Black Tongue EP
Dogged techno licks from Dom Butler & L/F/D/M in Green Gums guise following two searing sessions as Bronze Teeth, also for Diagonal. Where their previous pair of 12"s tended to effluent, extended jams, these are just as mucky but more concise. Uptown, they launch the jagged EBM affray of 'Zozomono' with coarse acid lines yoked to slamming kicks, while 'Dag' marches out like some mutant, blunted offspring of Ancient Methods and Powell. Downtown, they really come into their own with the coi…
Koch
Lee Gamble jacks directly into a latent stream of electronic wonder with his dream-like 'Koch' opus for PAN. Running to 76 minutes over 16 tracks, it's Gamble's most substantial and arguably definitive work, following the beautifully effective 'Diversions 1994-1996' and 'Dutch Tvashar Plumes' releases for PAN in 2012. Where those records deconstructed the elusive, enigmatic timbre of '90s electronic dance music - jungle, techno, ambient - 'Koch' (pron. 'Cotch' - UK slang for relax) is a sort of …
quellgeister #2 'wurmloch'
The material at hand is the second release in a series of sonic sculptures, these “Quellgeister”, that Stefan Fraunberger has been developing within his extensive travels through Transylvania. Fraunberger seeks out 300 year old organs in abandoned churches and refurbishes them, freeing them of their long-gone service to the institution. The region plays host to a number of small villages which lost the majority of their German population to migration after the fall of communism. In an area curre…
Shishapangma EP
Terre Thaemlitz's Comatonse Recordings presents a cut from English polymath Simon Fisher Turner's 2013 soundtrack to the 1924 film The Epic of Everest. Turner's windswept, quietly pulsating "Shishapangma" is another iterations of a long and colorful oeuvre that has seen him work with an early incarnation of The The, Derek Jarman, and the Portsmouth Sinfonia, not to mention a career in acting that made him a teenage star in the '70s. DJ Sprinkles's gently sub-fueled "Deeperama" mix teases the …
Arthur Boto Conley's Music Workshop Presents "280913_1 / 280913_
Zweikommasieben: "Your installation Hot Knobbing at Oslo 10, Basel, explores the “live” aspect of performances. What does “live” mean to you in this age of holograms, “live streaming,” and prefabricated Ableton sets?" Thomas Baldischwyler: "The last thing I want to do is strike a blow for authenticity. I refuse to take part in this extremely petit-bourgeois mainstream ritual of getting all heated up over “fake” performances in which the Internet public scrutinizes everything down to the smallest…
Music for Dance and Theater
2014 release. Final part in the Charles Cohen trilogy on Morphine Records. Featuring various works made for dance and theater productions between 1976 and 1988. Eleven tracks in total -- lovingly spread over a double LP and featuring some of the most beautiful material of the series. While in the process of recording and optimizing the old reel tapes for the initial track list, Cohen discovered a master tape that was originally prepared for an extremely limited cassette release on the Gen…
Dune Church
Debut collaborative release from Manuel Padding and Steve Gunn (GHQ). Steve plays guitar with effects and Manuel is on electronics, vocals and percussion. Dune Church comprises of two tracks, The Original Mind Roti being the first with some beautiful playing from Steve which is reminiscent of his solo work and his GHQ collaborations with Marcia Bassett, but layered with Manuel's electronics, which fluctuate between psychedelic hazes to almost concrete walls of heavy drones at noises at ti…
All Moments
NNA is proud to present our 50th release, Matt Carlson's All Moments long-playing record. Where 2011's Particle Language LP acted as a study in texture and density within experimental synthesizer music, All Moments finds Carlson engaging with the more traditional musical materials of melody, harmony, and rhythm, calling to mind his work as one half of Portland, OR duo Golden Retriever. The pieces on this record range from shorter pop études to longer, more open improvisatory synth studies, r…
Elektronische Mythen (Lp=
Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reissue. The tech…
The Basics
Anthoney J Hart is hardly a newcomer. After cutting his teeth spinning hardcore, jungle, and drum and bass at legendary pirate radio station Rude FM, Hart eventually began producing under the Imaginary Forces moniker, channeling his early influences into noisier, more abstract territory. As Imaginary Forces plumbed the depths of abstraction, Hart was keen to find an outlet for dancefloor material, and that's where Basic Rhythm comes in. Hart wanted to reference the hardcore and jungle he gre…
IV
Last copies...this incredible Finnish band pretty much defines modern psychedelic kraut improv. Primitive, primal & tribal, desolate & mournful, dreamy & pastoral, motorik & hypnotic. Buzzing, clattery, droning, stumbling Krautrock flecked w/ shimmering free-noise, avant ambience, delicate folk filigree, & chaotic caveman psychedelic space rock. Limited to 300.
