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Based in Montreal, Kyle Bobby Dunn has been producing elegant and refined works of ambient minimalism for the better part of a decade. His two lengthy and critically lauded collections for the Low Point label, “A Young Person’s Guide…” and “Bring Me the Head of…,” established him as a force to be reckoned with in the current epoch of drone/ambient music. Indeed, he is a rare artist whose compositions offer listeners wonder, sadness and pathos in equal measure, and are executed with a prec…
Beautiful modern composition from LA's prolific Sean McCann and En/Root Strata's San Fran-based Maxwell August Croy. Their first collaboration, 'I' feels timlessly enigmatic, drawing on a wealth of aesthetic and compositional tropes from their respective oeuvres to synthesise something wholly new and uniquely engaging, weaving the exotic timbres of Croy's koto and McCann's keening string arrangements in a sound that defies easy categorization. Beaming forth with the flurry of strings and breezin…
May 2014 release.“I used to think that music was my escape from reality, now I think it’s an escape into reality.” – Mike Weis, 2014. Mike Weis is probably best known for sitting behind a plethora of drums and gongs in long- running Chicago three-piece Zelienople, but his music is just as potent unaccompanied. Weis might be an obsessive collaborator (his work with Scott Tuma, Mind Over Mirrors and Kwaidan is also essential), but on his own, he is able to allow his unique percussive skills to bu…
Member Edition. Vinyl on Demand return with a second volume of one of their most requested releases - 80's Minimal-Synth-Wave Vol.2. This epic 12 LP set comes housed in a foil embossed canvas box and includes rare material from 80's Berlin Punk and New Wave operator Mkie Vamp, core-Members to the famous Tape-Label-Collective PPP Ericka Irganon and John J Cabanis, an extended version of Mark Lane's seminal "Who's Really Listening?” album, rare and hitherto unreleased material from early Bri…
Formed in Heiloo, The Netherlands, in June 1981. Initially a three piece band called King Ende Shneafliet, featuring a guest drummer - who was early on swapped for a drum machine - the group soon expanded to a five man studio collective that composed and recorded more than 70 tracks in little more than 2 years time, in always changing combinations of 2 or 3 members. Ende Shneafliet released 3 cassette albums on the Trumpett label (also home of The Actor and Doxa Sinistra): "Animals From Outer Sp…
Member edition, few available. Richard Bone is an American electronic musician who began his professional musical career creating soundtracks and scores for several off-Broadway companies working in experimental theater. In 1979, he released with his band Bone the single "Pirate the Islands/Headlines Have It" before joining the new-wave band Shox Lumania in 1981. Bone then recorded a solo 7" entitled "Digital Days/Alien Girl" on and was subsequently signed to Survival Records in the UK in 1983 w…
A leading figure in the UK’s electronic music scene, Mark Jenkins has played with White Noise, Arthur Brown and members of Can, Gong, Van Der Graaf Generator and Tangerine Dream. He is the author of the acclaimed books Analog Synthesizers and iPad Music (Jenkins became the first musician in the world to release a CD created entirely on the Apple iPad)."Analog Archives" is a collection of recordings from the early to mid eighties. Armed with his Moog Sonic Six, Sequential Prophet 600, EDP Wasp & …
Nexx up on Beneath's excellent Mistry label: Hull-based producer, Webstarr with the technoid hydraulics of 'Aegrus' b/w a new Chevel remix. Last spotted in Beneath's RA. 407 mix, the title tune strikes a mid-ground between tribalised, bass-heavy rufige and insectoid minimal techno - all bashy kicks and depth charge subs crawling with itchy crack bugs. The dancefloor lizards will come out to play for this. B-side, Italian producer, Chevel (Enclav/Stroboscopic Artefacts) trims back the drums, leav…
Fully remastered by Matt Colton at Alchemy. One of the most destitute and absorbing albums in Leyland Kirby’s canon is finally given a much needed vinyl pressing, following on from its initial CD release 6 years ago. ‘Bleaklow’ is harrowing from the start, the opening "Something To Do With Death” reverberating dread via layers of unstable, radiant drones punctuated with pained, hi-pitched howls that cut through the mix with violent intent. ’Solemn Dedication’ adds percussion to the mix and sits …
Utterly enchanting, joyfully whimsical return from Portland, Oregon's acoustic/ambient-pop hypnotist, Sean Byrne aka Bugskull. Returning to Digitalis a half decade on from the much-loved 'Communication' album, his sound on 'Collapsed View' is mostly as charmingly concise and somnambulant as we remember, but also offers three slightly extended views where he really takes flight. The A-side yields five sun-dried ambient pickings, moseying from woozy harmonica, organ and acoustic guitar strums cudd…
