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Limited to 300 copies."Presage is an LP less split than twinned, like stars, each side pulled into a mesmerising gravitational dance by the other's backspin. Black Dirt Oak and Jantar, siblings of sibilance and site, complete one another's sentences in a dark and uncanny psychic psalmistry. For their part, Black Dirt Oak stomps out a series of chthonic ur-grooves, filthy bare feet splintered by silicon shards and splashing in puddles of molten rare earths. They kick up a black angel dust of deca…
Edition of 200 copies. Screen printed heavy duty white Polarizer jacket. Each record includes a signed/#'d screen print and blank, white, Polarizer cassettes. By purchasing Polarizer the buyer agrees not to reproduce any part of Polarizer digitally but unlimited analog duplication is allowed and white Polarizer cassette tapes are included to encourage duplication.
Eleh's Polarizer is a two part series focused on the instant reality of the analog world.
Since the mid-'90s, Seattle-based guitarist Bill Horist has been making music within and without convention in a wide variety of settings and genres and has worked with many notables in rock, experimental, and new music. He has played on dozens of records and has performed throughout North and Central America, Europe, and Japan, collaborating with numerous leading lights in a beguiling range of genres. He delivers an idiosyncratic and richly emotive take on the world's most ubiquitous instrument…
A work of slowly evolving beauty that gradually unravels its meditative design. Recorded in 2013 in the mausoleum of Norwegian sculptor and painter Emanuel Vigeland (1875-1948) in Oslo, a recording space that is famous for its acoustics and its long and full-sounding reverb. These three tracks utilize both the delicacy and the power of acoustic instruments and human voice in relation to the unique recording space. Otherworldly and eerie but also with a great primal expressive force. Perfo…
Issa is the debut release from Bristol-based musician and composer Kit Wilmans Fegradoe. The magic in Issa comes from Fegradoe's powerful exploration of emotion and sensitivity, which leads to a deeply personal and revealing listen. The work evokes the scale of Michael Stearns's compositions for film, whilst eliciting a minimalist undercurrent throughout. The album is sculpted from guided improvisation sessions in the studio with fellow musicians, traversing around the narrative of Issa, a …
Double LP version. Edition of 1000. Another smoker from Acid Mothers Temple & The Melting Paraiso U.F.O., in typically fine form. Benzaiten is an In C-style homage to the classic Osamu Kitajima record Benzaiten (1973). Acid Mothers Temple covers the title-track and reprise using Kitajima's original composition as a departure point to explore the outer realms of AMT territory. Further instrumental explorations reveal textures of the original composition while launching out further into the cos…
**2nd press** Divertissement is the third collaborative full-length from minimalist composer William Basinski and sound artist Richard Chartier. The duo utilizes electronics, piano, tape loops, and short-wave radio to evoke a dense atmosphere suggesting hundreds of years of history rising up from the depths of a reverberating cathedral. Subtle, buried, and intense murmurs of melody morph through this deeply consuming and slowly evolving composition in two parts. William Basinski is a class…
Pinkcourtesyphone sends you a Sentimental Something from the depths of its obsessed heart. A sonic love note of smudged ink. Joined by the otherwordly Evelina Domnitch, friend and former cover model and vocalist on the acclaimed 2014 Description of Problem CD, which also featured contributions from Cosey Fanni Tutti, Kid Congo Powers, AGF, and William Basinski. On the central core, "Tears of Modernism," Miss Domnitch wields her dark magic on theremin, weaving a mournful kiss on the envelope fr…
Mindblowing!! LP version. Edition of 500. Bayou Electric is the final installment in an unplanned trilogy, with Feel Free and Bridges making up the first and second installments in the series, respectively. All three works share similar characteristics, compositional processes, alternate tuning schemes, instrumentation, and a certain ethos that the composer views as cohesive whole. There is a progression toward refinement over the course of this trilogy, in the overall sound of the albums…
