Fältinspelningar från Terres de l’Ebre
** Green vinyl edition of 300 copies. Originally released as a tape edition of 100 in 2017 **Newly reworked by Maria Horn & Mats Erlandsson and remastered by Daniel Karlsson. XKatedral returns with this blistering terraform of sprawling ambient and electro-acoustic works originally released as a tape edition of 100 copies in 2017 and now newly reworked and remastered for this first-time vinyl edition. Highly recommended if yr into Eno, Jim O’Rourke, Fennesz, Ben Frost. Turning field recordings …
Collagen
** housed in reverse-board inner and outersleeve, including a 16 pages artist book/music score ** the full-length debut of Lisa Lerkenfeldt’s lowercase ambient drift marks the Aussie artist’s most significant release to date, slotting neatly into the roster of Félicia Atkinson & Bartolomé Sanson’s Shelter Press and gently caressing our earlobes with a sometimes barely-there palette of peach wood combs, contact microphones, piano, strings, and feedback that coalesce into tumultuous movements beyo…
Himmelsvind
**Edition of 340 copies on black vinyl, gloss varnish sleeves and a 12-page full colour booklet ** the first release on Discreet Music and the 6th album from Arv & Miljö. Mainly recorded during the easter holiday 2020 and the coming weeks, Himmelsvind takes us back to the spring time, where as the previous album Svensk Sommar I Stilla Frid (Omlott Records, 2018) explored the Swedish summer. While sonically a continuation of the ambience and new age gloom of Svensk Sommar, the general tone on Him…
Auf Dem Schwarzen Kanal
Auf Dem Schwarzen Kanal is one of the most outstanding, most sought-after releases in Conrad Schnitzler's extensive catalog. It was the only Schnitzler record to appear on a major label and saw him flirting with the experimental new wave sound that was emerging in 1980, particularly on the title track. Nevertheless, it still managed to sound idiosyncratically unlike any other music around at the time. Recorded with Wolfgang Seidel at Peter Baumann's Paragon Studio in Berlin, the four tracks take…
Milzz Expz
NYZ on the recording: "The Buchla 100 experimental session begins with a documentary recording of the noise generators. Something I find endlessly fascinating is listening to different noise sources, so I always feel compelled to record them. The remaining tracks are sequenced by my MANIAC Cellular Automata sequencer. First up are three little sequenced ditties that also incorporate the ARP 2600 modular interconnected to the Buchla 100. After this is an ultra-minimal setup using MANIAC and the m…
Smegma
**Original edition of 100. About 20 copies left from the original pressing** The only Russian release for legendary Smegma!
Whale - Wail, In Peace, En Paix: For Voice and Tape Structures of Whale and Other Animal Sounds
**2020 stock** Whale - Wail, In Peace, En Paix: For Voice and Tape Structures of Whale and Other Animal Sounds is a 1986 recording by composer Ann McMillan, commissioned by Moses Asch. The piece, first presented on Baffin Island, north of the Arctic Circle, for an Inuit audience, is a plea to humans to be more like whales. Inspired by her study with Edgard Varèse and his work with pre-recorded sounds, the composition features whales and other sound sources (including bull, insect, and Chinese cy…
Gateway Summer Sound: Abstracted Animal and Other Sounds
**2020 stock** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the legendary Princeton-Columbia Electronic Music Center, she sources sounds from the natural world – frogs, insects, field re…
Eight electronic pieces
**2020 stock** Chance combinations, accidental themes, chaos in general—these are the musical modes that Tod Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising."
