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Individually numbered edition of 99 copies. Few copies available. Two blinding wormholers from Daniel Rozenhall on a super limited pressing bound to be sought-after by intrepid sound explorers. A close associate of Stockholm’s EMS studios and the Fylkingen venue at the heart of the city’s experimental music scene, Daniel Rozenhall has played a low-key but vital role in Sweden since his trio of albums for Firework Editions and Kning Disk, and the ‘Rozenhall’ compilation, between 2001-2009. Ten ye…
Limited edition of 100 copies. Fluids flood the entire audio spectrum (20 to 20k). A solid state which is simultaneously and continuously changing.All tracks produced on a Nord Modular G1. One track, one patch; no additional effects or over-dubbing.
Limited edition of 200 copies Mastered by Jacques Beloeil. Music by Fabio Orsi and Brian Pyle Recorded in Taranto, Italy and Manila (CA), USAFabio Orsi is an Italian producer and photographer. Born in Naples, he cites the field recordings of American folklorist Alan Lomax as a primary influence. Brian Pyle is from Northern California. He is a founding member of Starving Weirdos and also records as Ensemble Economique.
Edition of 200. Japanese-born and London-based sound artist Ken Ikeda has previously appeared on the label’s project “Quark: How Does Invisible Sound?” (Q06). He now teams up with Rie Nakajima and Makoto Oshiro for a series of collaborations included in this CD alongside his solo opening track. The album title is borrowed from the 1959’s movie by Yasujirō Ozu called Ukikusa (Japanese word for Floating Weeds). Motors, sound objects, automated gestures, mixed materials as opposed to synthesizer-ge…
Edition of 200. This is the last release in the series of Nicolas Bernier’s worldwide
acclaimed and Prix Ars Electronica Golden Nica awarded project
“frequencies”. The piece frequencies (a / archives) is a composition based on sounds
from the scientific archives of Rennes 1 University (France). This
impressive collection of antique scientific apparatus includes one of
the few remaining "Grand Diapason" built by Rudolph Koenig circa 1880.
The two gigantic forks of the Grand diapason can gen…
'You & I are Earth' begins with the sound of a woman talking. She
recalls memories of being a young girl during the London Blitz fire
bombings of World War II. She speaks calmly at first, with memories of
the event slowly creeping up on her. These impressions soon become
illustrated through Vanessa Rossetto's own collage of mechanized cacophony.
Eventually, they develop into her signature Feldman-esque flowing-out of
strings.
The woman’s voice belongs to none other than Rossetto’s mother,…
**Edition of 300 Copies **The 7 compositions on 'Svensk Sommar I Stilla Frid' further explores the home-brewed, on-thin-ice ambient hinted at on a few recent Arv & Miljö recordings. Mainly inspired by Anna Själv Tredje and perhaps the lesser sides of Ralph Lundsten and such, this is the Gothenburgian outsider synth album no one certainly ever asked for. While at this time around being somewhat fully rooted in a proposed tradition of Swedish new age electronics, an ongoing heavy obsession with Ne…
The very latest from Ramleh's Anthony Di Franco, whose long-running solo JFK project has been dedicated to the kind of concrete-mixed rhythmic pummel countless others would almost kill for since the cassette network culture of the 1980s. It's an immersive sound that, naturally, shares a little common ground with Ramleh yet emphasizes the monstrous chasms that can be drawn from a sturdy combo of bass-churn and galvanized beats. Whilst the labyrinthine textures beamed in from steelworks remain ver…
**Limited clear LP edition** Pale Bloom finds Sarah Davachi coming full circle. After abandoning the piano studies of her youth for a series of albums utilizing everything from pipe and reed organs to analog synthesizers, this prolific Los Angeles-based composer returns to her first instrument for a radiant work of quiet minimalism and poetic rumination.Recorded at Berkeley, California's famed Fantasy Studios, Pale Bloom is comprised of two delicately-arranged sides. The first – a three-part sui…
Emotional Response's 1st Schleißen volume pairs a grand expanse of ecstatic drone by Serbian former factory worker Abul Mogard, with the pulsating, hyaline patterns of Harmonious Thelonious. Mogard's 'Dizziness That Shakes Rivers And Mountains' unfurls 18 minutes of yearning synth drone conducted with a glacial patience and romantic intent that's hard to ignore, especially if you've ever fallen for the frayed, somnambulant projections of Leyland Kirby or William Basinski. By contrast, the two H…