Gatefold double LP version. Function and Vatican Shadow have combined forces on Games Have Rules for Hospital Productions, simultaneously stripping back each producer's more prevalent production elements -- the dancefloor-focused techno structures of Function; the experimental cassette-roots of Vatican Shadow -- to create an album of dynamic electronic ambient music, equal parts rhythmic and atmospheric. As befitting what began life as an "emotional acid" album best suited for an after-hou…
Lee Gamble jacks directly into a latent stream of electronic wonder with his dream-like 'Koch' opus for PAN. Running to 76 minutes over 16 tracks, it's Gamble's most substantial and arguably definitive work, following the beautifully effective 'Diversions 1994-1996' and 'Dutch Tvashar Plumes' releases for PAN in 2012. Where those records deconstructed the elusive, enigmatic timbre of '90s electronic dance music - jungle, techno, ambient - 'Koch' (pron. 'Cotch' - UK slang for relax) is a sort of …
Bristol-based Seb Gainsborough Vessel returns to Tri-Angle with a revelation of a 2nd album. Completing the metamorphosis initiated on his stopgap EP for Liberation Technologies, the Vessel moves completely away from the dancefloor, eschewing techno for organic post-punk electronics more in line with acts like Throbbing Gristle and Cabaret Voltaire than his label mates. Like a bottle to the back of the head, crashing cymbals open ‘Febrile’, a not-so polite warning that this may not be a s…
Dedicated to promote young and evolving artists and to present musical diamonds in the rough, Raster-Noton is curating the unun series, which name derives from the atomic numbers of the chemical elements 111-119. ‘Vortices’ is Ueno Masaaki's first release on Raster-Noton, and the seventh release of this series. Ueno Masaaki takes his musical cue from natural phenomenon and laws of nature by trying to reconstruct, not simulating them. The results are mainly rhythmical patterns that set off a chai…
2013 marked the arrival of millions of periodical cicadas to the new york metropolitan area. these musical insects appear only once every seventeen years. on the occasion of this auspicious event, david rothenberg performed a series of concerts together with composer and deep listener pauline oliveros, overtone singer timothy hill, and live singing insects brought in from the trees. the ensemble of digital accordion, clarinets with electronically enhanced nature sounds, and harmonic singing is c…
Jochen Irmler and Jaki Liebzeit met in the town of scheer last july to prepare for an upcoming concert at the slaughterhouse in sigmaringen as well as for a subsequent appearance in the kammerspiele in munich. however, they quickly decided to stop rehearsing and instead record flut - an album that regroups six improvisations between organ and percussion. flut adds another chapter to irmler's collaborations, which aim to explore, whenever possible, the hidden potential that lies dormant in the cl…
Simply one of the best examples of organic and electronic music interfacing taken from rescued mastertapes spanning 1964 and 1975, here we find Lucien Goethals recomposing transposing and reducing taped recordings of organic instruments such as Cello and Clarinet to make early magnetaphone compositions that defy convention from the heart of the revolutionary IPEM (Institute for psycho-acoustics and electronic music). These melodic explorations into advanced mechanical music provide further likem…
One of the most prolific artists of the Japanese experimental noise scene, Keiji Haino teams up for his 2nd album with the critically acclaimed ensemble Zeitkratzer. Frenetic musical material, wild and beautiful.On his second release with Zeitkratzer, the enigmatic icon of the Japanese noise experimental scene Keiji Haino concentrates solely on his voice. No electronics are used except for amplification. Nevertheless, this live recording is even more radical than the first one ('Electronic…
The subject of many poor quality bootlegs, this concert - one of only a handful undertaken by Fripp & Eno - is routinely described as legendary. Hearing the tapes in fully restored audio quality, it's easy to understand why it attracts such reverence now and perhaps, why the shows attracted such hostility then. No Roxy Music hits, No King Crimson riffs, just a duo sitting in near darkness with a reel to reel tape recorder, improvising over the pre-recorded loops with a filmed background projecti…
'Superimpositions' is the hyper-coloured conceptual follow-up to multi-disciplinary Milanese artist, Lorenzo Senni's landmark LP, 'Quantum Jelly' (Editions Mego, 2012). It further consolidates, accelerates and evolves his idea of "Pointillistic Trance" - an ascetic, extreme approach to the aesthetic essence of '90s-style trance/hard-trance - with a broader range of song structures, minimalist moiré patterns, and tantric dancefloor arrangements, all executed to visceral impact and challenging, ex…