We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Electronic /

Shapes
Behind graphicalSound is Matteo Milani, whom we recently heard for the first time in Vital Weekly 644 as one half of the U.S.O. Project. Milani started at the end of the 80s, splicing tape at radio stations. These days its all about the computer, ‘blending synthetic and organic sound material, sharing the Pierre Schaeffer ‘audio vision’ of musique concrete’. The four pieces on this release are nice, but hardly musique concrete, unless of course the sounds have been altered to such an extent that…
Dialogue Ordinaire Avec La Machine
Few copies back in stock, long out of print. After the publication of Danses organiques, Elica is pleased to present two previously unreleased compositions by Luc Ferrari from the early 80's: the stereo magnetic tape piece Dialogue ordinaire avec la machine coupled with Sexolidad, a composition for fifteen instruments. Both pieces share with the Danses a deep sense of sexual curiosity, a penetrating matter for the composer's musical explorations. This album is yet another fine testament to the F…
Pragma
Tim is best known as a founding member of the legendary avant rock group Henry Cow [1968-1978]. Pragma is an intense fusion of contemporary classical music and rock energy. There are six substantial compositions focusing on horns, violins, percussion, voices, & small orchestral ensembles. Includes: "SHHH" (for taped voices, including fragments of Ana-Maria Avram's 'Archae'); "For Looking Inside" (for 3 prepared violas) & 4 others.
+1
'+1, Interval Recordings' second release by Los Angeles-based electroacoustic duo Mem1 (Mark + Laura Cetilia), introduces listeners to a series of collaborations between the duo and nine guest artists: Jan Jelinek, Ido Govrin, Area C, RS-232, Frank Bretschneider, Kadet Kuhne, Jen Boyd, Jeremy Drake, and Steve Roden. Whether the collaborations took place in an old cabin by the lake, on a hot and hazy day in a painter's studio, or floating through the infinite void of virtual space, the resulting …
Garifuna Traditional Music From Guatemala
Vivid documents of the music indigenous to the Garifuna community, recorded live in the field by ethnomusicologist Alfonso Arrivillaga Cortes in 1990. "Ibimeni a term associated with childhood and youth, meaning honey or sweetness in Garifuna. Ibimeni is also the name of a group of Garifuna musicians and dancers from Livingston, Guatemala, who interpret their traditional sounds in this album. this collection includes lullabies, festive chants, processional marches, and songs of religion and labo…
Performing Works of Alireza Mashayekhi
Perfect follow-up to the highly acclaimed Persian Electronic Music (SR277), this new Persian Music album involves a cast of seasoned musicians performing works written by legendary Iranian composer Alireza Mashayekhi; in which Ata Ebtekar (aka Sote) was granted complete creative freedom by Mashayekhi himself to transform these compositions into fully realized pieces using his techniques of synthesis and electronic manipulation. It's an organic electrocution without sacrificing the beauty of the …
The Drive
Billed as a soundtrack to an imaginary road movie this latest album from Jon Egeskov's Pixel project (his third in all) reaches into your subconscious and yanks out whatever images are lodged in there. Using a basic palette of miniscule percussive elemnts and delicately manipulated amplifier hiss Egeskov instils a sense of gentle motion, sounding out dream-like engine noise that propels the listener down whatever shady lane they're prepared to venture down. The floating hum and crinkled analogue…
Live at Cafe Oto
a rich, layered mesh of droning sound leaning towards the lower end of the scale that hangs together in a somewhat fragile manner. In many ways there can be detected some of the dynamics and stimuli present in modern noise music in what Oceans of Silver and Blood are doing. Indeed Nordwall has a partial background in this area, and both musicians took part in a very noisy conclusion to the Eight Hour Drone People concert I saw at Oto last winter, alongside the likes of Lasse Marhaug, thirty minu…
Virtuoso Saw
the pure union musician, was the sawtooth performer with the occupation musician who serves the oboe player of the los angeles symphony. it attends the musician of the band companion in the back, announcing the extremity of sawtooth performance with the transcendent tech which is lined to the beauty consciousness and professional ability of western classical music. the elegant solo album 1985 indicates one direction of sawtooth music. the japanese first appearance. the booklet attachment of valu…
L\'Ethique
Richard Pinhas is internationally recognized as one of France's major experimental musicians: the "father" of French electronic music. He was the founder of Heldon, a band whose violent fusion of electronics and guitar in the '70s rivaled the German electronic school. As a guitar player he has been compared to Robert Fripp. Cited as an influence by many electronic musicians, Richard Pinhas has helped to define the Spacemusic genre. Since founding the seminal spacerock band Heldon in 1974, Pinhas…