This CD is a custom made copy from Smithsonian Folkways collection. Every effort has been made to preserve its historical and aural integrity. The or…
Electro-Symphonic Landscapes
**2020 stock** This 1979 album, by the husband and wife composing-performing electronic music duo of Priscilla and Barton McLean, showcases two pieces, “Invisible Chariots” by Priscilla and “Song of the Nahuatl” by Barton. Begun in 1975 and completed in 1977, “Invisible Chariots” is a three-movement piece, named after a Carl Sandburg poem, about the “intuitive creative force” that shapes composition. Composed in 1976, “Song of the Nahuatl” was underwritten by a grant from the National Endowment …
The World Music Theatre of Jon Appleton
**2020 stock** This 1974 recording by electro-acoustic music composer Jon Appleton is designed to take the listener to different musical landscapes. Appleton notes differences in context that will make the music more and less effective (“not everything I intended will be heard by the listener because no two listeners share the same aural experiences…because we are continually expanding our aural vocabulary, the sounds used assume a different significance as time passes”). Liner notes contain a b…
Music for Synclavier and Other Digital Systems
**2020 stock** Electro-acoustic musician/composer Jon Appleton plays a variety of digital instruments which, in his words, “obtain timbres and textures which convey expressive character through my work.” Instruments used in this recording are the Dartmouth Digital Synthesizer, the Synclavier, and the MUSSE of Sweden’s Stiftelsen Elektronmusikstudion Stockholm. The five pieces span the years 1974 to 1977 and include Appleton’s first digital piece “Zoetrope.” Liner notes include short introduction…
Visions - Music for Orchestra, 2 Pianos and Computer-Generated Tape
**2020 stock** This 1979 record is a five-movement composition for large chamber orchestra by David Cope. First presented by the Santa Cruz Chamber Symphony in 1978, the work attempts to demonstrate the relationships between sound and physical space and to translate them to recorded sound as well as performance. The tapes in the piece were composed at Stanford’s Artificial Intelligence Laboratory and were “spliced” digitally rather than physically. Liner notes contain drawings of the way that Co…
Israeli Electroacoustic Music
**2020 stock** Israeli Electroacoustic Music collects the works of six musicians from varied backgrounds, all recognized for their musical activity in electronic music and in Israel at the time of the album’s recording in 1981. These composers exemplify atonal 20th century music and musique concrete in a mixture of acoustic and electronic instrumentation, ranging from album producer Robin Julian Heifetz’s dark and frantic A Clear and Present Danger (which “attempts to symbolize the fear of a mot…
To Kill a Sunrise and La Ruche
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
Navajo Dedications
**2020 stock** This 1976 Folkways release by David Cope presents modern music based on Cope’s intensive research into—and respect for—Navajo ceremonies, and Navajo music in particular. Ranging from pieces for large chamber ensemble to a work scored for a single performer, the four compositions are unique interpretations of Native American Indian myths and culture. The liner notes include detailed explanations of the inspiration, organization, and arrangement of each of these complex works.
This …
Towers of Silence
Stroom hold a light to the delicious Belgy dirge “pop” of Adult Fantasies, sifting Nico-meets-Coil and Jonnine-esque gems from their run of late ‘80s/early ‘90s LPs for Antler and Sub Rosa. This label is all nostalgia for shit we never knew existed but which we feel like we’ve known intimately before - same thing we always say - a kind of unheimlich fuckry that's pretty much a genre all of its own by this point. If that’s too vague, give this a listen if you’ve ever found yourself bawling to Mar…
Sadaam's Children
Long-time Muslimgauze fans with keen eyes and/or photographic memories may immediately notice something about the newly unearthed Sadaams Children album; with some slight orthographic differences, it just about shares a name with a short track from the classic Narcotic (Staalplaat, 1997; the similarity and the difference is pretty much expected from someone who both liked to reuse names and didn’t care for consistency in spelling as Bryn Jones did). While none of the four lengthy tracks found on…
s/t
**Released in a limited edition of 500 numbered copies** A compilation of live recordings specially released for a Die Stadt label night feat. Released in conjunction with a live performance on the 29. April 2012 on the MS Stubnitz in Bremen.
Initial copies were given away for free to ticket holders on the night of the concert.
Track listing:
1. Ditterich Von Euler-Donnersperg - Die Schnarrmaus Des Kleinen Fritz 5:372. Asmus Tietchens - L10RA 11:033. Thomas Köner - Le Bateau Ivre 3:48
Vanity Records CD Box-sets bundle
This bundle gathers together the four recently issued Vanity Records Box Sets, and includes 27 CDs in total:Various - Vanity Records 'Music, Tapes & Demos' (11CD Box)Various - Vanity Records 'Demos' (6CD Box)Various - The Vanity Box Vol. 1 (5CD Box)Tolerance - Vanity (5CD Box)Here's details about the contents of each box-set:Various - Vanity Records 'Music, Tapes & Demos' (11CD Box)CD-1 & CD-2 Various - Music 1 & 2Music (or Musik) was a compilation originally released in 1981 as a double vinyl b…