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Issued in a hardcover book. The artist name and the titles printed on the obi are written in Japanese. The corresponding English name and titles are mentioned in the book. "The album opens with "A New Heaven," unfolding a gentle, submerged-sounding piano or harmonic motif over a very minimal, murky, and vaporous bed. It is extremely simple melodically, but Andrew Chalk creates some impressive things dynamics, making all the notes ripple, shimmer, and decay like droplets on a moonlit pool.…
Soave present the first vinyl reissue of Riccardo Sinigaglia's Riflessi, originally released in 1986. Riccardo Sinigaglia, along with Gabin Dabiré and Walter Maioli, was a part of Futuro Antico -- one of the most important collaborations to emerge from the 1970s and '80s Italian avant-garde. The project, whose name literally translates to "ancient future", joined traditional sounds and instrumental from around world, with electronic music -- the sonic past, present, and future as one. Record…
Mark McGuire reminds us why he is among the most beloved guitarists of our new age. McGuire returns to VDSQ with a beautiful album of fractal introspection, a succinct collection of deeply melodic and emotive themes. Ideas Of Beginnings a direct statement of modern guitar, running the gamut from brightly focused acoustic compositions to late night electric vapor trails. Ideas Of Beginnings is another highlight from this …
Kai Hugo eulogizes our dear Cindy through new Palmbomen II music and a surreal, neo-noir lens, chronicled over a series of four 12” EPs and public access television transmissions. Crack open a refreshing Apple Shorle™ and direct your remotes to channel BIS to experience an initial offering and explanation. The first three 12”s, ‘Memories of Cindy Pt. 1 – 3,’ will be available individually in limited quantities. ‘Memories of Cindy Pt. 2 – 3’ will be available in May and September, respectively. M…
Over the past decade or so, there has been a strange, idiosyncratic bubbling from New York - sonic adventures emerging under the banner of Rvng. The imprint was founded quietly during the mid 2000’s, gathering ever increasing note and renown, while never allowing themselves to be easily defined. Genre and association mean little, in the face of the guiding light of discovery, integrity, and surprise. A short while back, we caught wind of a new sub-label, emerging under the banner of RVNG - Fre…
A distillation of cultural memory through electronic process, James Place - the creative guise of New York native Phil Tortoroli, returns with his third release for Umor Rex. The sonic realization of love and loss, re-sculpted for the Post-Modern age, pursuing his glacial take on techno into newly intimate depths. Departing from a line in TS Elliot’s Four Quartets “the moment in and out of time”, its works take form through the haze of a dream. Over the course of several months Tortoroli t…
Created from the non-standard use of electronics, hydrophone microphone and feedback, Crows that have no eyes is a patient and masterful 40-minute eai (electroacoustic improvisation) piece by two of Asia’s most exciting improvisers today. There is nothing close to a straightforward musical narrative here, only oblique strategies and a display of wits, curiosity and risk-taking; where the artists have opted for subtle but extreme frequencies that push against the limits of listening. This isn’t s…
Derived from an audio library of cosmological activity collected between 1993 and 2003. It was gathered from various sources including NASA (Cape Canaveral, Ames, The Jet Propulsion Laboratory and Arecibo), The Very Large Array, The National Radio Astronomy Observatory and various educational institutions and private contributors throughout the USA.Lustmord writes: “The Universe we inhabit is a vast expanse far larger than we are able to comprehend. As we attempt to understand its underlying str…
Alessandro Bosetti, lyrics, voice. Kenta Nagai, fret-less electric guitar. Tony Buck, drums. “A Family of Three (Band Photo)” is the fruit of urgency and sediment – a vibrant story bringing together sounds, images and texts that have emerged over time in Alessandro Bosetti’s imagination, in his life experience and through live concerts. Tangents, ideas and themes revolve around cautiousness, desire, Italy, ways of doing, uncertainty and longing. Without definite focus on one subject, these all f…
They say Tomaga, spellcheck insists Tomato. Whatever you call them, Tomaga’s Tom Relleen and Valentina Magaletti (Raime) tread their own path with Greetings From The Bitter End; a ruggedly churning session featuring one new track from the duo backed with A Perspective With No End and respective remixes from $hit & $hine and Cavern Of Antimatter (Holger Zapf & Steroelab’s Dilworth/Gane). On Greetings From The Bitter End, Valentina knuckles out hard, rasping drums under a Tom’s coruscating electro…