DWW
Recorded between 1983 and 1991, DWW contains some of the finest material devised by the former Heldon leader since that band's "demise." All that is Pinhas is here in its glory: guitars soldered with "Terminator" steel, coruscating electronics, and sequencers that tear electrons from their molecular womb. This is a music that uses King Crimson circa 1974 as its template and couches its aural metaphors in a tapestry of post-Philip K. Dick mind blasts and William Gibson-fused cyberpunk. In fact, D…
Underneath the surface
Since the very first notes, this music appears to be about memory, decay and subversion. It is a deep investigation on the ability of sounds to freely attract or reject each other, in accordance with their own nature and disposition, and still maintain their meaning. Combining dense, multilayered sheets of synthetic sounds, treated bass, electronic percussion, the six tracks reveal their non-architectural principle as the music develops through warm textural details, reverberations, underlying m…
Spilt
Nate Young airs two of his alter egos on this great split LP: Demons, featuring Steve Kenney (oh you know, Steve Kenney - he's in those well-known beat combos The Pterodactyls and Isis & Werewolves.... No?) and Hatred, which combines Young once again with Kenney, but this time with the added presence of Spence Bryant. The Hatred side sounds like the motor on your turntable is continually breaking down, as if some perpetual Technics power-down effect was causing all manner of primitive pitch-slid…
Manifesto Rumorarmonico Post Futurista
Vinyl compilation devoted to "Luigi Russolo" the father of Futurist music and the first man theorizing that music has to be composed mainly by rumors And not by harmonic sounds! His music was played with an instrument "l'Intonarumori" or "Rumorarmonio" which was invented by himself! Russolo is the forefather and theorizer of the "Electronic music" concept and for sure we can say today that he was the first man playing "Industrial" muzak! For this project we found four artists which are known for…
Elisionem
'The 'elision' in the traditional music is a coercive and systematic dispositive necessary to assimilate two syllabic notes in one only. The 'elisionem', in the avant-gardist branch, is a sound absorbent course used amalgamate various sonorous elements into one. The main purpose is to generate an eclectic and axiomatic damping of the electroacoustic particles in order to proportion the achromatic fulfilment of modern concretism. And the final effect is phonographically disarming... psycho-acoust…
TESLA WERKTATT KLANGAPPARATE
Four artistic projects concerning historic sound devices from Steve Roden & Martin Riches, Thilges and Frank Bretschneider in a DVD of sound and video performance captured at Tesla in Berlin, 2006
Eskalation
BOXED deluxe version. and i mean deluxe. a thick lp boxed-set box with a hand-etched coated-metal “badge” contains the regular edition lp/sleeve (below) plus two cd-rs of interviews & audio by mr. bösmann and a veritable king’s random in leaflets, posters, flyers, dossiers, dockets, etc - 100 copies only scalating drone sounds like a mixture of cluster/kluster and ktl or sunn o))) with vocal parts in the style of tazartes or tibetan monks. the 20 minutes long title track sounds like a swelling v…
Source: Music Of The Avant Garde - Source Records 1-6, 1968-1971
Astoundingly great collection of some of the classic pieces from the 60s avant-garde / live electronic music wave presented here as originally issued (in chronological order) by larry austin & stanley lunetta via their “source: music of the avant garde” magazine & 10” record series between 1967 and 1973 .... Source Records 1 and 2 with Robert Ashley: The Wolfman (1964). David Behrman: Wave Train (1966). Larry Austin: Accidents (1967). Allan Bryant: Pitch Out (1967). Source Records 3 and 4 with A…
Like A Packed Cupboard But Quite...
First full length, full size album by Dekorder (Matt Wand, Black To Comm, John Hegre, a.o.) and it is dedicated to Un Caddie Renversé dans l’herbe the meta-global wunderkind from Sao Paulo, Brazil, now residing in Barcelona, Spain, that uses all these weird instruments from far away continents to find and refine subtle yet exciting tracks. At times the music sounds so tiny and little and to be cared for and at times it grows into planetary proportions by the added value of meaning and a message.
Dishoek
Just before we started to miss Guido Möbius he surprised us with “Dishoek”, his second album, recorded for Hamburg’s Dekorder label. Again featuring a conglomeration of acoustic and electrical instruments (guitar, bass, violin, cornet drums, synthesizer, clarinet among other things.) and a variety of guests, so that one hardly dares to call it a solo album. Still everything is magically held together by one single person. Melodies and noises, styles and individual characteristics, intelligence a…