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**111 copies, DMM Pressing** Delay Music is a collection of minimal music for fretless bass, sampled mallet instruments, electric guitar and a delay system, performed by Slow Attack Ensemble, aka Canadian producer Chuck Blazevic. Blazevic’s spare melodies float through variable length delays in a muted, ethereal style, scouting solitary time lag spaces and wistful after images of records past: cascading fretless bass lines and space echo harmonics find inspiration in Orchestra of the Eighth Day’…
American-born, Japan-based composer John Di Stefano self-released a number of cassettes as part of the 80s DIY underground on his own imprint Oktron Produktions, including Klang's Drift, a collaboration with Joel Graham. Living in San Francisco, Di Stefano had access to multiple University electronic music studios, where he had an impressive array of synthesizers at his fingertips, including both Buchla and Serge modular systems. Combining his knowledge of modular synthesis with a background in …
A lifelong expatriate, Bana Haffar was born in Saudi Arabia in 1987 and spent much of her childhood in the GCC. Having trained as a professional bass player and a classical violin player, she has now embraced electronic music fully, exploring live modular synthesizer performance. She is an enthusiastic proponent of the latest Moog and eurorack technology and has a growing discography of releases (VENT, Make Noise Records) in the last couple of years that highlight a unique melodic direction. Thr…
Finnish label Sähkö Recordings is launching a new archival series of unreleased work from its co-founder Mika Vainio. The late Vainio left behind plenty of unreleased material after his passing in 2017. Arc 1 represents the first in a series of releases that draw on Vainio’s archives. The material here was constructed for a 1994 radio project, entitled Ambient City, that Vainio performed as Ø. Both sides here begin with perturbed ambient synth-scapes - grumbling LFOs, digital noise, that sort of…
* Second press with grey cover. Includes a postcard with the tracklist printed on it * "The first side of Auto-Da-Fé consists of singles dating back to before the release of Information Overload Unit, while the second side is post-Leichenschrei, but pre-Machine Age Voodoo material. With early material vacillating between noisy textures and punk trappings, and the later tracks showing hints of their synth-pop direction, there's a definite dichotomy here, but both halves excel greatly in what they…
**2020 stock, discounted price** The iconic album Switched-On Bach by Wendy Carlos (originally released under the name of Walter Carlos) and Benjamin Folkman introduced the world to the Moog Synthesizer in the 1960s. It played a key role in popularizing Classical music performed on electronic synthesizers, which had until then been relegated to experimental and Pop music. Switched-On Bach was one of the first Classical albums to sell 500,000 copies. Commemorating the 50th anniversary of the Moog…
Jardín was made up of Orlando Ramírez and Raúl Gómez, and has been a true cult band of Lima's experimental underground since they made themselves known at the end of the 1990s, when they started playing at electronic music venues as well as in the context of art performances and contemporary dance events. Maqui de Hierro, their fourth published work, defined the sonic universe of the duo, in which electronic cosmic experimentation converges with hypnotic rhythmic patterns inspired by ritual perc…
Anexo3 (2017-18) was composed by Jaime Oliver La Rosa and Ensemble KLEM over residencies in Bilbao, Lima, and Santiago de Chile, through elaborated processes of sound design, experimentation, improvisation, recording, and reflection. Often processed beyond recognition, violin, flutes, and saxophones are performed along güiros, motors, and a system of aluminum plates, struck and induced into resonance through feedback processes controlled by microphones, transducers, and computer software and joi…
**500 copies** "In 1995 Justo Bagüeste released a record called I.P.D.; it claimed to induce in the listener a pleasant dream, heading for the final sprint towards that collective promise beyond the end of the millennium. I.P.D. was some sort of Goldberg Variations for the turn of the century, played on mini-Moog, short-wave radios and analog synths. In 2016, Bagüeste and Suso Sáiz (producer of I.P.D.) performed at Periferias Festival in Huesca; they were to play a reinterpretation of the record…
**250 copies white vinyl** Orfeon Gagarin is the Miguel A. Ruiz's main project, a veteran electronic musician from Madrid (Spain). Ruiz's music has been the best-kept secret of Spanish underground electronics since the early '80s until now, although he's not as well known internationally as other contemporary musicians (Esplendor Geométrico, Francisco López, or Diseño Corbusier, to name but a few). In 1986 he released his first cassette on his own (now legendary) Toracic