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Electronic /

Gamma Plus
Composed in the studios of the INA-GRM and recorded live on stage. Composed 1979, and originally released on LP in 1983. This is a recording of a performance of the piece by the famous trio of electroacoustics. This trio was formed in 1977 with the sole purpose of giving concert performances of electroacoustic music. The members of the TM+ trio are well-known personalities in the electroacoustic community: Laurent Cuniot, Denis Dufour & Yann Geslin). As per Jean Schwarz words: A chord in E major…
Nearly Invisible
Packaged in oversized 16-page full colour book. Limited to 230 copies Cristiano Deison and Gianluca Favaron met in 2011 when the latter was a guest on Deison's "Night Sessions" album on Silentes. Both involved in many projects and music collaborations - Favaron with Lasik Surgery, Maribor, Zbeen and Under The Snow, and Deison with Mingle, Matteo Uggeri and Maurizio Bianchi - during the summer of 2015, at last free from previous engagements, they finally decide to mix their sound attitudes and g…
The Avengers
In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, 'Of the best bands of San Francisco's first wave in 1977, The Avengers were by fa…
Hombres de viento / Venas de la tierra
Finally reissued on CD by Buh Records in a limited edition of 300 copies. This CD is part of the Sounds Essentials Collection, a rescue project of several fundamental works of Peruvian Avantgarde music, which will be published periodically. David Aguilar Carvajal about the soundtrack: "Men of Wind (Hombres de viento) was the shared realization that José Antonio Portugal and myself created through our thoughts on audiovisual production. This was our first collaboration. Minutes into our first co…
Aeonflower
An exploration of warped, dream-like atmosphere and taught, noise-ingrained electronics, Paper Dollhouse has evolved from the solo work of Astrud Steehouder into an expansive, cinematic project now involving multi-media artist Nina Bosnic. Recorded with a stronger focus on electronic processes and with a deeper, light-starved aesthetic, Aeonflower’s emboldened use of crushed-noise dynamics takes the London-based group’s debut “A Box Painted Black” (2011, Bird/Finders Keepers) frame into …
Musiques Electroniques En France 1974-1984 Vol. 2
Exemplary collection of obscure French synth music circa 1974 - 1984, all remastered and available on (180g) vinyl for the 1st time! Replica Records scout the little known nooks of early French synth music with this vinyl edition sourced from rare, original, and mostly unreleased recordings. Birthed in the democratisation of synth music around the early ‘70s, when some adventurous musicians were able to afford legendary models such as the VCS3, the Synthi AKS by EMS, the Mini-Moog, or the ARP 26…
Musiques Electroniques En France 1974-1984 Vol. 1
Exemplary collection of obscure French synth music circa 1974 - 1984, all remastered and available on (180g) vinyl for the 1st time! Replica Records scout the little known nooks of early French synth music with this vinyl edition sourced from rare, original, and mostly unreleased recordings. Birthed in the democratisation of synth music around the early ‘70s, when some adventurous musicians were able to afford legendary models such as the VCS3, the Synthi AKS by EMS, the Mini-Moog, or the ARP 26…
Calle Ciega / Asesino
Bear Bones, Lay Low is the power drone project of Brussels-based Venezuelan Ernesto Gonzalez. He builds an energetic wall of sound with guitar fuzz, vocals, tapes and a bunch of effects creating industrial electronic tracks that, unusually for the genre, tend towards brightness rather than darkness. Despite of his live performances being scarce, he already got honours from the likes of Spencer Yeh, among others. A young and dynamic talent from da hood. 7” single Calle Ciega / Asesino is out on L…
Wounded Boys
Bellows' Nicola Ratti investigates micro-rhythmic, electro-acoustic dub on solo terms with 'Wounded Boys' arriving in Where To Now?'s endless stream of ace new issues. Proceeding his pair of 12"s for Italy's Holidays Records in 2014, Ratti coalesces a more intimate, viscous sound on this outing, maybe best compared with the earliest Pole releases or Jan Jelinek abstractions. 'Elbow' nudges fidgety sparks and bass rubs in vast empty space; 'Wrist' flicks droplets and glassy tronics with wet sprin…
Shishapangma EP