100 copies only. Limited edition LP with individual trifold poster colour cover. Music assembled from original tape recordings dated 1979-1980. Sounds from several acoustic sources, magnetic tapes, environments. In Giancarlo Toniutti own words: "A jumble from within very old materials, tapes (1979-1980) comprising musical intentions, in their own way, read and reread, built and rebuilt, hung and hung back up. With no epenthesis. In a continuous stream of small precarious and chiseled magmas, sou…
Alex Barnett (Champagne Mirrors, Oakeater, SCRAPES Recordings) and Faith Coloccia (Mamiffer, Mára) developed a friendship based on a fascination with the world just outside the limit of our understanding - the world where magic and mystery hold equal footing with science. On their third collaborative album VLF, the duo draft a soundtrack to the mapping of the unknown realms in both their private lives and the communal world around them. It’s a premise embedded in the album title, an acronym for …
Berlin based trio Keller Crackers collective likes to shape haunting esoteric sounds, in which self-built instruments dance with ritualistic synthesised rhythms, field recordings, psychoacoustic drones and poetical spoken silhouettes.After a self-released MC and a mesmerising tune called “Anem” out in February 2019 on the custom-made Kashual Plastik 007 double-vinyl compilation, now they give birth to their own debut record “KC”, a four track EP resulting from various improvisational studio sess…
Twenty years ago, Jan Jelinek’s debut album Personal Rock was released by Source Records. Under the pseudonym Gramm, it brings together eight tracks that have not been available on vinyl since their original release. Faitiche is very glad to announce the re-release of the album: Personal Rock will appear as a double LP featuring the original cover artwork.What people wrote about Personal Rock two decades ago:“Situated somewhere between Jelinek’s much loved Loop-Finding Jazz Records, Farben, Move…
2019 Small Repress. Fourth in a series of six albums from The Caretaker cataloguing the effects of early-onset dementia. Featuring four extended, smudged and hallucinatory side-long pieces - the darkest and most immersive music from The Caretaker to date.The Caretaker slips into the first “post awareness” stage of Everywhere At The End of Time. The ability to recall singular memories gives way to confusions and horror; the beginning of a process where all memories begin to become more fluid thro…
2019 Small Repress. The third of a six album cycle cataloguing The Caretaker's fictional first person account of life with early onset dementia, presenting some of the last coherent memories before confusion fully rolls in and the grey mists fade away. In this crepuscular, autumnal phase, recollections phosphoresce, and wilt in advancing stages of entropic decay, steadily approaching a winter of no return. Continuing to mirror the progression of dementia, using nostalgia for ballroom as an alleg…
2019 Small Repress. The second of six LPs issued under the title Everywhere At The End of Time, cataloguing The Caretaker’s fictional first person account of life with early onset dementia. This second stage takes a more wistful tack as our protagonist gradually realises that all is not well and begins to rummage deeper into the recesses of his mind, masking emotions of grief, loss, fear and uncertainty. As The Caretaker’s short term memory functions begin to more rapidly erode, the loop-based …
2019 small repress. Everywhere At The End of Time is the first in a series of six albums by The Caretaker, aka James Leyland Kirby, slowly cataloguing the stages of early onset dementia. Each album will reveal new points of progression, loss and disintegration, progressively falling further and further towards the abyss of complete memory loss and nothingness. Viewing dementia as a series of stages can be a useful way to understand the illness, but it is important to realize that this only prov…