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Electronic /

Soundings
Soundings, Simon Scott's debut studio album for Touch finds the composer and sound ecologist using field recordings from various cities around the globe; modular synthesizer treatments; live strings and laptop electronics to create an album of transition and shifting time zones. The recordings were edited and composed in hotels rooms across the world as Scott was constantly on tour as the drummer for Slowdive, who successfully reformed in 2014. "Hodos", the album opener, begins with 85 mph Storm…
On the Other Ocean
**Limited Edition 180 gram vinyl, Stoughton Old Style sleeve** Lovely Music present a reissue of David Behrman's On the Other Ocean, originally issued as one of Lovely Music's first six releases in 1978. This newly-mastered LP is a must-have for Behrman aficionados or a perfect introduction to his work. "I've been engaged for many years in an exploration of ways to make music and intermedia installations in which software and electronic devices interact with human performers. I've wanted to make…
Live in Paris, 1975 by France Musique FM
Exclusive french live recordings of Terry Riley's psychedelic organ work, hot on the heels of the 1972 masterpiece Persian Surgery Dervishes. Riley is in stunning form playing the kind of endlessly rippling dosed organ drones with a sense of stasis in expansion that is uniquely brain-razzing. These two untitled performance are lush and dreamlike, inducing a state of trance. Another stunning document of the 'minimalism' golden era.
Noises
First time release since 1977. 500 copies on 180 gram vinyl. Facsimile reproduction of the original cover Artwork by Walter Verdin and Marc Moulin. This edition contains two new postcards as an insert, including liner notes by Michel Moers and the original lyrics of Aman and drawing by Ariel Kalma. Around the time Marc Moulin played the last concerts with Placebo, he met the young musician Michel Moers at the jazz venue ‘Les Lundis Hortense’ in Brussels in 1977. Impressed by his vocal delivery M…
Polygome
In process of restock, last copies around. Edition of 300. Bridging the worlds of Modern Classical composition, musique concrète, electronic and electroacoustic music, organic jazz and minimalism while fitting comfortably in none, for more than a decade Piotr Kurek has remained a slow and elusive fixture in our sonic landscape, creating an entirely singular, almost lawless world of his own. After a series of records made in collaboration with others, and solo efforts under different monikers, th…
A Skeleton
Hailing from Suuns, Canadian Ben Shemie offers up his first solo work, ‘A Skeleton’ - an experimental pop album of cold synthetic sounds with touches of psychedelia. Based on his live, itinerant experiments, the whole album was recorded in a single take with no overdub. Shemie has left traces of the atmosphere of each recording space, adding an element of chaos and unpredictability alongside his masterful/dexterous manipulation of the equipment.The voices and instruments sound as if they were dr…
Japanese Ambient, Environmental & New Age Music 1980-90
**Collector edition on clear vinyl, sold out at source** Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other …
Introspection
** Edition of 150 clear vinyl, black polylined innersleeve, 200gsm matte paper insert, 350gsm matte cover, hand numbered** Recorded between 1979 - 1981 on a Mechlabor STM-610 reel-to-reel analog recorder at Gusztáv’s home in Budapest. Occult synthwave dressed with ritual, avant-garde/psych elements, merged in an absolute mystical masterpiece! For the first time after 36 years Mutant Embryo Records is proud to announce the official release of Gusztáv Fekete cryptic material. Recorded on reel tape…
Celestial Realms
Morning Trip is a new imprint under Telephone Explosion dedicated to releasing ambient, experimental and generally optimistic sounds. Originally released on cassette in 1986, Celestial Realms is a collaborative album from new age figurehead and Brian Eno-collaborator Laraaji, and fellow cosmic traveller Jonathan Goldman (aka Lyghte). Laraaji conjures his typically vivid soundworld of shimmering electric zither, while Goldman inhabits that world with pulsing guitar and droning synthesizer.…
Spiritflesh
Mannequin Records starts a series of re-presses dedicated to the legendary Nocturnal Emissions, one of the best kept secrets of the industrial genre since the 1970s. Led by Nigel Ayers and Caroline K, the band was one of the first to use tape cutting, avant-garde art, and underground video works to create a stage experience that was being cultivated by like-minded artists like Throbbing Gristle, SPK, and Cabaret Voltaire. Originally self-released in 1988 on Earthly Delights, Spiritflesh is a mas…
Sensation's Fix
