Nature Morte
* Edition of 200 12" Gold Vinyl. Hand numbered. * Joni Void & N NAO are the respective monikers of surrealists Jean Néant and Naomie de Lorimier from Montréal, Québec - who found each other in 2016 through a poetry-reading/performance by Naomie in Jean’s home at the time, a DIY loft-venue known as The Plant. This would lead to numerous events involving both, there and in many other Montréal underground spaces, until both finally worked on a collaborative piece for Joni Void’s album “Mise en Abym…
Sketches Of Everything
* Re-press, edition of 300 copies. Mastered by Rashad Becker, includes album download. * Technically Demdike Stare’s first official collaboration, ‘Sketches Of Everything’ was recorded between Stockholm and Manchester and finds Miles Whittaker & Sean Canty inspired to create some of the most quietly expressive scapes of their career, feeding into Jon Collin's strung-out vibe with a mix of layered and smudged backdrops that usher us through ravines of feedback and unexpected midnight hallucinatio…
Modern Antics in a Deserted Place
* Edition of 300 copies pressed on silver vinyl, includes a download of the album * After marking himself one-to-watch with ‘Equal Amounts Afraid’ for the O___o? label, run by underground LDN catalyst Koyejo Oloko, LA Timpa leads on from the diaristic vignettes of that amazing Wayne Phoenix album, issued earlier this year on Halcyon Veil, with a vulnerable, gauzy expression of outsider soul in ‘Modern Antics in a Deserted Place’. The “place” of his title could be practically anywhere during loc…
Infoldings
* Edition of 500 * ‘Infoldings’ combines synthesis and sinew in unpredictable, pointillist arrangements where Will Guthrie plays against patterns derived from Max MSP patches by Mark Fell. The album’s two tracks are in this sense different to the man-machine concept of Fell’s acclaimed ‘Intra’ album, where he triggered performances by Portugal’s Drumming Grupo De Percussão to play a metallophone designed by Iannis Xenakis. Here, the pair find common/contrasting purpose in a probing of rhythmic s…
Like Weather
* 22nd Anniversay Re-Mastered Reissue. Includes a bonus 7" and a download of the album * When you make a record that doesn’t conform, expect to divide opinion. ‘Like Weather’ was released in 1998, on Rephlex - run by Grant Wilson Claridge and Richard D James - an often great label that had a following that couldn't quite deal with electronic music made by a girl - let alone one that used vocals. Everything those lads couldn’t fathom about ‘Like Weather’ is essentially what makes it untouchable; …
Hotel Nota
**Much needed, limited repress** If you plot a line between Jon Hassell’s 'Dream Theory In Malaya' and Jan Jelinek’s 'Loop Finding Jazz Records', you’ll find this pearl lodged somewhere in between. Add in cover art that reminds us of the sun-bleached breeze of Antena’s eternally nostalgic 'Camino Del Sol' and you have three of our favourite albums referenced in one paragraph. In other words; essential listening if yr into the aforementioned, or if you're in desperate need of some time alone, was…
An Anthology of Greek Experimental Electronic Music
**Double-CD version includes 20-page booklet. Sold out at source** An Anthology of Greek Experimental Electronic Music 1966-2016 aspires to map the heterogenous landscape of Greek experimental electronic music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception: it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "experimentalists".…
Downfall
Limited 2 LP edition. Downfall is the first album under the name Saito created by Lena Saito, aka Galcid, and produced by accomplished analog synthesizer guru, Hisashi Saito, aka Lena's husband. Having descended from a long line of Japanese sword-smiths, the industrial sound of smashing steel is embedded in Lena's DNA and reflected in her music, however there are also refined, hypnotic tones showing a side with more finesse. The music itself is not scored and is predominantly improvised. Words a…
Wayfinding
Wayfinding is Christopher Bissonnette's sixth solo studio release and his first, of hopefully many, for 12k. The album embodies an evolution of Bissonnette's work, moving from an exclusively synth-based series of explorations to an amalgam of electronics and acoustic methods. Each track seeks to find grandeur on a diminutive scale. Bissonnette's focus has shifted from sweeping pastoral drones to introspective passages with delicate melody and elusive harmonies interlaced with studio and field re…
Small Numbers
Edition of 150 in foil printed Digipak with embossed Entr'acte stamp on reverse side. Surreal Euro oddity from double bass player Hannes d’Hoine’s Jon Doe One, joined by a quintet of guitar, flues, marimba, drums, clarinet and vacillating late night Lynchian feels with prog-jazzy turns of phrase and unexpected daubs of strange soul music. RIYL Rupert Clervaux, David Lynch, Jean-Michel Jarre, Kreng
“Jon Doe One is the alter ego of Hannes d’Hoine, a double-bass player and composer from Antwerp. H…
Electronic Music of Paul Earls 1968-1993
