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"Having arrived in austria following a protracted lean period, Roedelius finally had the chance to work in a studio which was not only well equipped, but was also run by a kindred spirit sound engineer. The favourable working conditions, a myriad of new impressions and, by no means least, his personal happiness, saw roedelius and his music flourish. this is discernable on "Flieg vogel fliege", even if only some of the music was created in his new adopted home. if complete insouciance, the accep…
Oxide, in two parts, is the digital transfer of Super 8 and 16mm films that have been subjected to rust growth pre- and post-photochemical processing, with subsequent magnetised rusting recorded to tape using various sizes of tape head. The version presented here is a single-screen, digital iteration of the film performance Oxide (ii)+(iii) which was developed during an embedded residency with Sound and Music and no.w.here lab, London, in 2011. Beyond making Oxide (ii)+(iii), the moment of proje…
Engrossing debut album from Iranian sound artist, Pouya Ehsaei, sublimating samples of traditional Iranian music to “reveal the rage hidden beneath its melancholia.” There was produced in 2010, using fractured and brutally processed instrumentation indigenous to Iran to isolate a palpable feeling of tension articulated with a timbre unique to the artist’s background. In the course of its six pieces we perceive a stark and grinding sadness from his aerated arrangements, gleaning elusive emotions …
A multi-channel composition for electric organ, commissioned by L’ull Cec for The Game of Life Foundation’s spatialisation sound system (consisting of 192 speakers and 12 subwoofers, using the Wave Field Synthesis technique). Performed on 20 June 2012 at Fabra i Coats, Barcelona. This recording is the stereo version.
The story continues.. A few months Aguirre released Joel Vandroogenbroeck’s first solo effort Biomechanoid, an outstanding dark electronic ambient album. Now we present his two Meditations albums. Vol. 1 and Vol. 2. In these library music albums the emphasis lies on his flute talents, paired with some great moogy electronics and mellow pre-new age ambience. Both volumes still stand after all these years and prove Joel’s ability to create wonderful library albums. Think Klaus Schulze, Harmonia, J…
A few months Aguirre released Joel Vandroogenbroeck’s first solo effort Biomechanoid, an outstanding dark electronic ambient album. Now we present his two Meditations albums. Vol. 1 and Vol. 2. In these library music albums the emphasis lies on his flute talents, paired with some great moogy electronics and mellow pre-new age ambience. Both volumes still stand after all these years and prove Joel’s ability to create wonderful library albums. Think Klaus Schulze, Harmonia, JD Emmanuel and Joanna …
Here it is, Deadheads, the ultimate Dark Star is now on vinyl. Deluxe audiophile pressing cut in Toronto under the watchful ears of John Oswald. Elaborately printed packaging in a heavy duty triple gatefold jacket includes liner notes by musicologist Rob Bowman featuring exclusive interviews with Jerry Garcia, Phil Lesh, and Robert Hunter plus six 'time maps' which chart the source concerts of Dark Star. Music performed by The Grateful Dead (c) Grateful Dead Productions Inc. & Ice Nine Publishin…
Circle Three: Full Moon At 35hz is the third Circle piece from Eleh and the firstÊto be released since 2010's Repose. Literal synthesis. Packaged in a heavy duty screen printed cover.ÊEdition fo 500. Much like the previous LP only Circle piece the B side of this LP is screen printed. Audiophile quality LP cut at Dubplates + Mastering in Berlin
Electroacoustic composition from Mexican composer Rogelio Sosa (1977). The electric guitar stays at the center of the work and provides all the noises that create this kind ofÊnightmarish and psychedelic journey. His previous album was published by Sub Rosa.
Music for shô by Sarah Peebles with Evan Parker Nilan Perera Suba Sankaran. 'In the 80s, while I was studying music composition in Japan, I was intrigued by the seemingly esoteric role some traditional musics played in contemporary Japanese society. I was given the opportunity to study the shô-the mouth-organ used in gagaku, ancient Japanese court orchestral music and dances-at a small Tokyo shrine, Sendagaya Ward's Hatonomori Hachiman Jinja. Via this shrine I became familiar with basic g…
The record is an attempt to document a sound installation by Konrad Smoleski presented in at the Polish Pavillion at the 55th Venice Biennale 2013. The sound sculpture is based primarily on the manipulation of the tolling of a bell. Through the process of transforming this familiar tone of traditional bells, Smole ski also changes its meaning: a sound that evokes a variety of associations is given an abstract frequency that seems devoid of connotations. Not only does the artist free the sound fr…
“Borderlines or Petra’s shouts. Songs for the other half of the sky N°VII” (2013) After some reissue or first edition of old composition, here’s a brand new composition from Jean-Claude Eloy. Made mostly with voice, bells and synthetic sounds this piece works like an electroacoustic lightning. “A kind of salutary madness”.
For Moussavi Atrium is a brand new 38 minute piece from Eleh written for performance at the Cleveland Museum Of Contemporary Art (Cleveland MOCA) on September 28, 2013. " walks into a bar and asks for a pint of beer, the barman scowls at him and refuses. When pressed as to why, he says "I don't like your tone." Meanwhile a drunk in the corner tries to start a chant of "Eleh, give us a wave"...probably a sine it's time to leave.Yup, here's another tonal meditation from extreme minimal chappie…
Barcelona's Arnau Sala Saez (Veiled, Anomìa) offer four side of foggy and minimal industrial slabs for analog synth and magnetic tapes tension, exploring the territory which is constricted between ambient soundscapes and dry beat research.
restocked! New York-based conceptual artist James Hoff returns to PAN with Blaster, a document of his explorations of computer viruses as agents within the composition process. Specifically, Hoff used the Blaster virus to infect 808 beats and then utilized the mutated results as building blocks for seven new compositions. Hoff's interest in computer viruses lies in their ability to self-distribute through (and ultimately disrupt) networks of communication and Hoff's agency as an artist ce…