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**Edition of 250** Following the release of Ambienti Coassiali’s Vol. 1 - Room 1-6 in 1988, the years and decades passed without another sound. For the few aware of them, it would have logically seemed that the project had been swallowed by the shadows of time. Then, in late 2017, came Spare Rooms, an incredible LP with clear conceptual links to the project’s debut - their first effort to emerge in 29 years. Issued by Artisti Del 900, the relaunch of legendary Italian imprint ADN, the album is n…
2018 repress; Double LP version. Cameroonian musician Francis Bebey is truly one of a kind. He entered the music scene with his African compositions for classical guitar. He gave recitals while pursuing a career in journalism and then as an international civil servant. The same creative impulse also led him to write pop songs, some of which (based on novels he had written) became big hits in Africa and in the French-speaking world. But few people know that in the '70s, Francis Bebey delved into …
** edition of 200 copies only, few available** Franco Nanni’s ‘Elicoide’ is a lost gem previously released in 1987 only in few copies. The Italian musician has developed (with the assistance from Paolo Grandi on double bass) a minimalistic and repetitive structure expressed into five long compositions ranging from jazz, avantgarde and of course ambient music, each one with its own precise character. It is an album that showcases his idea of “Ascetic Trance” by referring to the music of John…
** numbered edition of 199 copies, deluxe wooden box** Atrax Morgue is the brainchild of Marco Corbelli as sound project started in the early nineties and focused in various areas related to the field of psychopathology: murder, violent death, sadism, necrophilia, schizophrenia and insanity. The primary influences come from projects as Brighter Death Now and Whitehouse, pioneers of a minimal, evil and visceral electronic; and from the legendary projects Mauthausen Orchestra and The Sodality. Th…
Face Time is the second release from the trio of Oren Ambarchi, Kassel Jaeger, and James Rushford, following on from their 2016 debut Pale Calling (BT 020LP). Recorded at the GRM studios in Paris in June 2017, the record immediately returns to the idiosyncratic sound-world of the trio's first release, a simmering stew of electronic smears, pitched-down animal moans, and mysteriously emotive microtonal organ chords. But before long the record takes an unexpected turn, as sounds that initially ent…
Jérôme Noetinger founded Cellule D'Intervention Metamkine in 1987, with French cinematographer and performer Christophe Auger and Xavier Quérel. They have performed with Nachtluft, Voice Crack, Tom Cora, Keith Rowe… He has collaborated with longtime partner Lionel Marchetti since 1993 and is a member of avant-improv orchestra MIMEO. He founded and runs the record label and distributor Metamkine (curating its “Cinéma Pour L'Oreille” collection). He mostly plays the tape recorder Revox B77. This i…
Keith Rowe is mainly known as the pivotal and crucial musician standing in the forefront of the first wave of the European free improvisation, co-founder of AMM in 1965 and inventor of tabletop guitar playing techniques which remained his central sound tool until now and which he extended with a lot of electronic and other gadgets and devices. It’s his fifth release on our label following “Shifting Currents” with Bill Thompson and Rick Reed, his composition “A Quartet For Guitars” performed n 20…
Jason Kahn, Günter Müller and Norbert Möslang, all from Switzerland, comprise MKM trio, spontaneously founded in 2006 in Tokyo during their Japanese tour. They immediately achieved very fine results and collaborate since then. Their sound hovers between the at times harsh rhythmic noise of Norbert Möslang’s cracked everyday electronics and the rich sonorities of Günter Müller’s percussion-based samples and electronics. Jason Kahn’s work on analog synthesizer bridges these two worlds, adding high…
Angélica Castelló is a Mexican and Austrian composer, sound artist, performer, curator and teacher. Her sound work and compositions concentrate on fragility, dreamworld and the subconscious. Performs continuously solo or in cooperations everywhere between Mexico City and Vienna. Numerous compositions for ensembles, radio works as well as installations that operate at the interface of music, performance and visual arts. Several releases on labels like Mikroton Recordings, Interstellar records, Mo…
The “score” or inspiration for this CD was a solo concert of Burkhard Stangl at the Reheat festival at Kleylehof in 2014. The theme of the performance was the song Bésame Mucho by the Mexican composer Consuelo Velázquez.Chesterfield then took the recording and recomposed it, and composed new pieces mixing everything with old and new recordings, home recordings, accidental recordings, live performances ... all Chesterfield from 2013 till now ... a Chesterfield diary of songs, of noise, of longing…
