 by Stefano de Ponti and Shari DeLorian, in Milan. A view that lives in the present and at the same time is strongly connected with several guides and experiences out of the past. Constantly looking for new vanishing points and responding to creative impossibility which are caused by contemporary collapses of media. The framework referred to, is the one drawn by concrete music and acousmatic art of the XIX Century, …
When the Past Arrives
Emboldened by the success of the recent reissue of It's Cosy Inside, Mark and Clive had a listen to hundreds of previously unreleased tracks recorded in the 70s and 80s to assemble their first new record in two decades, When The Past Arrives, out in March from Drag City / Yoga Records. With comparisons to Penguin Cafe Orchestra, Animal Collective, Cluster, and Brian Eno, Woo's profile in the world of atemporal music has been growing for years. For the lucky few who know, like Fela, or Neu!, Woo …
Extruder
Extruder is the second unreleased album from the 1987 collaboration between Conrad Schnitzler and Siegmar Fricke who composed and made several tapes of session-material during their musical meetings in Berlin. All recordings produced, arranged and mastered by Siegmar Fricke at Pharmakustik studio. The album contains high doses of hydraulically driven energy generated by the complex analogue equipment. Microformed soundpools of cold extrusion collide with voltage-controlled pulsations, tape-echoe…
Die Form - Hurt
This Die Form side-project was recorded in a few days in 1984 under the name of Hurt, and initially released in 1985 on Bain Total at the same period as 'Some Experiences With Shock'.All the tracks of the cassette, and other titles from Die Form, close in the spirit have been added. This is a reissue with different artwork on a new series called 'Collection Des Musiques Industrielles Et Post-Industrielles De France'. It originally appeared in 2016 in the 'Archives Des Musiques Industrielles De F…
Unrelated
** Handnumbered lim.ed. of 200 copies, clear vinyl LP in silk-screened sleeve and download** Born 1976, Nicolas Wiese studied design, illustration sound art, philosophy and sociology and has since been working on various fields: his (audio-)visual art has been presented in galleries and at exhibitions in Teheran, Gent, London, Vienna, St. Louis, Istanbul, Madrid a.o. As musician / composer, he released a number of solo and collaborative albums under the [-Hyph-] moniker and his civilian name. Wi…
Anticlines
Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres. A former geotechnical engineer from Colombia currently residing in Berlin, Dalt’s concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attent…
Continuous Hole
Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel (Matmos) and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los Angeles and Baltimore, “Continuous Hole” melds improvisation and musique concrète composition into a uniquely sweaty document of labor-intensive rhythm. A finger puzzle of reconciled opposites: lockstep structure and constant flux. Many of the tracks reflect the unique blending of the disparate backgrounds of…
Semper Liber
2025 stock ** "Semper Liber consists of a series of duets featuring Marcus Davidson, Hildur Gudnadottir, Mike Harding, Charles Matthews, Clare M Singer, Maia Urstad, and Anna von Hausswolff and are drawn from recordings made at Spire events since 2009. Mixed by its curator, Mike Harding, at the Völlhaus, and mastered by Mark Van Hoen, this powerful four track collection -- to be played as one piece -- explores the sonics of the mighty organ in all its thundering glory. Warning!: Extremely low fr…