A Shimmering Replica
This first-ever VHF release by the 21-years-running Ashtray Navigations brings one more core piece of the UK freakout underground back to the mothership. With a discography that boggles even the most ardent Discogs user and an on-point WTF graphic sensibility, Ash Nav fits perfectly into the extremely fertile and prolific scene that has produced titans like Sunroof! and Vibracathedral Orchestra. On this generous 100-minute package, Phil Todd and Melanie O'Dubshlaine essay a kind of guitaran…
Approaching Nothing
Approaching Nothing is Lawrence English’s response to one of his favourite concrète works, Luc Ferrari’s Presque Rien. Its title is a direct english translation, and the piece follows very similar methods of recording and collaging with minimal alteration made to the original source material, which was also collected on and around the Croatian island of Vela Luka where Ferrari visited and made his original recordings in the ‘60s.
The Many Dimensions Of
This collection of recordings by Richard H Kirk contains the three albums for the first time on CD. CD 1-Richard H kirk-Reality is Opposite (guitars, breakbeats, electronics and digital interference in the sound of insurrection.) Cd 2- Orchestra Terrestrial-Umladen(classical analogue mood music) Cd 3-Richard H Kirk and the Arpeggio 13-Anonymized (minimalist analogue arpeggio workouts) All three albums were recorded between October 2010 and December 2011 as cities around the world were in turmoil…
Spat-Europa
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
E
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
Makrophonie 1
The first album by Kontakt der Jünglinge since the release of their CD n (DS63) on Die Stadt back in 2003, Makrophonie 1 is also their very first studio album. ItÔs the result of various scores which were developed before and during miscellaneous live performances. These worked out structures were then taken to the studio, where they were concentrated and received their final finish. Makrophonie 1 can be described as KDJ music in highly-concentrated form. The album was recorded at Audiplex Studi…
Crystal
**Edition of 350 copies pressed on clear vinyl** Crystal is the third release and first vinyl LP outing by composer Tom James Scott. Sonically, the pieces presented on Crystal contrast as structures of space and density, dividing and inhabiting the space of the format. While Scott's previous releases used acoustic instrumentation to explore aspects of melodic form and song structure, 'Crystal' sees a shift towards a more electronic means of sound production. 'Skire' - the opening track - employs…
Climata
Climata is a new work by composer and sound artist Robert Curgenven comprised entirely of site-specific recordings captured in 15 of James Turrell’s Skyspaces, spanning 9 countries. Each of the individual recordings, with their quiet & slowly changing microtonal interventions made in-situ, interrogate and offer a specific document of weather, location and duration framed by the architecture of the Skyspace – a frame that blurs the distinction between interiority and exteriority – while al…
Antidocument/groundwork
A pebble codex. Vitrine is honored to present antidocument/groundwork, the first album of new work by Massimo Toniutti since 1991’s Il Museo Selvatico. Toniutti has been crafting a theatre of geometry and meiosis since the early ’80s with his self-released cassettes bridging concrete sound, Industrial shadow play and stately dispersal. A rustle, something falls. Out of bounds electronics complicate sound cabinets of ringing bells and creaking joints. The furniture is cleared from the room. Echo …