Odd Doubt / Johnny Leech
Edition of 150 copies. Granny13 opens with Nicola Ratti's 'Odd Doubt'. With the use of a modular system and tape loops, a broken rhythm is obtained by parallelism between single sound signals as LFO one or processed tapes. On the second side, Giovanni Lami's 'Johnny Leech' is made with a small bunch of equipment, just a chaotic hand-made synth (cacophonator) and a memoryman, working mainly on static electricity and leakage current in the synth used without any kind of power supply.
Chromdioxidgedachtnis
After its introduction to the public 40 years ago, the compact cassette (aka audio cassette or cassette tape) quickly became the most popular medium for copying music, allowing consumers to record directly from radio or record player to tape. soon the record industry started to worry about a decline in record sales, which led to the notorious "home taping is killing music" campaign. as a side effect, the medium has produced an independent and distinctive underground music scene in the early 1980…
Fanal 4
The story of Kai Althoff's music is a deeply personal and richly complex one - but that's not to say that it's ever too late to immerse yourself. fanal 4 strikes the listener as a document of althoff giving in to various impulses - fleeting, fugitive, often inchoate ones, to be sure, but isn't that a primary allure of the record? fanal 4 marks a serious break in the program. fanal - a recondite word for lighthouse or torch, and a cognate in german and english - began as althoff's solo step outsi…
Casino
The new album from alternative music veterans Tape marks their 14th year of activity. It's called Casinoand was recorded in the legendary atlantis studio in stockholm by engineer janne hansson in december 2013. The music of tape still continues it's growth, in it's own way, separated from the rest of the world in many ways. this time the emotional depth and interest in details are even stronger and clearer. the album has been mixed by andreas werliin and mastered by mell dettmer.
Drown
Cleared is the duo of Steven Hess and Michael Vallera, both veterans of the Chicago experimental underground. With their new album Drown, Cleared integrate elements of minimalism and sound design with the textures and spirit of early dream pop. Recorded and produced in Chicago, Drown weaves seamlessly between works of classic ambience and narcotic experimental rock. The band find themselves at the crux of both the light and dark components of their past material. The result is a truly lus…
Terrestrials
Doom behemoths Sunn O))) and Ulver meet for a deeply spiritual blood-letting on the eagerly anticipated 'Terrestrials'. What started out as an improvised all-night session between the bands following Sunn O)))'s 200th gig - playing to 2000 people at the Øya festival in Oslo, Norway, August 10th, 2008 - has grown into a tantric, cinematic dedication to the night some half decade in the making. The original tracks they created that night have been over-dubbed in the interim resulting in three exte…
Kyle Bobby Dunn & the infinite sadness
Based in Montreal, Kyle Bobby Dunn has been producing elegant and refined works of ambient minimalism for the better part of a decade. His two lengthy and critically lauded collections for the Low Point label, “A Young Person’s Guide…” and “Bring Me the Head of…,” established him as a force to be reckoned with in the current epoch of drone/ambient music. Indeed, he is a rare artist whose compositions offer listeners wonder, sadness and pathos in equal measure, and are executed with a prec…
I
Beautiful modern composition from LA's prolific Sean McCann and En/Root Strata's San Fran-based Maxwell August Croy. Their first collaboration, 'I' feels timlessly enigmatic, drawing on a wealth of aesthetic and compositional tropes from their respective oeuvres to synthesise something wholly new and uniquely engaging, weaving the exotic timbres of Croy's koto and McCann's keening string arrangements in a sound that defies easy categorization. Beaming forth with the flurry of strings and breezin…
Don't know, just walk
May 2014 release.“I used to think that music was my escape from reality, now I think it’s an escape into reality.” – Mike Weis, 2014. Mike Weis is probably best known for sitting behind a plethora of drums and gongs in long- running Chicago three-piece Zelienople, but his music is just as potent unaccompanied. Weis might be an obsessive collaborator (his work with Scott Tuma, Mind Over Mirrors and Kwaidan is also essential), but on his own, he is able to allow his unique percussive skills to bu…
VOD-Records Presents 80's Minimal.Synth. Wave Vol.2
Member Edition. Vinyl on Demand return with a second volume of one of their most requested releases - 80's Minimal-Synth-Wave Vol.2. This epic 12 LP set comes housed in a foil embossed canvas box and includes rare material from 80's Berlin Punk and New Wave operator Mkie Vamp, core-Members to the famous Tape-Label-Collective PPP Ericka Irganon and John J Cabanis, an extended version of Mark Lane's seminal "Who's Really Listening?” album, rare and hitherto unreleased material from early Bri…
The Trumpett Years 1981-1983
