FloodLines
FloodLines was recorded live at Cafe Oto as part of "Touch presents" on January 31st, 2016. Simon Scott is a sound ecologist and multi-instrumentalist from Cambridge, England. His past albums include Insomni(Ash International) and Below Sea Level (Kesh/TouchLine). His work explores the creative process of actively listening, the implications of recording the natural world using technology and the manipulation of natural sounds used for musical composition. He plays the drums inSlowdive and has r…
Elektronische Mythen (Lp=
Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reissue. The tech…
Spat-Europa
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
E
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
Nonante-neuf fragments harenois
Haren is a Brussels commune where deserted industries have supplanted the farmlands. Here, plenty of rail hubs bind and unbind while planes don’t take off anymore from its missing airport, but from nearby Zaventem.Despite it being unattractive though desirable, I felt immediately at ease over there, at the frontier of abandonment & forgetting ; I could listen to & gaze at desolate spots with a constantly renewed amazement of still being in Brussels.The Wanson factories where I have recorded in 2…
Ass
LP version. Includes CD. Three guitarists, three generations, one album. Günter Schickert, Jochen Arbeit, and Dirk Dresselhaus are all renowned Berlin guitarists. They epitomize three generations of experimental musicians; Schickert personifies the krautrock of the 1970s, Arbeit 1980s post-punk, and Dresselhaus the neo-electronica of the late 1990s and 2000s. Their artistic approaches may differ according to their diverse musical backgrounds, yet what they have in common is a fundamental in…
Woven Sounds
Half of Indonesia's Senyawa (the band's sole instrumentalist, Wukir Suryadi) with a solo release for Morphine. Engineered by Rabih Beaini. Art direction by The Tank Boys.The unique tone and twang of Wukir Suryadi’s homemade bambuwukir - a
hollow tube of bamboo with strings and pick ups played like a
guitar/sitar - recorded at Weltkulturen Museum, Frankfurt, by Philip
Albus in October 2015, is twisted and serrated into a pair of gripping
tracks, following an unsteady, zig-zagging and buzzing …
Huruf Hidup
One half (the vocal force) of Indonesia's Senyawawith a solo release for Morphine. Engineered by Rabih Beaini. Art direction by The Tank Boys.
Go Go Theurgy
Go Go Theurgy, the first Anna Zaradny’s album in eight years, consists of two majestic compositions. Strikingly charismatic and intense, they teem with sensuality and anxiety, while their palpably dense and detailed texture is constantly filled with tension and sense of urgency. The crystal-clear narration of these structurally complex pieces creates a framework for Zaradny's uniquely intricate and emotional sound. This music celebrates performativity and defies genre limitations. Although brave…
Free Psychedelic Poster Inside
Alga Marghen presents a reissue of Intersystems' Free Psychedelic Poster Inside (1968). Intersystems occupied a difficult-to-reach critical nook between the many tropes that had established to frame the various artistic trends of 1960s. Announcing itself with a quivering beam of fluorescent sound, the beginning of Intersystems' Free Psychedelic Poster Inside feels as though it's slowly piercing right through your frontal lobe. Blake Parker's poetry is a dark glimpse into mundane domesticity …
Peachy
Alga Marghen presents a reissue of Intersystems' Peachy (1967). The sound work of Intersystems cannibalized stray bits of McLuhanism, psychedelia, Cagean experimentalism, and even the modernist gestural strains of nascent electronic music, yet it was all couched within a very particular DIY ethos. Peachy pushes the meticulousness of Number One Intersystems (NMN 093-1LP) even further and, as such, represents a more balanced amalgam of Intersystems' various disparate stylistic and emotional elemen…
Number One Intersystems
Alga Marghen presents a reissue of Intersystems' Number One Intersystems (1967). Intersystems' works evoke the heightened awareness, intermittent psychosis, intellectual over-stimulation and giddy nihilism of an acid expedition. "Orange Juice and Velvet Underwear" may indeed be the most typically "Psychedelic" cut of Intersystems entire catalog. Its saturated crypto-Indian drone and bent acoustic guitar notes, are upstaged by Parker's lurid-sounding declamations and Mills-Cockell's fierce …
Kennedy Pantheon : Alte Meister
Claudio Rocchetti is one of the key figure in the european experimental scene. An enthusiastic traveler and a deep resercher, Rocchetti had created his strong sonic universe made by fragile melodies and electro acoustic incursion. Kennedy Pantheon : Alte Meister is a time travel made by field recordings, stolen tales, historical documents and interviews, the composition is vivid and filmic, mixing real memories and fictions combining sounds far meaningfully and in time. The result it lies not in…
Les voix de l'invisible
For the first time, the music of French electro-acoustic lynchpin, Jérôme Noetinger is played by an instrumental group, Ensemble Phoenix Basel with uniquely dynamic, rugged results for Poland’s Bocian Records. In June 2012, Ensemble Phoenix Basel commissioned me to create a work for them to play. It was the first time in my life I had received such a request. After several months of reflection, I accepted and began working on a way of communicating a music with other musicians.Not knowing classi…
Illuminant/Glory
Illuminant/Glory is a wild awake, which marks the transition to a new perception of the self. A solitary trip towards the discover of the feral nature which ideally leads to death (Illuminant) and to rebirth (Glory) of whom embarks on this trip. Through sampling in real time floor-tom, voice and synths, the listener is buried under layers of percussions, drones and mantras, dragged further down ("Come down with us") to exorcise the fear of what he is in nature. Only confronting with death…
Love Symposium Alien Spider
1997EV is an experimental psychedelic post-apocalyptic project born in the late 90's and led by Andrea Ev.Since the beginning, the project focused into experimenting several heavy-on-drones and drum machines recordings, flowing from both a surreal trance-impro style to a subliminally cosmic free-pop-folk industrial song.1997EV recent efforts refocused towards even outer recesses and post-technological wanderings. Sound has become even more distressing and anguish an immanent existential t…
Gentle Electronics
In the pieces featured on this record, I have chosen simple electronic means - the kind that are commonplace, accessible, cheap, and easy to use - and I put them to work in a mostly-theatrical way: a situation of representation, one that is unique, new, and creative, where the focus lies in esthetics and poetics instead of in technological prowess. An imagination of otherness, where you don't know anymore whether the other is the soundworld produced out of time in the 'black box' of electronics …
Realite De L'Automation Directe
Superb re-issue of 2nd cassette release from 1983! The true futuristic/bruitistic industrial machine sound from this French master! Comes in "heavy duty" oversized deluxe cover, lim./numb. 500 on black 200gr. vinyl. "Bruitism is the representation of a living, biological body, not unrelated but on the contrary intimate to the substance. The nature/technique gap is totally, in The Art of Noises, the most accomplished form of a reconciliation with industrial mechanization. By highlighting the a…
Live At Issue Project Room
BLUES ALIF LAM MIM IN THE MODE OF RAG INFINITY/RAG COSMOSIS is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. This expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou as well as the additon of Marcus Pal and Stefan Tiedje on electronics.Packaged in a lavish, oversized letterpressed jacket …
Central Palace Music
Central Palace Music, performed by Catherine Christer Hennix's just-intonation ensemble The Deontic Miracle, is the first in a series of archival Hennix releases to be issued via Imprec. This previously unheard piece was taken from an eight day festival organized in the Spring of 1976 at the Museum of Modern Art in Stockholm. The group features Catherine Christer Hennix on Renaissance oboe and custom sinewave generators, Peter Hennix on Renaissance oboe and Hans Isgren on sheng.Central Palace Mu…