Stage
Stage is Steinbrüchel’s second full-length solo release on LINE. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in several scenes are…
A little lost
Icelandic musician (now based in Hannover, Germany) Sigtryggur Berg Sigmarsson has been a longtime member of the band Stilluppsteypa. Since some time he has been releasing solo works as well, with albums on Trente Oiseaux, ERS and Fire Inc. This is his new solo album, and the best example of the variety of his musical talent. A Little Lost contains three lengthy tracks, one beautiful piece that gets close in spirit to ambient, one collage piece using amongst else spoken word and a third track wh…
Yukigafuru
Seclusion are Makoto Hattori and Chako with German experimental musician Christoph Heeman, who is known as a member of HNAS. They recorded this 30 minute CD while on tour in Germany at Christoph's studio. The result is deeply ambient and cold experience (which is appropriate as the title means snowfall) that is slow to reveal its secrets.
Objekt 2
Volume 2 of the music of RUNE LINDBLAD (1923-1991). This cd consists of the remainder of the long out of print Radium double lp. These works cover the years 1962-1988. Lindblad, a Swede began composing music in 1953. Ignored by the musical establishment in Stockholm, Rune went his own merry way, composing over 200 works of electronic music. Limited in the early years to often primitive equipment, he carved out his own musical niche. The sounds were often raw, occasionally scary.
Death of the moon
This disc is a reissue of lps on Pogus and Radium. Rune Lindblad (1923-1991) was an early pioneer in electronic and concrète music. Lindblad did not see these genres as mutually exclusive. Important and wonderful works by a composer who represented no institutionalized school of thought. At a concert in 1957, the critics called his music "pure torture."
Substation
Apart from being recognised as two of Australia's leading improvising musical forces, Clayton Thomas and Robin Fox are also acknowledged for their unrelenting experiments and divergent acoustic approaches in relation to their instrument of choice. Over the past 3 years, Robin Fox has developed some of the most powerful live processing tools in Australia through his research with MAXMSP. Clayton Thomas on the other hand has expanded his performance styles, moving between blistering free jazz expl…
Current
Richard Chartier’s sound installation and recorded pieces evoke a state of aural awareness. Working with a variety of minimal structures and refined sound sources, Chartier has been responsible for some of the most austere audio works of recent years. Aesthetically refined and creatively provocative much of his work has focused on the edges of perception, both in frequency range and amplitude. On Current, his latest work to be released in conjunction with his performances in Australia and Japan …
Pech
Pech is the latest duo recording from inside pianist Reinhold Friedl and avant- percussionist Michael Vorfeld. Over the past five years, this pair of German musicians have created some of the most engaging and imaginative electro-acoustic music, exploring the potentials of subtle performance techniques and refined compositional approaches. On Pech, the duo seek to uncover the hidden and masked character of their instruments - the piano is altered via various preparations and unconventional ways …
Presque_chic
Poire Z is almost like a super group, as it’s collaborative work between drummer Gunter Muller, electronics by Erik M and the cracked everyday electronics of Moslang and Guhl – the latter two known as Voice Crack. Presented here are two lengthy and heavy weighted pieces recorded at two different festivals. Overall the music is densely layered (although I can’t say if this is a straight recording or a mixed multi-track version; I assume the first) which moves into various places and spaces. Small…
Q
Recorded live on 20th May 2002 at Musique Action, Vandoeuvre-Les-Nancy, France.
Four Full Flutes
Here is the complete CD catalog of this superior NYC composers collective label (aka Experimental Intermedia); although pretty low-profile, there are some amazing releases on this label in the spirit of long, droned tones and advanced new music composition. Don't let the title to this Niblock thing throw you off -- this is massive trance music and a key work in the unspecified field of "pure sound". "...adjacent tones beat violently against one another while clouds of harmonics hover above the w…
Day for night
This CD represents a 25-year collaboration between renowned British avant-garde improviser Peter Cusack and instrument builder and sculptor Max Eastley. Cusack and Eastley have made these short episodes together between busy careers recording experimental music alongside artists such as Nicolas Collins, Steve Beresford, and David Toop). With numerous releases on ReR and Incus, the two musicians are mainstays of the British improvised music world, and Eastley is particularly prominent for his wor…
Ghostdance
The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones, commissioned by Lincoln Center Out-of -Doors. "The Gkostdance collaboration with choreographer Paula Josa Jones began in Monterrey Mexico supported in turn by two month US/Mexico Exchange Fellowships from the National Endowment for the Arts and FONCA. Together with our host—composer/ ethnomusicologist Arturo Salinas—we attended El Dia de los muertos in Chalco to help inform our work…
Verso
The second release from this abstract trio who mingle hard electronics with acoustic and processed percussion. A more focused, subtle aesthetic here, I think, than on their last also excellent - CD. These are finely tuned and seamlessly integrated sounds that have been crafted and, importantly, performed; this is essentially played music that had been painstakingly reworked, and bears still the deep qualities of interactivity and immediacy that created it.
Veil of Tears
A collection of recent tracks, recorded by the Organum core of David Jackman, Michael Prime, Dinah Jane Rowe and Jim O'Rourke; further mastering of sound cluster presentation and development.
Die Hennen Zähne
**Edition of 600** A four track mini CD combining the never released two 10 inch's Maus (DS57) and Die Hennen Zähne (DS66). Die Hennen Zähne opens with Die Kralle actually a David Jackman track from his archive recorded in the early 1980's. Next is the title track Die Hennen Zähne, a joyful noise not unlike some of the TNB/Organum material incl. the sound of broken glass and tibetan horns, best to be experienced loud. Maus is the centre piece of this mini album and typical old school Organum. Th…
Organ Eye
Born out of both creative empathy and chance, Organ Eye were formed in the wake of a live concert of David Maranha (Osso Exotico) and Minit (Jasmine Guffond & Torben Tilly), which took place at the ZDB Gallery in Lisbon, Portugal at the end of February 2005. With the addition of Patricia Machás (also a member of Osso Exotico), the quartet that now forms Organ Eye was completed and in March and December of 2006, they recorded their eponymous debut album.The two raga-like tracks that comprise this…
Volume 2: Electronics Works
Multi-channel electronic works in Surround Sound. Morton Subotnick was a phenomenon in the late '60s, the first composer to write substantial works for synthesizer that had a wide audience. He has been mentor to generations of composers, and his influence is so pervasive that it would be impossible to trace completely - the electronica movement, for one, reveres him. This release brings together two of his classic analog electronic works which were previously only available on LP.
In Streams (Volume 2)
2001 release. Like Volume 1, this CD also contains excerpts from three concerts (all in London this time) and a studio piece. Morphogenesis plays a few concerts a year, almost always in London. Concerts have always yielded their most varied material, but until now, their CDs have mainly documented their studio work. Both volumes of In Streams redress this. Of the concerts; one is a whole piece from the Spitz concert organized by Eddie Prévost, then there is a short extract from the Red Rose whic…