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Go Go Theurgy, the first Anna Zaradny’s album in eight years, consists of two majestic compositions. Strikingly charismatic and intense, they teem with sensuality and anxiety, while their palpably dense and detailed texture is constantly filled with tension and sense of urgency. The crystal-clear narration of these structurally complex pieces creates a framework for Zaradny's uniquely intricate and emotional sound. This music celebrates performativity and defies genre limitations. Although brave…
Alga Marghen presents a reissue of Intersystems' Free Psychedelic Poster Inside (1968). Intersystems occupied a difficult-to-reach critical nook between the many tropes that had established to frame the various artistic trends of 1960s. Announcing itself with a quivering beam of fluorescent sound, the beginning of Intersystems' Free Psychedelic Poster Inside feels as though it's slowly piercing right through your frontal lobe. Blake Parker's poetry is a dark glimpse into mundane domesticity …
Alga Marghen presents a reissue of Intersystems' Peachy (1967). The sound work of Intersystems cannibalized stray bits of McLuhanism, psychedelia, Cagean experimentalism, and even the modernist gestural strains of nascent electronic music, yet it was all couched within a very particular DIY ethos. Peachy pushes the meticulousness of Number One Intersystems (NMN 093-1LP) even further and, as such, represents a more balanced amalgam of Intersystems' various disparate stylistic and emotional elemen…
Alga Marghen presents a reissue of Intersystems' Number One Intersystems (1967). Intersystems' works evoke the heightened awareness, intermittent psychosis, intellectual over-stimulation and giddy nihilism of an acid expedition. "Orange Juice and Velvet Underwear" may indeed be the most typically "Psychedelic" cut of Intersystems entire catalog. Its saturated crypto-Indian drone and bent acoustic guitar notes, are upstaged by Parker's lurid-sounding declamations and Mills-Cockell's fierce …
Claudio Rocchetti is one of the key figure in the european experimental scene. An enthusiastic traveler and a deep resercher, Rocchetti had created his strong sonic universe made by fragile melodies and electro acoustic incursion. Kennedy Pantheon : Alte Meister is a time travel made by field recordings, stolen tales, historical documents and interviews, the composition is vivid and filmic, mixing real memories and fictions combining sounds far meaningfully and in time. The result it lies not in…
For the first time, the music of French electro-acoustic lynchpin, Jérôme Noetinger is played by an instrumental group, Ensemble Phoenix Basel with uniquely dynamic, rugged results for Poland’s Bocian Records. In June 2012, Ensemble Phoenix Basel commissioned me to create a work for them to play. It was the first time in my life I had received such a request. After several months of reflection, I accepted and began working on a way of communicating a music with other musicians.Not knowing classi…
Illuminant/Glory is a wild awake, which marks the transition to a new perception of the self. A solitary trip towards the discover of the feral nature which ideally leads to death (Illuminant) and to rebirth (Glory) of whom embarks on this trip. Through sampling in real time floor-tom, voice and synths, the listener is buried under layers of percussions, drones and mantras, dragged further down ("Come down with us") to exorcise the fear of what he is in nature. Only confronting with death…
1997EV is an experimental psychedelic post-apocalyptic project born in the late 90's and led by Andrea Ev.Since the beginning, the project focused into experimenting several heavy-on-drones and drum machines recordings, flowing from both a surreal trance-impro style to a subliminally cosmic free-pop-folk industrial song.1997EV recent efforts refocused towards even outer recesses and post-technological wanderings. Sound has become even more distressing and anguish an immanent existential t…
In the pieces featured on this record, I have chosen simple electronic means - the kind that are commonplace, accessible, cheap, and easy to use - and I put them to work in a mostly-theatrical way: a situation of representation, one that is unique, new, and creative, where the focus lies in esthetics and poetics instead of in technological prowess. An imagination of otherness, where you don't know anymore whether the other is the soundworld produced out of time in the 'black box' of electronics …
Superb re-issue of 2nd cassette release from 1983! The true futuristic/bruitistic industrial machine sound from this French master! Comes in "heavy duty" oversized deluxe cover, lim./numb. 500 on black 200gr. vinyl. "Bruitism is the representation of a living, biological body, not unrelated but on the contrary intimate to the substance. The nature/technique gap is totally, in The Art of Noises, the most accomplished form of a reconciliation with industrial mechanization. By highlighting the a…
BLUES ALIF LAM MIM IN THE MODE OF RAG INFINITY/RAG COSMOSIS is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. This expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou as well as the additon of Marcus Pal and Stefan Tiedje on electronics.Packaged in a lavish, oversized letterpressed jacket …
The Ligurian duo St.Ride, composed of Edo Grandi and Maurizio Gusmerini, is one of the most ambiguous and lest framed bands of Italian experimental music. Their first works came out for some labels but the rest has all been self-released on cd-r for Niente, diy label that the two members use for their side projects. The only thing that counts is their music, an out-and-out studio made of unexpected events. From the acid, electronic strokes of Primitivo to the successful mix between On-U Sound ta…
Infinite Greyscale announce a new 10" record by The Beacon Sound Choir, a project instigated by multi-instrumentalist Peter Broderick. Recorded at Beacon Sound, a record shop and label in Portland, Oregon, Sunday Morning Drones is a work of improvised vocal drone in two parts.Comprising over 30 singers, Sunday Morning Drones explores the oscillating harmonics of the choir as individual voices coalesce into that of a group. Through an assembly of voices joined in song, the two tracks here resonat…
Umanzuki is a three-piece act based in Florence, Italy whose sound and aesthetics are in constant metamorphosis: moving from a former psych free- rock mood, evolving into an increasing dissolution of structures, they are now completing their ascent and reaching an even more abstract form of ambient. Wrapped in dark, synthetic matter, with this 30 minute-long improv session Umanzuki penetrate into the fields of a dilated and deconstructed ambient sound. Recorded in Florence during March 2015 and …
2013 release **
"Korn presents two pieces, each 30 minutes long, which, though dissimilar in pitch (the second is higher), are otherwise tougher to prise apart than the Beugers above. Each is composed of a single sine tone, initially heard as a continuous sound for some 1 1/2 minutes, then repeated with silences interpolated, silences which increase in both length and number upon each iteration. The last line, the eighth in the example printed in the booklet, consists of three very brief blips. …
180-gram LP. Includes printed inner sleeve. Like some ingenious combination of John Cage's chance operations and the numbers station data stream captured on The Conet Project, Strategy's Information Pollution immerses listeners in baffling sonic waters. It's a riveting work that converts the enigmatic effluvia of shortwave and dispatch radio chatter into thrumming, static-riddled clouds of ambience. An undercurrent of unease wafts through Information Pollution's four lengthy tracks, as barely au…
"Bulbs is a band that I like so much that I started a record label to rep their work. I put out their Light Ships album in 2008 because I was so impressed with how futuristic their music was. They've remained active on their own terms since then, releasing a number of micro-editions of their music including a few incredible tapes (Sky Listening, Moon Episodes) and a few splits (a 12" with Mouthus (IMPREC 255LP) and a 7" with Wobbly). Generally Bulbs' music does not sound like the guitar/drum ins…