The Dark Side of the Moog Vol. 3
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side of the Moog Vol. 2
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side Of The Moog Vol. 1
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new. He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had foun…
Changes
Changes was the first solo-album of Peter Sjardin, made in the mid/late 70s "He played all instruments by himself: percussion, guitar and keyboard. The recording came from the late seventies, 1978 according to some sources. The title song is based on a Group 1850 song Verandering (change in Dutch) that had been composed in the late sixties, But doesn’t appear until 1975 on the Group 1850 album Live. Changes was never officially released and the reason for it has gone in the mist of time. Could i…
Folio
A little while back, with the release of German composer and musician Stephan Mathieu’s sprawling 12 CD box set, Radiance, we predictably touched on the overwhelming ambition of such a thing - especially being as good it was. It was hard to imagine we’d be hearing from him again so soon. But here he is before us, issuing another incredible body of work - 8 CDs in total, under the title Folio, on his own Schwebung imprint in an edition of 250. Our minds are bent. His ambitious heights never seem …
Stenogramme, zweite Folge
28 ideas in 28 tracks. Pure electronic music. Limited edition of 150 copies.
Crackfinder
Zaradny is a composer, instrumentalist and visual artist; Piotrowicz a composer, author of sound installations and virtuoso of analog synthesizers. They founded and curated the Musica Genera festival and label. Noetinger, an improviser, publisher and instrumentalist, specializes in electroacoustic collages full of permutations on his tape recorder and using all sorts of electronics. What connects these musicians are their methods of work: experiment as the basis of action, controlled accidents, …
À La Recherche De La Flexitude Du Temps
Fierce 78minutes concert by France, recorded in 2016 released on the French label Fougère. With cartoons by Capony and Sauvage. Think Faust, Tony Conrad, early Can.
Memoire Magnetique, Vol. 1 (1966 – 1990) LP
Transversales Disques announces the release of Bernard Parmegiani's Mémoire Magnétique, Vol. 1. Spanning 1966-1990, this is a revelatory collection of never-released commercial and secret music by electronic music pioneer Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some sixty pieces. From the start, Parmegiani's work was closely linked to the screen, with dozens of documentaries, films, long features, anima…
Electrucs !
Transversales Disques present Electrucs !, a new release of never-released music by Francois Bayle. On the occasion of the 60th anniversary of the GRM, composer Bayle introduces some of his unpublished archives; pieces include the title composition, "Electrucs !" (1974) composed on a 1970s Synthi AKS synthesizer like an imaginary soundtrack, "Foliphonie" (1974) inspired by La Grande Polyphonie (1978), and "Marpège" (1995), dedicated to Bernard Parmegiani. Also included is "Cinq Dessins En Rosace…
Etymology (I, II) 7"
** Edition of 100 copies ** Primorje is the most recent collaboration between Giovanni Donadini (Ottaven, Fantamatres) and Matteo Castro (Lettera 22), focusing on the use of the 4 track recorder as their only instrument. Tape loops, field recordings, dub echoes, damaged beats and downgraded tempos creating two short, minimal and slithering compositions.
Focus Intensity Power
For his inaugural LP for Moving Furniture Records the Amsterdam based Swedish sound artist BJ Nilsen turns his intense aural focus and compelling narrative power away from his well-known and much lauded predilection for field recordings of organic nature or the urban built environment. The five pieces presented on this record capture Nilsen during a short residency he did in the Fall of 2017 at Willem Twee Electronic Music Studio in Den Bosch, The Netherlands – five documents these are of improv…
Crystalline Tragedies / The Procession - Distant Motionless Shore
For this collective release, Martijn Comes and Giulio Aldinucci neither worked in the same studio together, nor did they share and exchange materials. The two pieces on this LP were composed privately and without any sonic input of the other. And yet, it is far more than just a 'split'. Both pieces were loosely based on a pair of opposites first proposed by Nietzsche: The moral codex of society, as represented by the Christian church. And the realisation that only by surrendering completely to e…
Saxophone Studies
Two long drone pieces based on improvised saxophone by James Fella and Jozef van Erve. One intense mind-melting business. Saxophone Studies is an album that took multiple years to form. Already in 2006 I asked friends and other musicians if they could send me audio files to make music out of this. This music never really happened, but one of the files I received was some saxophone recordings by James Fella (Soft Shoulder / Gilgongo Records). In 2017 while browsing my computer for audio files I c…
Caveman
Caveman is a recorded representative sample of Tasos Stamou’s live sound. Both tracks are complete extracts of improvised solo performances using his portable electroacoustic music studio. Both tracks have been carefully selected for their sound and narrative qualities, also taking in consideration the blend between acoustic and electronic elements. The album’s titles reveal an additional interpretation to the music, being inspired by two prehistoric ancestors who lived in caves during the same …
I Feel Blood/Exorcise (ACE 236 Series)
Gazelle Twin were originally invited as part of the Supersonic Festival 2015 curation of the Moog Sound Lab satellite sessions at Birmingham City University. The Twin returned to the lab during its residency later that year at London's Ace Hotel for a consecutive six-day session in August, invited artists Moog'd, wined, dined, slept, and dreamt in room 236. On tap 24/7 -- the entire Moog Sound Lab, along with a Brion Gysin's Dream Machine and a small library of associated books and user manuals.…
Another Life
Another Life is the debut album from Amnesia Scanner, the Berlin-based music duo, performing arts group, experience design studio, and production house, created by Finnish-born Ville Haimala and Martti Kalliala. Founded in 2014, Amnesia Scanner's approach is informed by a unique perspective on technology and the way it mediates contemporary experience. System vulnerabilities, information overload, and sensory excess inform their work, which has found a home in both clubs and galleries. Building …
Blinks
Swedish producer Toxe's new EP Blinks is a fractal bloom of candied melodies and minor laments set in a sweep of frenetic rhythmic scenes. Developed throughout last year, Blinks journals a period of inward flux. Meditative glimpses of soaring synthetic landscapes are woven across Blinks in brief snatches. Awash in horrific and gripping fluorescent hues, these environments are augmented by a comically mischievous patchwork of voices and saccharine rasps that clamor for attention, hinting at Toxe'…
Irisiri
Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals, and collisions of mutated tropes from numerous sonic vocabularies. Modular synth sta…
Everywhere At The End Of Time - Stage 5
Penultimate, 5th Stage of The Caretaker’s ‘Everywhere At The End of Time’ series charting severe levels of musical/mental deterioration and sensory detachment through four extended, smudged and hallucinatory side-long pieces. As we near the end, ‘Stage 5’ sees our protagonist enter a near-permanent state of confusion and horror. Mirroring the endemic deterioration of dementia’s latter phases, were pulled through the most extreme entanglements in the series so far; repetition and ruptures, barely…