**Original 1995 copies, still sealed*+ Paul Earls (USA, 1934-1998) was a composer and multi-media artist, affiliated with the Center for Advanced Visual Studies at MIT. His electronic music and sound installations, incorporating laser imagery, accompanied many indoor and outdoor staged events internationally. Earls' 1968 Moog piece "Monday Music" was recently featured on Waveshaper Media's acclaimed compilation "Electronic Voyages: Early Moog Recordings 1964-1969". Earls was a teacher composer e…
Log Et3rnal
**Edition of 500** Ulla & Perila’s newly formed Log duo arrives on Experiences Ltd with a sublime full-length suite of dubbed-out, warm and fizzing energies, reminding us of Vainqueur’s classic Elevation productions for Chain Reaction, and the most dense, tranquil moments from Wolfgang Voigt’s GAS excursions. Ulla and Perila have each supplied us with some of the most rinsed and satisfying records of the year, this one might just be the best of the lot. ‘LOG ET3RNAL’ sees the pair building on a…
Kenemglev
**Edition of 300** Bourbonese Qualk legend Simon Crab meets Charles Beullac (Galerie Statique) in a volley of brooding, dubbed-out industrial/illbient misfits for Lisbon’s Holuzam, the young affiliate label of the renowned Príncipe Simon Crab is nothing less than a true pioneer of British post-industrial music, with a catalogue of prototypical dark ambient, groove-driven industrial, and hardcore techno practically unparalleled in his field. In collaboration with Canadian artist Charles Beullac, …
The Gagmen
**300 copies, white vinyl.** The Gagmen are Aaron Dilloway, Nate Young, Joachim Nordwall and Dilloway's old pal Andrew W.K, here grouping together for an almighty, previously unreleased LP of atavistic headwreckers of the most fucked and unnerving calibre - completely unmissable for fans of Wolf Eyes, Dilloway’s ‘Modern Jester’, Nate Young’s ‘Regression’ sessions, or anyone looking to ignite/summon new//dark energy. Put three of experimental music’s gnarliest dudes, and their pals, in a room a…
Mixing Colours - Expanded Edition
"Roger and Brian Eno explore the nature of sound in their first ever duo album, Mixing Colours. The album’s eighteen soundscapes invite listeners to immerse themselves in the infinite space that lies below their surface. Coming out on Deutsche Grammophon. Mixing Colours grew over a number of years, with both artists drawing on their long experience as composers, performers and producers. The creative process began with Roger Eno playing individual pieces and recording them using a MIDI keyboard.…
Continue
* Edition of 200 * With his new album “Continue” Richard Chartier presents four minimalist compositions with a focus on deep drones and apparent silences. The music is subtle, delicate and at moments fragile. Full, with details, like delicate patterns that unfold like ripples on water.
With a keen eye on details the compositions reflect Chartier’s earlier work, but also asks new questions. When is the creative process done? Is art ever finished or does it continue to develop? And how does the li…
Col
Abstrakce is really excited to finally present one of the most rare, interesting and difficult to find of Carl Matthews' cassettes on vinyl for the first time and remastered by Colin Potter. Composed and recorded at his own home studio in 1991 and influenced by Harmonia and Cluster, Matthews developes a really personal project. A very delicate usage of rhythm machines, samplers, sequencers, e-bowed guitars that show up briefly hinting at a lo-fi Innovative Communication feeling... The capricious…
Quid Rides
* Letterpress cover, including insert with liner notes by Colin Potter, who has also been in charge of the remastering * Reissue of this obscure cassette from 1987, a really interesting rarity by Carl Matthews under the CAM moniker. Sturdy synth basslines sculpt solid rhythm patterns that bring to mind the innovations of the moment in electro and dance records. Having in mind that Matthews was a white ambient composer, it´s very curious to find him dropping these groovy bombs that sound like a p…
Vanity Box Vol. 2
The Vanity Box vol 2 present another beautiful boxet with releases by legendary Japanese DIY label Vanity, active in the late 70s and early 80s. It was conceived by Studio Warp, in collaboration with Agi Yuzuru and the whole roster of artists involved with Vanity.
CD-1 Dada - Jyo(Vanity 0001, originally released in 1978)Dada is an electronics and guitar duo formed in 1977 by Kenji Konishi of Kigadoumei (when Terutsugu Hirayama was a member) and guitarist Mutsuhiko Izumi of Karisma (when Kozo S…
Plus
The nine-track Plus comes just 12 days after Sean Booth and Rob Brown released Sign, their first "traditional"-format album since 2013's Exai. This is the second of two new albums that Autechre teased in their lockdown live-stream sessions on Mixlr earlier this year, in addition to their latest batch of live recordings. You might call Sign Autechre's ambient album. The percussive sounds are few and far between, and they create rhythms that are even less legible than the norm for recent Autechre—…