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Rent ist the pseudonym of artist and ecologist Katrin Euller. Rent’s sounds refer to industrial ecosystems, interconnections, dark landscapes and their stories and the stories of those who inhabit these places. At the same time, it is the processes of sound creation itself that emerge in Rent's compositions: sounds influence each other, reinforce each other, cancel each other out, dissolve and become noise, sound like the city, a car alarm for example. Then everything gets lost in the fog again.…
*2024 stock* Billy Roisz has been a driving force in the experimental music scene for many years. She is widely known and has earned critical acclaim for her artistic work, which ranges from cinematic (her films are regularly screened at major film-festivals such as Berlinale-Shorts or the IFF Rotterdam) to pure audio-works, as she presents with this new album. Her last solo-release »Walking The Monkey« dates back to 2012 (Editions Mego) and now she unveils her successor: »BAJO« A sonic explorat…
*35 copies limited edition* The album begins with a reminiscence of the sea, reverberating waves and suspended echoes of distant, almost forgotten territories. Curved vibrations, nocturnal environments mixed with contemporary research attitudes within the world of liminal/drone music. Oblique surfaces bending in the transposition of azimuth, memory and flow becoming the result of a hypothetical jump. A plastic and interpretative configuration of a body movement, the desire to grow consciously vi…
*200 copies limited edition* "Neurotransmitters-Sphere-Music" is Jarl’s sixth album on Reverse Alignment, following on from 2021’s CD release "Spectrum Confusion". And once again Karolina Urbaniak has masterfully created the cover artwork, as she’s done for the five earlier Jarl releases for Reverse Alignment. Neurotransmitters are chemical messengers that help nerve cells communicate with each other. Referring to this concept, "Neurotransmitters Sphere Music" consists of four pieces showcasing …
Enrico Cesaro, the person behind the alias Mace., is back releasing his brand new work in collaboration with viscm and angoisse. "How to be Yourself” is an ode to the ever-changing, untouchable unfolding of the self and the elusive observation of it.
The ensemble of tracks shapes a canvas of individual experiences, family memories and collective uncoscious that suggests - both by blending together and maintaining their own singular character - the hurdle of grasping totality. Unexpected contras…
*2024 stock* In the summer of 2007, Jones visited Foster in South Korea and did a series of shows there and in Japan, both as their duo English and in other combinations. In Tokyo, they made time in their schedule to spend a day recording with Nakamura, and “One Day” documents the results, as captured by recording engineer Taku Unami at Kid Ailack Hall. Three lengthy improvisations showcase a unique collective aesthetic, dense and organic, pointillistic but rough, focused but not overly polished…
Following work with poet Lucy Van (Figures, Purely Physical 2017) and a string of highly alluring sound parcels via her Careful podcast series, the Melbourne-London based producer, DJ, curator, and performer presents two solo pieces of ambience and deftly arranged instrument-voice interplay.
A space is found within a mix of DIY instrumentation, science fiction rumination and the melancholic exotica of possible pasts. The eponymous opener, ‘Like a Gun’ pushes and pulls between a place of pure da…
Greif’s final work of his early cassette era, initially released under Swinging Axe Productions in 1988. Quite the widely-distributed tape, several tracks were featured on V/A compilations by labels such as Epitapes and Harsh Reality Music. Original cover artwork by Damian Bisciglia / Agog has been preserved in addition to new images designed by Mr. Greif himself. Transferred and restored from master tapes at Hex Audio Labs, including an exclusive bonus track.
Original cassette (tracks 1-6) by EE Tapes (ET36, 1996).CD reissue + bonus "Sound Effects Library 22" (tracks 7-21) by EE Tapes, Belgium and Tribe Tapes, USA.Mastering by Grant Richardson, Hex Audio Labs.
Compilation of tracks originally recorded for DSS side projects Opus Vix Inchoatum and A Secret Person during the early 1990s.
All sounds generated with an Ensoniq EPS
Cover photos and artwork by Paolo Beltrame
We are delighted that Kosmoloko 3 becomes a reality on Galakthorrö’s 30th birthday. The concept hasn’t changed: Kosmoloko 3 is still a label sampler. Like its predecessors, it features only artists from the Galakthorrö label. No leftovers, no duplicates, no rehashes, ten tracks of exclusive material, no title has been released in any form before. Karl Runau’s contribution comes as a surprise after countless years with no signs of life. As a colleague from the early days of Galakthorrö, his contr…
The debut EP Kelc’h-Lizher is now followed by Mode In Gliany’s first full-length album Amer Armor on Galakthorrö. The unique synth wave of Boris Völt is freed from all exhilarating characteristics. The minimal wave pleasures of the early days are making way for that melancholy that is inherent in the music of Mode In Gliany anyway. Nourished by Boris Völt’s deep connection to his home on the north coast of Brittany. Instead of blood, the cool water of the seas flows through his veins, cold wave,…
The third album by Da-Sein fits seamlessly into the duo’s previous sphere of work. A gloom-ridden sound panorama, packed full of pulsating bass frequencies, swathes of feverish synths and noise-rhythms, spreads itself out before us. The voice of Kas Visions combines the manifold creative streams of Da-Sein to a cohesive whole. No matter how cold and unemotional the voice is, on this album it’s often the last human signal before the blackness absorbs the listener’s soul. Power electronics violenc…
Sühne Mensch has no musical past history. This is seldom in times when a trace is left behind early, even if it is merely digital. But this debut album is in no way the work of a beginner. The brain behind Sühne Mensch has collected many experiences even if primarily from other musical fields. Now he impressively channels all his knowledge into this very different music. Schmerzportrait is incredibly rounded and mature, complex yet compact, fitting in perfectly with the Galakthorrö style, but po…
I stayed in Iwate, where I was born, for a few days and created some sound materials using limited materials and old media. Over ten years ago, Iwate was devastated by the Great East Japan earthquake. Many old things that remained in my memory became rubble, dismantled, and new scenery was there. I bounced every song from “1982” straight onto an old tape recorder.
This album that comes out of my interest in sonic "degradation and rebuilding". I treated the guitar and synthesiser in a lot of new …
I was waiting for the bus to arrive at the stop when the rain started pouring. I quickly escaped into a chapel nearby, and that’s where the idea of this album came to be. Inside the chapel, I was reminded of the scent of Mauritius, where my father was from, and the pillars of dampen woods mixed with the ritualistic frankincense. The rain continued to hit violently on the metallic church roof as the road outside grew overwhelmed with angry drivers, honking their way through, their frustrations ec…
Tip! This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure …
Billy Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards. Drawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devise…
Lights In The Pond is a contemplative exploration of a dilated dimension. Layers of natural field recordings form a landscape inhabited by rarefied melodies that unravel and chase each other until they tear apart.A bioluminescent pool, scanned by the technological remnants of a hidden humanity.
Lights In The Pond is the solo project of Davide Amici, born in 1987 in a small town on the Adriatic coast. Over the years, he dabbled in various genres and played many instruments, mastering none and enj…