Andreas Tilliander (Mokira, TM404) returns with a plunging set of skewed techno dubs for Joachim Nordwall's iDEAL, his first new release for the label since the Bias Line 7” in 2010, and the Hateless album released a decade ago. RIYL Peder Mannerfelt, Frak, Tapes, Pole, Basic Channel! Andreas Tilliander has gone some way to making his studio a bastion of dub music within his home city, Stockholm ever since emerging with the Cliphop album for Raster-Noton in 2000 and subsequently releasing a whol…
Appeared only on cassette in 2014, this new edition in double Lp features 3 unreleased tracks. David Edren's organic minimal electronics are never majestic or magniloquent (like Klaus Schulze or Froese) and never neurotic or aggressive for that matter. It is a soft music, delineating echoes of sacred geometry in the emotional balance between oscillations, frequency modulations, and rhythmic pulsations. Diamonds, mineral combinations, emerald luminescences, hydrogen cascades and stratospher…
LP version. Includes download code. Almost 20 years ago, Jürgen De Blonde debuted on Kraak with the nowadays unfindable and almost visionary album 1 (1998). It was the starting point for a vital and wondrous exploration that lead him over paths of glitch, idm, shoe gaze, hypnagogic pop, improvised music, straight forward synth music, field recordings, and kraut... In the middle of this ungraspable adventure through contemporary electronic music, Köhn stands as a genuine artist that stayed t…
**Audiophile 2LP, edition of 500 copies in a beautiful gatefold sleeve with updated credits and liner notes** Arne Nordheim is among Norway’s most important post-war composers, particularly among those working within the field of avant-garde electronic music. Nordheim studied studied Musique concrète in Paris during the mid 1950’s, expanding his practice in Holland toward electronics and synthesis during the end of that decade. Upon returning home, he embarked on a stunning body of work, …
Floating, immersive tape loops and improvised analogue electronics by the Milanese duo of Giuseppe Ielasi and Nicola Ratti. Enigmatic melodies, subtle sound textures and rumbling sub-bass pulses…
Electro-acoustic experimenter Andrea Belfi veers towards techno structures in Cera Persa for the Paris-based Latency label. Too somnambulant for the ‘floor, best suited for home listening immersion, the piece is cleft in two parts and follows a crumb trail of softly struck drums into fizzing, stereoscopic gloom, eventually encountering shuffling jazz hits and strange, scrabbly electronics therein. No handrails.
Talvihorros is the work of Scotland based composer and producer Ben Chatwin, working in the field of ambient electronics. Through his distinctive approach to analogue electronics, he crafts dense collages of sound that hint at the conflicting beauty and chaos of the cosmos. ‘Discordia’ and ‘Mechanica’ are the first new recordings to be released by Talvihorros since 2014’s ‘Eaten Alive’ an album that explored the darker recesses of life. Continuing along in that vein these two visceral pieces are…
Sine Studies II is loscil’s continuation of the challenge set forth in Sine Studies 1- namely, to generate music derived from computer generated sine waves and no other sound source. Sine waves are perfectly pure units of synthesized sound, which alone contain no overtones and a somewhat unnatural sounding simplicity of spectral content. While their abstract purity in its rawest form can seem clinical, unnatural, synthetic and rather void of emotion, loscil takes it upon himself to morph, add, s…
The newest release from Vancouver’s Loscil, their first on the Jaz imprint, employs simple sine wave generators as the source for all sounds, transforming and processing some, while leaving others in their original form. Pure math and sonorous clarity on 45 RPM from one of Canada’s foremost ambient composers. Limited release of 300 copies featuring original artwork by Network Osaka.
The first part of Leyland Kirby, aka The Caretaker's, 'Sadly, The Future Is No Longer What It Was' series, originally released back in 2009 and now finally reissued. It's a prescient hauntological elegy somewhere between Vangelis’ Bladerunner OST, Lynch & Badalamenti’s Twin Peaks score, Erik Satie’s solo Piano works, William Basinski’s gradual tape decompositions and James Ferraro’s washed out visions, like a slowly abstracted Berlin/Manchester night-scape. Tbh it seems to have even more …