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LP version. Includes CD. "In October 2014 an idea suddenly came to mind. Although I had spent much of my life performing, recording and producing music, my attention over the immediately preceding years had been focused on the philosophy and psychology of human nature. It was a rewarding exploration, but I missed being more creative -- suddenly I felt the urge to play music again. I built a recording studio in my basement and began writing material for the first time in a long while. In November…
LP version. Latecomers to the krautrock party, Circles created a manifesto of frenzied inertia in the late 1980s, swimming in the same gene pool as Cluster and Popol Vuh. Ambient music for the end of time does not get any more authentic than this. The Structures album is a time capsule unlocked, containing previously unreleased recordings from 1985 to 1989. Music that blends the extremes of end-times foreboding and drifting lightness to beguiling effect. Music that succeeds in sounding more cont…
CD version. Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reiss…
LP version. Bureau B reissue Rolf Trostel's Inselmusik (1981). Rolf Trostel is a protagonist of the so-called Berliner Schule, or Berlin School (Tangerine Dream, Klaus Schulze). On his first album Inselmusik, he explores the sonic possibilities of the recently introduced PPG wavetable synthesizer. The music is based on live performances from the late 1970s by Trostel and Krautrock guitarist Günter Schickert. Formally speaking, Inselmusik is a demonstration of the PPG Wave Computer 360, a synthes…
LP version. Bureau B present a reissue of Rolf Trostel's second album Two Faces, originally released in 1982. While Inselmusik(BB 230CD/LP), released the previous year, was intended as a basis for live performance, Trostel composed and produced the five instrumental tracks on Two Faces exclusively for this album. The music is clearly a product of the Berlin School, yet it is more sophisticated and varied than its predecessor. Some new additions to Trostel's instrument collection are audible. Whi…
LP version. Bureau B present a reissue of Michael Bundt's Electri City, originally released in 1980. Having played his way through the 1970s in various rock combos (Medusa, Nine Days' Wonder), Michael Bundt embarked on a solo career in the latter part of the decade, releasing three albums which saw him explore the vast potential of electronic music. Delightfully varied and typical of his willingness to experiment, his music orbits around krautrock, Berlin School electronica, space-futurism and s…
LP version. Bureau B reissue Rolf Trostel's Der Prophet (1982). Electronic pop was the musical goal of the Berlin School musician Rolf Trostel on Der Prophet, which was released in the same year as its predecessor Two Faces. Der Prophet is the culmination of this phase of Trostel's oeuvre, which was tightly coupled to the PPG Wave Computer. As on his previous releases, the sonic peculiarities and clanking sounds of wavetable synthesis are emphasized. Yet here they are obviously more interlinked …
LP version. Bureau B present Filmmusik 1, a selection from Conrad Schnitzler's archive. In Conrad Schnitzler's sprawling archive, there are two tapes marked Filmmusik 1975 A and Filmmusik 1980 B. It is hard to say which videos this music belongs to, particularly as the pieces have been left untitled. Perhaps there isn't really any film material at all. The dates are of no great help either, since the tapes feature the same tracks, albeit in varying degrees of quality. Filmmusik 1 presents an ini…
LP version. Includes CD. Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club in 1967/68, was a member of Tangerine Dream (with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. Schneider TM (Dirk Dresselhaus) has been invo…
From 1971 to 1977, Peter Baumann was a member of the legendary Berlin band Tangerine Dream. The group were pioneers of the so called Berliner Schule (Berlin School) which had such a profound impact on electronic music. He produced a number of momentous albums at his Paragon Studio (by the likes of Conrad Schnitzler, Cluster, Hans-Joachim Roedelius) and also enjoyed success as a solo artist. His first two solo works are now being reissued with extensive liner notes and rare photographs. The influ…
An acousmatic track based on field recordings mainly collected on the mountains of Northern Italy during two different phases of a wood harvest work. "please close your eyes, just close them" Luca Garino (Italy, 1978) is an Italian composer active since 1996 in the fields of electronic and concrete music. He started as self-taught and then continues his research at computer music at LaSDIM (Laboratorio per la sperimentazione e la didattica dell'informatica musicale). Previously active under…
CD edition. Bamboo present a reissue of the debut album by Annette Peacock & Paul Bley, Dual Unity, originally released in 1972. Annette Peacock's legacy may only just be courting recognition proper with the recent retrospective release of her solo debut I'm The One (1972). Hailed as a pioneer and artistic genius by many, her debut album and predecessor to I'm The One captures Peacock in her element alongside husband; Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision c…
Originally released in 2003. The first electronically generated sounds that Charlemagne Palestine ever heard came from the machines he encountered in ordinary daily urban life. Machines like the refrigerator electric motor, or electrical generators; but it was especially the sounds of motion (race cars, motorcycles, war planes, rocket ships) that first excited his sonic imagination as a young teenager. Then he heard the electronic music of Tod Dockstader, Pierre Henry and Pierre Schaeffer, the f…
"Across a dozen years, the duo of Jerman and Barnes has offered powerful, minimal music rooted in a shared dedication to the creative act of listening. Jerman is a veteran of the creative music scenes in Denver and Seattle, and in more recent years has been thoroughly investigating the sonic possibilities of the desert Southwest where he lives and works. Tim Barnes's resume as a percussionist, engineer, and curator is studded with all-star collaborators including Tony Conrad, Sonic Youth, Ken Va…
Reed Evan Rosenberg-microphones, pedals, max, voice. Ethan Tripp-microphones, motors, junk. Recorded in 2014 and 2015. Mastered by Joe Panzner. Design by Matthew Revert.
Originally from Sarajevo, and a Belgian resident since 1989, Miaux - pronounced the French adult, not the feline way - returns with a propertearjerker in her classic deadpan style. Mia Prce got her first keyboard when she was five years old. A rarity in the UE catalogue, and like labelmate Cassis Cornuta, Prce is a trained musician. But do read on!Hideaway consists of seven stunning instrumentals that blend and gently warp Miaux’s formative influences: Mike Oldfield, Roxy Music, Krautrock and …
Meteoric Eyes is a set of three cassette tapes Eclosion, Quantum Lament and Agave. The physical edition of these titles are only available as a part of this set.The number is limited to 50 copies. Each set has the edition number and the signature of Hitoshi Kojo on the interior surface of the handmade hardcover.
Hitoshi Kojo is a Japanese artist who currently lives in Belgium. He has been working for multiple media - music composition, installation, performance, painting, assemblage and those …
Søren Kjærgaard and Theresa Wong met along the sonic trade routes between Copenhagen and California, beginning their musical dialogue in 2011. Layered Events reflects a set of pieces constructed entirely of improvisations recorded upon improvisations in the studio; two players poised to each other and to themselves, traversing the breadth of their synchronistic encounters.
Vetropaco is a brainchild of Gianluca Favaron and Andrea Bellucci (a.k.a. Red Sector A). Favaron's de-compositions join Bellucci's rhythms structures creating a work where aseptic sounds are combined with patterns borrowed from Techno, with Breakcore and IDM digressions. "Vetropaco" represents a further step forward in the musical research of the two artists, and is aimed at fans of innovative electronic sounds.
"Zolfo" is born by the collaboration between Gianluca Favaron and Anacleto Vitolo. Both involved in many projects and music collaborations - Favaron with Corrado Altieri, Deison and part of several collectives such as Lasik Surgery, Maribor, Zbeen and Under The Snow; Vitolo with doublebass player Francesco Galatro, viola player Michela Coppola, vocalist Domenico Stellavatecascio (Internos) and many others. The album was composed, recorded, and mixed between January and May 2016 and is a mix of s…