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While the band is preparing for the recordings of the fourth album, Mamuthones goes back to the solo output of Alessio Gastaldello for a new EP of meditative and trascendental music. Once again deeply involved in tradition and ancestral memories, More Alien Than Aliens is mostly based on acoustic instruments with the aid of few analogue synthetizers. You can hear antique rites being consumed around fires at night, cavemen’s invocations and signs of extraterrestrial life as seen by the anc…
Virgins was recorded during three periods in 2012, mostly in Reykjavik, Montreal and Seattle, using ensembles in live performance. The sound palette of this work is wider, almost 'percussive' and tighter sounding than previous works. While this album remains committed to a painterly form of musical abstraction, it is also a record of restrained composition recorded live primarily in intimate studio rooms. This record employs woodwinds, piano and synthesizers towards an effort at doing what digit…
Tracks recorded by Helios Creed and Damon Edge in '79 and '80, during the Half Machine Lip Moves and Third from the Sun period, but never released. About this era Helios recently wrote: 'We were into Iggy and the Stooges, and punk shows started happening at the Mabuhay Gardens in 1976 which was right there in North Beach too, at the end of the Broadway strip. It was the most fun era of my life. The punk scene had an incredible energy and fire. Then the Sex Pistols came out with Never Mind the Bu…
Drama Workshop. Radiophonic Music By David Cain, poetry by Ronald Duncan.
This album is a “cult” classic in many ways. Always a little devil to find, I first posted it up on the Recommendations pages in 2003. This was one of three copies I’d found with Martin Green at a Tonbridge Wells record fayre in the late 1990s. Several people in my small circle of peculiar musical chums also came across it, and by the mid naughties it was coming across as a major influence on retro futurism and the new fan…
Alessandro Cortini's second release in his Forse trilogy is full of thick analog brightness and deep analog warmpth. Despite also being fully composed on a Buchla Music Easel, the feeling of Forse 2 is quite different from Forse 1 and this deluxe double vinyl release is the ultimate way to experience this engaging work. Pressed in an edition of 500. 'All pieces were written and performed live on a Buchla Music Easel, in the span of one month. I found that the limited array of modules that the in…
Back when I was about six months older than I am now, I used to see these bumper stickers around town that said, "There is Nothing Like a Grateful Dead Concert." My first reaction was to say, "Thank fuck," since the last Dead show I saw (Jersey City 8/6/74) pretty much blew. Then I remembered that last goddamn Dead show anyone saw was almost 20 years ago (Chicago 7/9/95) and it makes me wonder what kinda stupid pills the cars' occupants have been snorting. 'Cause Jesus, there're all sorts of thi…
Feeding Tube is chuffed to present the first vinyl offering from Moscow's berserk Asian Women On The Telephone. Formed as a duo in 2007, they have since expanded (in all directions) to assume sextet form, with stage names worthy of Smegma -- Oriental Yid (drums, guitar), Good Enough Freundin (guitar, vocal, drums), Brown Polizei (keyboards, voice, bass), Divine Gift (percussion, voice), Mutter Land (drums, percussion, bass), and Lewd Primat (bass, voice). Many of their insane, extremely theatric…
"12k kicks off its 11th year with a new release that takes the label down new sonic pathways. Caught between the organic and electronic minimalism that 12k is known for and the unconventional Japanese pop musings and songwriting style of Happy, Moskitoo's Drape is an infectiously strange, bleepy, and dreamy debut release. Sanae Yamasaki (Moskitoo) hails from Sapporo, Japan in Hokkaido, the country's northern-most prefecture. Perhaps a reaction to the cool climate of her home, her multi-instrumen…
Pioneering electronic minimalist Taylor Deupree and revered Japanese composer Ryuichi Sakamoto collaborate properly for the first time with the willowy ambient beauty of 'Disappearance'. They previously crossed paths when Deupree remixed a song from Sakamoto's 'Chasm' album in 2006, and since then they've reached a mutual appreciation for the themes of 'Isolation, solitude, contemplation' which perfuse the delicate structures of 'Disappearance'. Its initial ideas were sketched out during rehears…
