AudioArt Compilation 02
Costa Gröhn “Zwergohreulen in der Vikos-Schlucht”, Martin Moritz “No Input Output”, Thomas M. Siefert “No I, Improvisation gong”, Lasse-Marc Riek “Fahnenstange”, Suspicion Breeds Confidence “Ein Abenteuer ist zumeist nur eine verpaßte Mahlzeit”, Dirk HülsTrunk “Forward”, Etzin “Wundschwelpn”, Gran où lée “Bird cage blues”, Dirk HülsTrunk “Fall out”, Waldlust “Krachgarten”, Gran où lée “Tangonflies”, Etzin “Voegel-Verteidigung der Nester”, Ohrginal “Kombinationen 04”, Dirk HülsTrunknie “Live at G…
Rhythm
Peter Cusack “Through the Robots", Eric La Casa "Clisson: Moulin de Gervaux", Roland Etzin "Premium 900", Jez Riley "Boat Ropes & Lake Hollow Pole", Takahiro Kawaguchi "for example #01", Dale Lloyd "1928 Australian Streetcar", Takefumi Naoshima "self adjustments on mirror", Lasse-Marc Riek "Matti, 06.02.2007, 10:29 am", Sawako "Rain Clock", Walter Tilgner "Tag, Mittelspecht".
The fauna and flora of the Vatican City
The "fauna and flora of the Vatican City" is the 6th release of Tobias Schmitt’s pet project Suspicion Breeds Confidence. The record is a continuation and development of the eclectic and complex music presented on its predecessors: polyrhythmic beats, abstract electronica, processed field recordings and conventional instruments are blended into a homogeneous and wide-ranging elaborate result. Moments of highly structured music meet flow-of-consciousness like improvisation meet poppy melodies. Th…
Sonic Antarctica
Sonic Antarctica features natural and industrial field recordings, sonifications and audifications of science data and interviews with weather and climate scientists. The areas recorded include: the “Dry Valleys“ (77°30′S 163°00′E) on the shore of McMurdo Sound, 3,500 km due south of New Zealand, the driest and largest relatively ice-free area on the continent completely devoid of terrestrial vegetation. Another is the geographic South Pole (90°00′S), the center of a featureless flat white expan…
Marine mammals and fish of Lofoten and Vesteralen
Marine Mammals and fish of Lofoten and Vesterålen’ is a collection that fits perfectly within the Gruenrekorder field recording series. The driving force behind this publication was Heike Vester, a marine biologist who in 2005 founded the organisation Ocean Sounds with the aim of encouraging a greater understanding and appreciation of marine animals. From 2005-2008, Vester recorded the sounds of species encountered by her team in Norwegian waters and presents a selection of these recordings here…
Iron / Verse Remixes
Yves De Mey, John Tejada, Recondite, Paul Jebanasam and TM404 put their best jaw forward in slick remixes of Ricardo Donoso's vintage Goan trance-formations. Belgium's Yves De Mey follows impressive outings for Opal Tapes and Semantica with a midnight black take on 'The Sphinx', coolly transposing its darkly sublime early '90s vibes with up-to-the-minute, free-floating sound design, whereas Berlin's Recondite doses the 'floor with a powerful, droning remix of 'Diagonal Environment' amped by roll…
Waters above the firmament
Hugely recommended second EP from Wolf Eyes' Mike Connelly and his wife, Tara, recording together as Clay Rendering. A delicate yet uncompromising set of songs drifting somewhere between Shoegaze, Industrial, Metal and Ambient music, the tracks here recall everything from Cocteau Twins and Cranes at their most desolate to classic Sonic Youth, coloured and mis-shaped through abstract production assistance from Dominick Fernow and additional synth from Robert Beatty of Three Legged Race / Hair Pol…
Echoes
*2022 stock* "'Emerald Tablet' was recorded at the NHK electronic-music studio in 1978. It is made up of only the sonic ingredients of a tubular bell, cymbals, and 'kin,' a largish-sized bell used for Buddhist memorial services in Japan. The attack of the sound of each instrument was eliminated, and the work was taped through repeated overdubbing. This produced a variety of beautiful harmonics that otherwise could not be produced from a single instrument's sound, and the interference of harmonic…
Hommage to Home Electronics
"I have been interested in junk materials and have made sound works since several years ago. Before then, I listened to experimental music as a fan, but the border between music and non-music became meaningless from encounters with Fluxus, sound-art, media-art and others. Since then, I love the texture of sound itself. I collected abandoned analog televisions when the transmitting system of broadcast signals was changed to digital format in 2011. They are one of my favorite instruments at presen…
Funakakushi (1963)
**2022 stock "Funakakushi" [1]: This electronic work was composed for the opening ceremony of the hotel "Funakakushi-en" in Kagawa prefecture in 1963. It was realized as a sound installation and used many speakers inside a built-in stone sculpture. They were designed by sculptor Mitsu-aki Sora (b. 1933) and were arranged here and there in the main garden of the hotel. The sound was made from a modified Japanese traditional instrument, biwa, as well as from a sea wave sound [2]. The engineer Juno…
Electric Zoi
A new Cdr from the legendary France recorded at the Bourse du Travail in Saint Etienne in March 2013. This live set is more than 70 minutes long and truly spaced out! France's massive sound bleats mournfully, endlessly; rising, breathing, sighing, screaming, but without ceasing: relentless. A must!!!