The third release of the 24-piece Splitter Orchester is, like its predecessors, a collaboration. This time they team up with the The Pitch, a quartet consisting to 3/4 out of Splitter Orchester-members. "Frozen Orchestra (Splitter)" is their latest compositional effort in translating the quartet’s language to a large format ensemble utilizing the sensibilites and possibilites of Splitter Orchester’s electro-acoustic instrumentation. "Frozen" thereby indicates a very slowly moving field of harmon…
Double LP version. In the early '80s, futuristic music existed that triumphantly anticipated another musical era for a number of groups that worked on alternative circuits in Spain. Tradition, trajectory and future: these three words sum up a movement that was castrated at birth and sought to bring plurality and nuance to a monolithic cultural scene that was too predictable, commercial and stale. The musical texture of synth pop, experimental electronic music, and the incipient primitivist indus…
Double LP version.Double LP version. At the dawn of synth pop, an army of machines was
ready to inflict a strange defeat on rock. Traditional music from that
era could be set ablaze thanks to the new artistic channels that the
democratic transition in Spain had forged. Synth pop settled in the
urban centers of major cities across the Iberian Peninsula; a feverish
start to one of the few labels that can be claimed as genuinely Spanish:
tecno pop. An Iberian version of the minimal synth soun…
The first chapter of Onderstroom digging into the history of Dutch
minimal synth and wave. Who needs a big, expensive recording studio with
all those fancy high-tech machines that only make your weary head spin
when you can do it all by yourself at home in your (teenage) bedroom?
Way back in the early eighties all you really needed was an idea, quite a
bit of guts and some rudimentary equipment. You could basically do
whatever you wanted. The means were limited, yet the sky was unbounded. …
Fantôme Phonographique present a reissue of The Electrosoniks's Electronic Music, an LP by Tom Dissevelt and Dick Raaymakers's (aka Kid Baltan) originally released in 1962. Tom Dissevelt and Dick Raaymakers were both Dutch composers and electronic music pioneers. Both musicians began their studies at Royal Conservatory of The Hague on trombone and piano respectively, and later discovered the music of Karlheinz Stockhausen and Anton Webern. In the mid-50s Raaymakers began working at the Philips N…
**30th Anniversary Edition. Remastered reissue, first on vinyl** Released in 1994 ‘Sound Mind Sound Body’ decrees the massive impact of discreet gestures; slow-moving tones and spacious orchestral resonances, drifting and droning with glacial majesty, hardly recognizable as guitar much of the time In 1987, Rafael Toral began making his own compositions and solo recordings. 30 years later, these recordings sound remarkably prescient and perfectly timeless - almost fresher today than when they wer…
**A prescient vision of the next phases of listening space! Remastered reissue, first on vinyl** Released in 1995 ‘Wave Field’ was a departure from the first album into new composition methods involving the dirty textures of rock guitar, sounding in the open ears of many listeners (like Jim O’Rourke, who issued the disc in the US on dexter’s cigar) as a synthesis of disparate elements - a nexus where Alvin Lucier, Sonic Youth, My Bloody Valentine and Brian Eno blend together. Here, the clangorou…
"Exit Future Heart" is an LP of improvised sessions by the conjoined ensemble of Tokyo—based abstract pop duo Dustin Wong and Takako Minekawa and Chicago’s free music trio Good Willsmith. "Exit Future Heart" follows three Good Willsmith albums released on Umor Rex and three albums by Dustin Wong and Takako Minekawa on Thrill Jockey. Recorded live at home in Chicago over the course of one night when Wong and Minekawa passed through on tour, Exit Future Heart showcases a program of spontaneous com…
Shelter Press continue to pull us deeper into their uniquely curated soundworld on this exceptional new album from prolific composer and synth builder Justin C. Meyers, an artist who has had a cult following in the US underground noise and electronic scene for many years. This new album is a staggering collection of complex but gradually immersive modular compositions; a jittery, fragile thing that attempts to catalogue the precarious life of an artist with all the despondancy and joy that can e…
All analog - no computers or instrument overdubs - The prodigal return of Venezuelan artist Carlos Giffoni to the avant-electronic music scene he was instrumental in shaping with the seminal, hybridising No Fun Fest and No Fun Productions label, which was home to debut releases by Oneohtrix Point Never, and classics from Haswell and Prurient during the late ‘00s to early part of this decade. If yr into 0PN or Keith Fullerton Whitman, this album f u c k i n g r u l e sCarlos’ first new release i…