Dance Remotion
Belgian new wave & DIY minimal synth duo that started out experimenting with a rhythm box and post-punk guitars in the vein of early Cabaret Voltaire. Rudolf Hecke explains the origin of the band: “By the end of the seventies we were both living in small towns near Leuven. I had been playing in bands since 1973 and was still living with my parents in Veltem-Beisem where the garage was my rehearsal-room. One day he showed up, he was looking for a songwriter, he’d be the singer. He rode a bike.”Th…
Pass hidingly seek
Long-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft. His highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others. Two selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!
Quaking Myth
Long-running solo project by Jeffry Astin. Label head honcho of everyone's favorite underground cassette label Housecraft. His highly abstract style, represented on over 40 releases, predominantly cassettes, defies all attempts at elementary categorisation, but indicates broad influences from modern and ethnic drone, tape music, musique concrète, kosmische and lo-fi, amongst others. Two selected recordings “Pass Hidingly Seek” (2009) and “Quaking Myth” (2010) finally get the proper issue on wax!
La Poupée Vivante
Four mouvements of electro-acoustic and vocal poetry projecting luminous shadows of a decadent fin de siècle. Performed by Timo van Luijk, Frédérique Bruyas and Arlette Aubin. Edition of 300 copies with printed inner sleeve.
Traces Ephemeres
Beautiful album from Andrew Chalk and Timo van Luijk, from pastoral snaphots to some oriental dreams. Eclectic ensemble of 18 instrumental arrangements invoking an epic and existential soundtrack determined by the power of momentary destiny and reflective sentiment. Guest appearences by Jean-Noel Rebilly and Tom James Scott
Xuan
Ennio Mazzon is a sound artist who works in the field of experimental electronica. His background in engineering and his interest for maths, physics and programming languages are conveyed into the development of infrastructures of digital tools that he uses for audio processing and live improvisation. He is the founder of the label Ripples and he is part of the project Zbeen.
Nonagon knives
CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…
A vacant lot to be in
Jason Zeh is a hands-down master of cassette tape and cassette playback devices. Using magnets, metal, plastic, car stereo tape adapters, cassette players without tape, cassette tape loops, modified tape decks, and sand paper (among other devices), Zeh creates two tracks that swim through hiss, grit, and wavering, fractured soundwaves to create some of the most engaging audio I've had the pleasure to hear. This recording reflects not only Zeh's dedication to mastering and refining his source mat…
Corporate Laughter
Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon. One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…
Ik, Steven H
This 12" is by a rapper called Steven H from Kaster, Belgium, who sings in Kaster dialect, a dialect incomprehensible by anyone not living in Kaster.
Circle wind
'Circle Wind' fields are recorded at Tokyo, Kanagawa, Niigata, Nagano, etc.. yet what's interesting is the time that recordings were made, each recording session was taking place between midnight and dawn, and the techniques that been used. "Feeble vibration and passage of air. It resembles Zen and meditation to capture the piece of these delicate sounds aurally." Hiroki Sasajima is the sound artist residents in Tokyo. He had started the activity of field recording around 2007. Since then, he go…
Soundtracks for Takeshi Murata
CD edition: Glistening Examples is proud to announce "Soundtracks for Takeshi Murata"ÂÂ, the debut LP of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police a nd more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists includin…
Red Sun
What makes the music of Kasia Głowicka special? First of all space. Deep and extensive. As in ambient music. Built by reverbs, echoes and electronics. Against this background - a piano. Flickering , rippling . Cascades of repeating notes and rhythms. As in minimal music . Tonal associations, but with different development. Clear sounds, distorted, appear then re-appear hear and there as whispers and crackles. As in glitch music. But clearly you hear the skills of a seasoned composer –…
Phone about to Ring
Initial copies on Blue wax, all purchases come with an instant MP3 download. The Noise Musician's Noise Musician, Scott Reber of Rhode Island presents a jaw-dropping slab of two noise symphonies for Type. In operation for over a decade now, Reber has amassed a plethora of CDrs, tapes and the odd vinyl under myriad names and in scant quantity, many known only to the Rhode Island fraternity, like this one originally released on his Three Songs Of Lenin label in 2012. As the title infers, 'The Phon…
Financial Glam
Jar Moff returns with his second full-length, Financial Glam, a follow-up expanding on ideas first presented by the excellent Commercial Mouth debut LP PAN released earlier this year. Continuing with themes established on his previous LP, Financial Glam reflects the flux and tension of his home city, a gripping opus of grandiose crescendo and collapse, broken rhythm and disquieting calm. These intricately-composed collage works, constructed from hundreds of archived samples, provide a fitting…
Farewell said I rising
Another lovely release from Upside label, responsible of the "fantastically primordial soup of dismantled and unstable rhythmic electronics and fractal synth patterns" as Boomkat said while reviewing Nastro / Here’s a very mysterious one-sider from Italian duo CYMBLS, their debut, so information about them is scant. There are five tracks on here which mix Italo-horror atmospheres with an earthy, freewheeling avant-minimal aesthetic as they melt between passages of bright, reverby organ, breathy …
The Hebrides suite
How does history - past lives and past events - leave sonic traces and how can we hear them? The Hebrides Suite is the result of an attempt to answer this question and the culmination of composer Cathy Lane's three decade long engagement with the Outer Hebrides. The Outer Hebrides form a 130-mile long archipelago about 40 miles off the north-west coast of Scotland. There are more than 200 islands but only a few are now inhabited. In the 2001 census the total population of the islands was 26,502.…
Eins +
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
Piano plus
Piano Music 1963-1998. Piano Plus is a collection of six piano pieces written by Richard Teitelbaum (b. 1939), a pioneer of interactive electronic and computer music, between 1963 and 1998. Piano Plus illustrates the use of cutting-edge technology to extend the range of the traditional acoustic piano. Three of the pieces are played by the composer himself, and the other three are performed by some of the leading interpreters of contemporary piano music. The first piece, 'Intersections' (1963) is…
Broken iteration
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…