A monster rarity finally reissued: this is the very first album from Sensations' Fix  - and together with "Portable Madness" and "Fragments of Light" one of the three titles published in 1974, a collection of psychedelic compositions, in which glimpses of 'cosmic' music can already be noticed; those elements would soon become a trademark in the group's repertoire. The twelve compositions present here were part of demos that Franco Falsini had sold to the record company, which decided to publish …
In Fa
In Fa is an enchanting meeting of phantasmagorical improvisation, a dialogue between two generations that makes every expressive boundary overcome. Riccardo Sinigaglia (Futuro Antico) remains faithful to the idea of a collective work, where musicians are only instruments crossed by musical energy. He provides his pioneering experience, with excellent control of electronic sounds, realized with the eternal cosmic Farfisa and the synths (Moog Sonic Six, Synthi EMS). Their lysergic fluidity support…
Venndiagram
Back in 2017, Black Sweat produced a lovely reissue of DSR Lines Spoel. It was easily one of our favorite records of that year. Continuing their dedication to its creator, the label now brings us yet another stunner - a reissue of a little heard tape only release from 2013, Venndiagram. Like its predecessor, we can already tell that this one is going to top our year end lists.  DSR Lines is the moniker of David Edren, an artist based in Antwerp, who, since coming into view during the late 90’s, …
Soar
Edition of 200. Uniquely fruitful duo, John Wall and Alex Rodgers beguile again with a brilliant batch of oily glitch-hop and processed vocals in ’Soar’, a book and CD from Antwerp’s finest publishing house, Entr’acte  Just as we were caught out by their ‘Rafia Longer’ 7” in 2015, ’Soar’ finds pivotal London-based artist Wall recalling everyone from Lorenzo Senni to Vladislav Delay and Jay Glass Dubs in the piece’s viscous contours and pinched percussion, while Alex Rodgers supplies the pointed …
Die Vertreibung Der Zeit (1980-1986)
ALU's inception as descendants of the psychedelic group Sand, founded by Ludwig Papenberg and Johannes Vester, comes in 1980. Their first single "Bitte Warten Sie!" appears on their own label Der Letzte Schrei! in 1981. Even on these early recordings, the project's sonic orientation is discernible: sequencer-driven, simplistic rhythmic structures layered over fragments of free text, a common thread tracing ALU's musical contours through various successive metamorphoses. Although the band emerged…
Home Age 2
One-time edition of 480. Eleh's Home Age series was composed and recorded over a period of five years and it reflects a search for color, form, connection, and growth. The handmade artwork contained in each package was created during the same period of time the music was composed and is an integral part of the meaning of Home Age. For this release, Eleh plays modular and analog synthesizers, piano, organ, bass, and symphonic chimes. Although Home Age is a two-part set, Eleh's upcoming Living Spa…
Changez Les Blockeurs
Few copies in stock. This LP is limited to just 300 copies, as requested by the artists. In 1982 The New Blockaders self-released their debut LP Changez Les Blockeurs, an edition of only 100. Steven Stapleton was the very first person to purchase / hear the album and subsequently distributed copies via United Dairies.The LP has since attained a somewhat mythical / legendary status (Record Collector magazine included it in a list of the rarest, most collectable records ever) and 2017 was the 35th…
The Threats Of Memories Double
The Threat Of Memory 5CD box-set, by Steven Stapleton and David Tibet features all of Steven’s and David’s previously-issued recordings, made under their “Steven Stapleton & David Tibet” faces, on the first four of the CDs, as well as a fifth CD with previously unissued out-takes from the Musical Pumpkin Cottage recording sessions. It does not include the unissued out-take on Side 4 on Side 4 of The Threats Of Memories 2LP. It comes in a hinged box, with new artwork by Babs Santini on the CD’s i…
The Threats Of Memories Double
"The Sadness Of Things" was originally released as side one of Steven Stapleton and David Tibet's The Sadness Of Things (1991). "The Dead Side Of The Moon" and "BubbleHead" were, respectively, sides one and two of Stapleton and Tibet's Musicalische Kürbs Hütte (1996). "DreamBreath" is a previously unreleased outtake from Musical Pumpkin Cottage (1996). Gatefold sleeve; Includes insert with lyrics and credits. Leaders of England’s hidden reverse, Stapleton and Tibet, compile four visionary highli…
Computer Space
Premiere release! Two sound compositions discovered at Toshi Ichiyanagi’s home in 2018 to be released for the first time! One is an unknown early work created on a computer and the other is material for an experimental short film by Toshio Matsumoto. Particularly, the former piece was revolutionary. the quirky sound he made on the computer at the time was unheard of especially because a computer could only create simple sounds then. Moreover, it also includes an unknown electronic ambient piece …