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Lawrence English and Stephen Vitiello are creators of mythology. Their mythology renders a series of acoustic spaces, haunted by narrative and hinting at happenings unseen, but certainly heard. With Fable, we are presented with their second duet. It chronicles three years of intermittent audio communications in search of new collaborative approaches. The results focus on the pair’s joint interests in modular synthesis, field recordings and the blurry boundaries between acoustic instrumentation a…
In 1989, ‘Malefactor, Ade’ was issued on the UK’s Glass Records, which had arranged several years earlier for the first actual release of Mayo Thompson’s 1970 solo LP, ‘Corky’s Debt To His Father’. This was the first Red Crayola record release in five years. The fearlessness with which genres are converted can be disarming, but stick to it - you’ll find listening an utter triumph. ‘Malefactor, Ade’ was reissued on CD by Drag City in the year 2000. Now it's on lovely vinyl.
"Cascade" is the first new album in over two years. Includes Bonus Download: “The Deluge" (Live at Issue Project Room). Cascade and The Deluge are variations on the latest tape-loop and delay composition from the inimitable William Basinski. In Cascade, a single ancient lilting piano tape loop repeats endlessly carrying one along in its tessellating current. In The Deluge, the same loop is processed through a series of feed-back loops of different lengths creating a spiraling crescendo of overto…
ARNE NORDHEIM Forum for the Arts (1969)Taken from the soundtrack to A Forum for the Arts – a promotional film about Henie Onstad Kunstsenter directed by Pål Bang-Hansen in 1970. Original material recorded in Studio Eksperymentlne Warsaw, 1969. Edited and reconstructed by Helge Sten at Audio Virus Lab, 2012. Licensed by Rannveig GetzDEATHPROD Studio (2010)Taken from the sound and light installation Studio commissioned for the John Cage – The Anarchy of Silence exhibition at Henie Onstad Kunstse…
Five compositions by the Berlin based electroacoustic / industrial collective Column One in stunning interpretations by Zeitkratzer, recorded live at Berghain during MaerzMusik 2012. Within their nearly 2 decades of existence, zeitkratzer have gained high reputation for their unique approach, their outstanding and internationally acclaimed members and their adventurous projects that include collaborations with noise musicians like Merzbow and Zbigniew Karkowski, rock’n’roll experimentalists like…
Milestone!!! Incredible historical recording never issued in any format ever. It is the first release of Slovak composeres that were active in the 60s and 70s, a missing link in the history of Musique Concrète."In 1965 the Experimental Studio Bratislava was founded by the Czechoslovak broadcast service. The Studio Bratislava was quite independent from the headquarters in Prague and in some ways competed with it. Composers like Peter Kolman, Jozef Malovec etc. started on a “do it yourself” level…
Jun Konagaya is best known as GRIM, but in 2012 he published a story and CD called “Organ” about a young girl called Magnolia and a monster called Gamahead. “Travel” presents the second part of the story. Several years have passed and Magnolia has set out on a journey, where she records the many things she sees and hears. It is unclear whether her journey is real or imaginary, and as she wanders between dream and reality she stumbles across some ruins in the middle of a forest. Her feet carry he…
Sintetizzatrice is the first recorded document of the collaboration between veteran DJ and producer Donato Dozzy and female vocalist Anna Caragnano. Through his solo work, and in his collaboration with Giuseppe Tilleci (Neel) asVoices from the Lake, Dozzy has achieved some of the most remarkable vistas contemporary electronic music has seen since the turn of this century. By removing himself from his areas of mastery to shift his focus on the voice, he has achieved a new peak with Sintetizzatric…
The sound of the fifth Benoit Pioulard full length is lush and verdant, a temperate rain forest of ear ecstasy that reflects the environment surrounding the artist. A mostly instrumental work, it is an adept melding of song and sound, melody and texture, the intangible and the palpable, that in an abstract sense recalls the more fractured and loose end of the 70's krautrock movement."The basis of the album was a series of field recordings of tones and unintentional harmonies that I made in the s…
‘Whispers’ was co-produced by Bob Gilmore, who sadly died before the disc was released. The CD is dedicated to Bob’s memory. Bob was a longstanding champion of Frank Denyer’s music, and wrote the notes both for this CD and for the previous Another Timbre release of Denyer’s Music for Shakuhachi.Here is an excerpt from Bob’s sleevenotes for the ‘Whispers’ CD:“The experience of listening to Frank Denyer’s music is extraordinary, quite distinct from other aspects of our contemporary musical lives. …