Tapes label. Since then …
**500 copies** During the eighties, in Spain, tons of electronic music cassettes appeared, often unipersonal, where the artist himself became the editor and distributor of his works. It was DIY at its purest. The appearance of the multitrack recorder and cassette duplicators helped the emergence of this soon international underground movement. The first cassettes published in Spain, framed within the electronic music, came from pioneers such as Esplendor Geométrico, La Otra Cara De Un Jardín, an…
**600 copies** Recorded in 1982, Following the Light is the third album british composer Albert Alan Owen recorded for the Apollo Sound Label. Originally a Library oriented Music label, Apollo Sound by the mid 70s commissioned contemporary musical pieces from new composers, aiming presumably to provide atmospheric backgrounds for film, television and advertising, and to feed the burgeoning demand for 'New Age' music. Therefore comes Following the Light. While certainly melodic, Owen’s music make…
Spanish ambient composer Suso Saiz deepens his relationship with Music From Memory with the release of a new album, Nothing Is Objective. This joins 2017’s Rainworks as his second full-length album for the label, following archival collections of solo music and of his group Orquesta De Las Nubes. Nothing Is Objective was recorded in Madrid in 2018 during a period of transcendental change and creative awakening for Suso. It captures the composer as he develops a renewed relationship with his inst…
Pessimist links with longtime associate Karim Maas for twelve untitled, interconnected tracks of paranoid, dub-fissured hip-hop and voidal techno pressure. Forget dnb... This is a downer than downtempo excursion, deep and dread, heavy as a jeep parked on your chest, with low-slung, blunted breakbeats and weapons-grade sub-bass caught up in whirlpools of dissolve and decay and baleful, insinuating drone... Yeah at times it feels less like a record and more like a bona fide airborne toxic event. I…
As Stroom approaches 30 releases, a number of distinct strands have emerged from its impeccable tastes, and TRJJ’s Music Compilation: 12 Dances slots neatly into their most precious vein of slow, zoned, and loner obscurities somewhere between the minimal, rhythm-driven slink of Pablo’s Eye, the bedsit blues of Vanderschrick, and the other-place ambience of their Cybe collection. Far as we can tell, TRjj stems from TRIIMusik, “a loose group based in Germany since 1998”. It is practiced collective…
The New York duo of Brian Close and Justin Tripp have been releasing music from their Chinatown studio, since 2012. Under the alias Georgia they make a sound which combines tech and tradition. Their compositions created by two hits of improvisation. Where live jams are further edited and processed. Gracing labels such as Belgium's Meakusma, and London's FTD. Producing super limited cassettes for France's Good Morning Tapes, and Kashual Plastik in Germany. These global collaborations reflecting G…
In 2014 Young Marco travelled to the islands of Indonesia, visiting several islands within the archipelago including Bali. The voyage was on invitation by Island of the Gods Records; allowing Marco to immerse himself in the Indigenous culture that still exists in Indonesia. For Marco it was also a look back to his Indonesian roots, with his late grandfather born and raised in Indonesia. The brief was to capture the spirit, ambience and atmosphere of the islands as part of the labels Island Explo…
**Limited edition transparent blue vinyl** Trailblazing Japanese composer Ryuichi Sakamoto is joined by revered electronic musician Taylor Deupree on this live recording, documenting their collaboration at St John-at-Hackney Church in 2014, part of ThirtyThree ThirtyThree's flagship concert series St John Sessions. The two musicians develop a kinetic understanding over the recording, entering a sparse musical dialogue – flourishes of prepared piano give way to bursts of noise and sculpted synths…
Nice Price! Recorded in 1985, Water Music is the first "Japanese" solo album by Mott The Hoople keyboard player Morgan Fisher, released on Satoro Takazawa aka Pneuma's label LLE. Six mesmerizing ambient tracks are played out as a multi-sensorial improvisation on a Yamaha DX7 digital synthesizer plus grand piano, tape delays, bowed guitar and shell chimes. The result is an highly contemplative album that flows as a powerful yet ethereal journey through the element of water. Completely remastered …
**200 copies** After his last release got Aphex Twin’s seal of approval with tracks featured in his-majesty’s DJ-sets last year, Holy Similaun debuts on OOH-sounds with the new EP Hegenrax. The work (to be read He-gen-rax) attempts to explore the fascination for contradiction and the opposites in a conceptual framework by ideally contrasting a motor disorder (Apraxia) caused by damage to the brain and a controlled chemical reaction (Heterogeneous Catalysis), and places its music where the bounda…