Terre Thaemlitz's Comatonse Recordings presents a cut from English polymath Simon Fisher Turner's 2013 soundtrack to the 1924 film The Epic of Everest. Turner's windswept, quietly pulsating "Shishapangma" is another iterations of a long and colorful oeuvre that has seen him work with an early incarnation of The The, Derek Jarman, and the Portsmouth Sinfonia, not to mention a career in acting that made him a teenage star in the '70s. DJ Sprinkles's gently sub-fueled "Deeperama" mix teases the …
No. 3
Gatefold double LP version. "Album No. 3 from Christina Vantzou is the result of a two-year process of composing, arranging, rearranging, experimenting, and melding classical instruments with synths and electronics. Recorded in Belgium with a 15-piece ensemble of strings, horns, woodwinds and micro-choir, the tracks vacillate between orchestral, ambient soundscapes and more structured works that the composer refers to as 'pillars.' The internal core of the record, however, is unwavering. A…
Ulex
Ulex is the 4th album of incisive electronic studies by Croydon’s Dale Cornish for the ever-intriguing Entr’acte label following their Glacial, Fleshpile Sister, and Xeric LPs.  His latest deconstruction/exploration of “a/rhythm, space, silence and pulse” presents seven Patterns in which, through varying, economical strategies and processes, he dislocates our sense of rhythmic anticipation and toys our spatial awareness.The results are playfully elusive but, could also be described as awkw…
City Lake
Before Bing & Ruth’s halcyonic opus Tomorrow Was the Golden Age, there was City Lake. Initially pressed in an unusually limited edition five years ago, the ensemble’s stunning full-length debut is now released in simultaneously refined and expanded form. With bonus tracks and new, visceral mastering, the album gleams all the more and signals a spree of live performances this fall revisiting the material. As the principal leader of Bing & Ruth, David Moore assembles his orchestral roster accordin…
We Are Not The First
For those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents We Are Not The First, an Epic conducted and deconstructed by Chicago artist Hieroglyphic Being and the J.I.T.U. Ahn-Sahm-Bul. We Are Not The First combines the musical forces of Marshall Allen, Daniel Carter, Greg Fox, Shelley Hirsch, Shahzad Ismaily, Elliott Levin, Jamal Moss, Rafael Sanchez, and Ben Vida in deep dialogue with each other and humans’ hidden sonic history. Tracked…
Toy Planet
Exact repro of this 1981 collaboration between Can's Irmin Schmidt and Swiss jazz and electronics pioneer Bruno Spoerri.A "mystifying" album, which came out initially on French label Celluloid in 1981.  Many synthesizers and fancy analog sampling and effects equipment went into producing this, countless untold hours of painstaking attention to detail and at times over 100 individual layers of sound went into producing the textures and atmosphere behind them. In 1968 Schmidt founded the expe…
Muscle Up
Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded …
Kickin' In
Honey Soundsystem is proud to present an unreleased disco 12” by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” During the 70s, Patrick was the lighting technician at The City disco in San Francisco’s North Beach neighborhood. This was SF’s largest Gay entertainment complex, where everyone from Grace Jones to Sylveste…
Cory Arcane
Cory Arcane is the fifth LP from the French-born, Berlin-based experimental techno producer, real name David Letellier. Like the previous four, including the most recent, Solens Arc, from early 2014, it will come through Raster-Noton. Letellier typically brings a conceptual, cinematic approach and a rebellious spirit to his work, and this one would seem to continue in that vein. The press release for Cory Arcane comes with an essay from the artist himself, which describes what appears to be the …
Blue As An Orange
French composer and multi-instrumentalist Pierre Bastien delivers another entry in Morphine's increasingly diverse catalog. Active since the mid-'70s, Bastien is best known for building automated orchestras. His previous album, Machinations, was released on Aphex Twin's Rephlex label in 2012 (REPH 215CD). For this work, Bastien recycled components of his Silent Motors live set and assembled mechanical organisms -- using amplified Meccano parts, motors, fans, rattles, paper, and nails -- to gener…
Inburst
The striking first entry into the Cusp label’s discography comes from Cologne-based sound artist Lu Katavist, employing a variety of synthesizer modules controlled with the Haken Continuum Fingerboard to create a cavernous tapestry of deeply spatial and spectral soundscapes.Katavist’s (real name Luka Höfler) approach to the material derived on 'Inburst' has been wholly improvisational, but not in any sense traditional. Rather than acquiring any sort of mastery of the equipment chosen to build th…