In some experimental music circles melody is virtually verboten, but you have often embraced it in your work. Do you feel that you are to some extent going against the grain in this?AG: First off, I think melody can be defined separately from harmony. I think of melody as a single voice or layer, and with multiple layers, I like them to overlap in non-structured ways. I am interested in homophony more than polyphony or harmony, where if you take a cross-section through these independent lines y…
An expanded double vinyl edition of Ralph Cumbers aka Bass Clef's acclaimed 2013 cassette Acid Tracts, originally released in late 2013 via Cumbers' own Magic + Dreams label, its seven dense and immersive club tracks comprising his most expansive and multi-faceted work to date. They meld his modular synthesizer's hard-edged tones with grinding drum machine rhythms, traveling from the anarchic techno of 2012's Reeling Skullways album still further outward into the void. Acid Tracts represents the…
Cremation Lily is the project of UK-based Z. Zsigo. For the past five years, Zsigo has been consistently working under most people's radars with his distinctly personal take on power electronics, developing a modest cult following and a respectable catalog of releases through his Strange Rules label. In 2012 the project was brought to the attention of Steve Underwood from Harbinger Sound who subsequently released the Fertility Servant 7" and the project began to gather a more visible live presen…
Deas is the new moniker of London-based guitarist Cameron Deas, and String Studies, his first LP of all electronic-based material, is unlike anything else he's released. Recorded at home between February and March of 2014, the 8 pieces on this LP were recorded live with very few overdubs, with Deas's 12-string acoustic guitar used as a sampling source to trigger and in turn be manipulated by a modular system. The immaculate production and scalpel-sharp twists and turns found within the music dis…
Acolytes is the self-titled debut album by London-based enigma D. Shan. Following up a puzzling (yet well received) 7" on The Pheromoans' label Savoury Days, Acolytes sees Shan develop his sound into areas of greater fidelity, complexity, and a unique non-linear approach to songwriting. Reference points could be drawn towards Art Bears, the Cold Storage scene, The Residents, and the Ralph Records roster, but they would all fall short because ultimately Acolytes is a highly unclassifiable record …
This recording takes you on a round trip of Iceland. The aural journey starts westward from the island’s south in the cold early spring. After a side trip into the West Fjords, our route traverses the north of the country at the height of summer, followed by an excursion into the interior highlands before a short stop in the East Fjords. As the sound trip nears its geographical starting point, autumn and winter make their appearance before the journey comes full circle.The recordings do not feat…
Katsuyoshi Kou is an improviser who performs frequently, mainly in venues around Tokyo. Currently he's also gaining a great deal of notice as the director of MultipleTap, a project (launched in 2014) that takes large groups of Japanese improvisational/experimental musicians overseas to hold live events. Toshimaru Nakamura is an improviser who performs throughout the world using his no-input mixing board. This CD is comprised of three pieces performed in concerts by Kou and Nakamura at Ftarri, To…
With Folio, Touch introduces a new series of bespoke hardback book and CD publications, produced to the highest specifications. This first release, Halfway to White, is a collaboration between singular photographer Joséphine Michel and acclaimed musician and sound artist Mika Vainio. Joséphine Michel's images reframe our perception of the visual by exploring the notion of "sonic photography," as she exposes her subjects according to the resonance of the noise-fields felt at her chosen loca…
The title of Empty Airport, Chra's second LP and her first on Editions Mego, may be read as a reference to Brian Eno's ambient classic, though this time we find ourselves in a territory of transit that sounds like a dystopian swan song on civilizatoric debris -- a heterotopia emptied of human remains, with only ghostly echoes behind. Chra aka comfortzone foundress Christina Nemec has traced out a post-anthropocene area in which acoustic entries of field recordings are stratified in layers …
"Communist Dub is Pan Sonic member Ilpo Väisänen's second solo album for Editions Mego (Asuma having appeared 2001). This striking new release is a statement against technocracy and the erosion of human community. Whilst Jamaican dub and ska are often cited as an influence on Väisänen's work, this album utilizes dub as strategy as opposed to genre -- the precise manipulation of sound and the removal of all extraneous material to create a disorientating landscape of austere spaces. Pulled in…