Assemblage
This is the eighth volume in Edition Omega Point's Experimental Music Of Japan series. Japanese composer and synthesizer artist Kazuo Uehara was born in Osaka in 1949. He studied composition in Tokyo and in New York and is a Professor of Music at the Osaka University of Arts, teaching composition, experimental music and also multi-media performance. His music has been performed in France, Germany, the U.S., and other countries and he has also performed his interactive live music and multi-media …
Three Parts
"Now the previously unreleased material recorded in El Cajon, California, 1991 is ready for release via Denmark's Cejero. The three pieces are among Turman's most hypnotic and sparse recordings. Layers of mystical tones wind in and out of each other in off-center patterns, creating a simple, yet spatial and truly unique atmosphere. No one but Robert Turman could have created this music." These three pieces are among Turman's most hypnotic and sparse recordings. Originally recorded with a 4…
Diagonal Flying
1994 CD release, with some incredible early 70 (1973-1975) recording for Cello And Tape Delay (or Trombone and tape delay)... Gehlhaar is a pretty interesting cat ... long Stockhausen’s personal assistant he blossomed into a composer in his own right in the early 70’s and proceeded to experiment with “computer controlled interactive musical environment(s)” and the sort of computer-free tape-delay manipulation studies as featured on this disc ...(Mimaroglu)In this extended composition, veteran av…
Force Fields And Spaces
1994 CD release, recorded Jan/Feb 1981 at Darlington College of the Arts, Totnes, Devon, UK. Fantastic recording of some very repetitive and zonked trombone-fueled electronics from this Phill Niblock affiliate, straddling the devide betwixt Stuart Dempster's cavernous echo patterns and terry riley's horn-tape meditations lyou can hear echoes of the same approach i used on ‘playthroughs’ very clearly on 'part iii'. which is pretty amazing as ive only just discovered this now ... another piece of …
Playing with Words: Live
Kulturnetz Frankfurt e.V. presents: International SoundArtFestival.
Gallus-Theater, Frankfurt am Main 2009 / A film by Bernhard Bauser Joerg Piringer (A), Ansuman Biswas (GB), Dirk Huelstrunk (G), Sianed Jones (GB), Nye Parry (GB), Jaap Blonk (NL). The festival “Playing with Words – Live” presents six internationally renowned artists who put voice and spoken word into the center of their performance. Listen to sound poetry, Celtic world music, electronically processed voices, or hear about the…
Playing with Words: an audio compilation
The work on this audio compilation is part of an intermittent ongoing tradition of artistic investigation of spoken language. The pieces included here negotiate potential oppositions such as semantic play and abstraction, musical and narrative structures, speech and song, one voice and many. Influences have been drawn from many sources including poetry, music, song, theatre, typography and graphic art, philosophy, radio, performance art, linguistics, fine art, literature and of course the keen o…
The Slaughterhouse
In rural Alabama, about an hour outside of Birmingham is a slaughterhouse. It’s a family operation where meat is processed one animal at a time by hand. Mostly custom jobs. A man and his son run the place. They handle most aspects of the daily operations from customer relations to animal processing. I first visited on a Friday with my wife. We hung out while they cut and packaged a side of beef. They said I could come back on Monday to record the whole process, which I did. On the day I recorded…
Helgoland
Germany’s only ocean island is a singular place in various ways. Situated 70 kilometers from the coast line, it belonged to the UK for 90 years during the 19th century. During World War II, the first facilities for a huge naval base were erected. The tunnels and bunkers from that time were blown up in 1947. In the following years, the island served as a training area for British bombers. It is not know how the birds have survived this period of destruction. Yet, by the return of people to the de…
Terra Subfonica
As a composer and sound artist often working closely at the nexus of radiophonic art, environmental sound and electroacoustic music, one of my primary interests is in the exploration of relationships between people and the incredibly rich sonorous environments they populate. In particular, the sounds that exist all around us, however that are often out of earshot (or at least not listened to in any conscious manner), as with the sounds beneath us as we tend our daily lives. Terra subfónica is a …