Double LP version. The ascent of Shit and Shine is one of the great audio headfucks in memory, from its genesis out of the South London noise rock revivalist scene to a zone where rabbit-costumed maniacs bled a unique form of multi-drum and electronic hysteria to its incarnation of destroyed lysergic dance music. Shit and Shine is the epitome of second-guess-subversion. With a foot in every pie, it continues on a fantastic, twisted path. Everybody's a Fuckin Expert lays forth another slab …
Matches is 'a story with many holes' for lovers of music and sound. The album formed from various collaborative processes between 2009-2015. It's made up of various compositional structures (studio, live, and a mixture of both), it was recorded in various locations (in and out of Chicago in both home and studio settings), with many instruments and objects related to bellows and electronics (prepared shruti boxes, prepared pump organ, and tape processes), as well as new technologies and signal p…
Triple LP edition. September 2015 will see the release of Thighpaulsandra's 7th full length album 'The Golden Communion', his first since 2006's 'The Lepore Extrusion'. Well over a decade in the making, this is his debut for Editions Mego. It comprises 10 new songs, running well over two hours with individual pieces clocking in between 4 and 28 minutes. Featured musicians on the album include regular collaborators Martin Schellard and Sion Orgon, plus the odd guestghost from bands Thighpaulsandr…
On his sixth album, Palace Savant, Brooklyn producer Jonas Reinhardt (aka Jesse Reiner) undergoes a profound solo odyssey. The record may be the most spectacular realization of Jonas Reinhardt's outward-bound sonic aspirations. These eight tracks draw on 14th-century architect Peter Parler's breathtaking St. Vitus Cathedral in Prague. "St. Vitus is a statement to the future by the rulers at the time," Reiner says. "It's surreal, grandiose, psychedelic -- and the sheer scale of human ambiti…
Do you ever listen to a record and worry about its creator's sanity? Granted, it rarely happens, but in the case of Innercity -- Antwerp producer Hans Dens -- it's a legitimate concern. Thankfully, Dens's apparent madness manifests itself in music so uncompromising and off the charts of classification that it convinces you that any kind of sonic innovation at this late date demands a bit of mental instability. By way of explanation, Dens says, "People forget that there is only magic in this …
Rrose (Sandwell District, Eaux, Stroboscopic Artefacts) has found her own niche in the American techno underground. Her hypnotic tracks incorporate ideas from ambient and minimalist music as prominently as they do the history of dance music, operating in the same fruitful cross-section between techno and the abstract as many other Further Records releases. Rrose's debt to experimental music has never been more obvious than on September 20, 2012, when he performed legendary composer and el…
2013 release. No-Neck Blues Band member Pat Murano's work as Decimus has been a prodigious endeavor to dissolve the ego and conventional notions of form from the creation of music. Decimus 10 continues Murano's rigorous yet freewheeling cavalcade of bizarre sound events that baffle and beguile in equal measure. The 21-minute A-side is a fungal, fractured, dream-fever soundtrack that makes the Italian horror-flick scores of Goblin sound like Danny Elfman hackwork. Seemingly recorded in the sam…
**restocked** The Voice Calling is the new album from Mind Over Mirrors, the Chicago-based solitary reeling of Jaime Fennelly with guest vocalist Haley Fohr (of Circuit des Yeux). Using the Indian pedal harmonium, synthesizers, tape delays, and voice, Fennelly and Fohr create dynamic and strangely accessible music that feels at once devotional and measureless. Mind Over Mirrors has been praised by Pitchfork’s The Out Door as one of the most innovative duos in exploratory music and has recent…
Precipice is Byron Westbrook's first long-playing record under his given name. Operating under the handle Corridors for many years, Westbrook has established a reputation for creating immersive, multi-channel, site-specific live experiences using sound, image, and light. Precipice expands upon these ideas as a collection of approaches to texture, landscape, perception of time, and the potential for sound to generate visual space. Like climbing a column that inexplicably leads to a plateau o…