Formed in Heiloo, The Netherlands, in June 1981. Initially a three piece band called King Ende Shneafliet, featuring a guest drummer - who was early on swapped for a drum machine - the group soon expanded to a five man studio collective that composed and recorded more than 70 tracks in little more than 2 years time, in always changing combinations of 2 or 3 members. Ende Shneafliet released 3 cassette albums on the Trumpett label (also home of The Actor and Doxa Sinistra): "Animals From Outer Sp…
Vaulted visions filmworks, synth pop, demos 1978-85
Member edition, few available. Richard Bone is an American electronic musician who began his professional musical career creating soundtracks and scores for several off-Broadway companies working in experimental theater. In 1979, he released with his band Bone the single "Pirate the Islands/Headlines Have It" before joining the new-wave band Shox Lumania in 1981. Bone then recorded a solo 7" entitled "Digital Days/Alien Girl" on and was subsequently signed to Survival Records in the UK in 1983 w…
Analog Archives
A leading figure in the UK’s electronic music scene, Mark Jenkins has played with White Noise, Arthur Brown and members of Can, Gong, Van Der Graaf Generator and Tangerine Dream. He is the author of the acclaimed books Analog Synthesizers and iPad Music (Jenkins became the first musician in the world to release a CD created entirely on the Apple iPad)."Analog Archives" is a collection of recordings from the early to mid eighties. Armed with his Moog Sonic Six, Sequential Prophet 600, EDP Wasp & …
Aegrus/Clocked
Nexx up on Beneath's excellent Mistry label: Hull-based producer, Webstarr with the technoid hydraulics of 'Aegrus' b/w a new Chevel remix. Last spotted in Beneath's RA. 407 mix, the title tune strikes a mid-ground between tribalised, bass-heavy rufige and insectoid minimal techno - all bashy kicks and depth charge subs crawling with itchy crack bugs. The dancefloor lizards will come out to play for this. B-side, Italian producer, Chevel (Enclav/Stroboscopic Artefacts) trims back the drums, leav…
Bleaklow
Fully remastered by Matt Colton at Alchemy. One of the most destitute and absorbing albums in Leyland Kirby’s canon is finally given a much needed vinyl pressing, following on from its initial CD release 6 years ago. ‘Bleaklow’ is harrowing from the start, the opening "Something To Do With Death” reverberating dread via layers of unstable, radiant drones punctuated with pained, hi-pitched howls that cut through the mix with violent intent. ’Solemn Dedication’ adds percussion to the mix and sits …
Collapsed view
Utterly enchanting, joyfully whimsical return from Portland, Oregon's acoustic/ambient-pop hypnotist, Sean Byrne aka Bugskull. Returning to Digitalis a half decade on from the much-loved 'Communication' album, his sound on 'Collapsed View' is mostly as charmingly concise and somnambulant as we remember, but also offers three slightly extended views where he really takes flight. The A-side yields five sun-dried ambient pickings, moseying from woozy harmonica, organ and acoustic guitar strums cudd…
Games have rules
Gatefold double LP version. Function and Vatican Shadow have combined forces on Games Have Rules for Hospital Productions, simultaneously stripping back each producer's more prevalent production elements -- the dancefloor-focused techno structures of Function; the experimental cassette-roots of Vatican Shadow -- to create an album of dynamic electronic ambient music, equal parts rhythmic and atmospheric. As befitting what began life as an "emotional acid" album best suited for an after-hou…
Koch
Lee Gamble jacks directly into a latent stream of electronic wonder with his dream-like 'Koch' opus for PAN. Running to 76 minutes over 16 tracks, it's Gamble's most substantial and arguably definitive work, following the beautifully effective 'Diversions 1994-1996' and 'Dutch Tvashar Plumes' releases for PAN in 2012. Where those records deconstructed the elusive, enigmatic timbre of '90s electronic dance music - jungle, techno, ambient - 'Koch' (pron. 'Cotch' - UK slang for relax) is a sort of …
Punish, Honey
Bristol-based Seb Gainsborough Vessel returns to Tri-Angle with a revelation of a 2nd album. Completing the metamorphosis initiated on his stopgap EP for Liberation Technologies, the Vessel moves completely away from the dancefloor, eschewing techno for organic post-punk electronics more in line with acts like Throbbing Gristle and Cabaret Voltaire than his label mates. Like a bottle to the back of the head, crashing cymbals open ‘Febrile’, a not-so polite warning that this may not be a s…
Ununseptium - Vortices
Dedicated to promote young and evolving artists and to present musical diamonds in the rough, Raster-Noton is curating the unun series, which name derives from the atomic numbers of the chemical elements 111-119. ‘Vortices’ is Ueno Masaaki's first release on Raster-Noton, and the seventh release of this series. Ueno Masaaki takes his musical cue from natural phenomenon and laws of nature by trying to reconstruct, not simulating them. The results are mainly rhythmical patterns that set off a chai…