When You Are Crawling is a 35-minute companion piece to Vatican Shadow's recently released Remember Your Black Day (HOS 399CD/LP) album, the iconography and tracklisting concluding its narrative, with a musical focus more directly aimed at the club bolstered by additional production from Juan Mendez, aka Silent Servant. The centerpiece of the EP is "Atta's Apartment Slated for Demolition (Bouthayna Engineering)," a previously-unreleased 15-minute production that builds from tempered percuss…
You never know what to expect from Peter Ablinger: noise, silence, serious grotesque or black humor. And you always get a total opposition from what you have expected, which makes him so special and unique! On his first release for GODrec, he offers two pieces from his famous "Regenstück" series: "Ohne Titel / 3 Klaviere (1-6) and "Regenstück 1-6 / 6 (3) Schalgzeuger. "Ohne Titel / 3 Klaviere" involves one tone in changing octaves (and very seldom a few additional pitches). There are 6 sections…
project by Bernhard Lang and Alter Ego with Philip Jeck for turntables and amplified ensemble, based on the song by Amon Duul. Tables Are Turned is the first collaboration between one of the most significant austrian composers of today, Bernhard Lang, and prominent english turntablist Philip Jeck. There is no doubt that mutual interested in loop technique, led to the musical colaboration between two artists, connecting the worlds of academic philosophy with underground aesthetic. Unlike his prev…
LSD is one more trio formation from Vienna on GODrec, that works mainly in the field of electro-acoustic improvisation. They are also a part of big network for improvised music and soundart (Klangkunst), velak and snim. Also another formation which possess distinct quality - unique sound. And not only, their fantastic ability to react on each other, which builds variety of styles where they are moving, no matter if we speak about rhythmical "conversations" of different sound sources, or all over…
A sensational album by one of the most original composers of our time. Since Regenstucke Vol. 1 deals with rain aesthetic in pure instrumental form, Vol. 2 shows Peter Ablinger´s fascination with techniques of filed recordings, accompanied by different ensembles and orchestra setups. Ablinger has been exploring different sides and features of nature recordings for a very long time, always achieving new territories and pushing boundaries to higher level. This release represents only a minority o…
‘Rising From The Red Sand’ was one the most comprehensive compilations of early 80’s industrial, wave and underground music, spanning a total of five cassettes, compiled by Gary Levermore for his own Third Mind Records label (which has also recently been revived). The original five tapes are now released as a 5xLP set, following several months of tracking down as many artists as possible to obtain their permission to reissue their material. Almost all were found, although nine tracks are missing…
Peter Frohmader alias Nekropolis is a german artist known for his distinct and very dark athmospheric electronic compositions as well as his extreme visual art-projects leading to many exhibitions, films, multi.media-events and collaborations in the field of art and music (incl. H.R. Giger, Chris Karrer...). In 1981 at age of 23 Peter released his first Lp “Musik aus dem Schattenreich“. At same time he produced a series of 4 Tapes called Nekropolis 81 Vol.1-4 which can be found on his comprehens…
Emptyset's James Ginzburg turns a hand to folk music on a surprising solo debut. "Between 2003 and 2012 James Ginzburg masterminded the release of hundreds of records on the various imprints of his Bristol UK based label house Multiverse Music, including Tectonic, Subtext and Kapsize, overseeing the second renaissance of bass music in Bristol. It’s unsurprising that such a hyperactive spirit would begin to find the strictures of dance music creatively stifling. Focusing on his Subtext label, Mul…
Sasu Ripatti links with the legendary Max Loderbauer (NSI., Sun Electric, MvO Trio) as Heisenberg for two knotty, complex riddim trips on his \"studio diary\" imprint. Adopting the mantle of the eponymous fictional meth chef*, the duo conduct fevered but controlled experiments in frayed, often frantic grooves eaten up with dissonant, freeform electronics. A-side is a 125bpm techno tunnel groove with offset bass hits embedded in a swarm of combustible modular chain reactions that dissolve to a gu…
“Remember Your Black Day” features the first material conceived and produced as a full length by Dominick Fernow for the Vatican Shadow project following almost a dozen tapes (mostly released on Hospital Productions) and vinyl editions (released by the likes of Blackest Ever Black, Modern Love and Type) over the last three years. None of the 8 tracks included have been released before on any other format. At a time when the scene is saturated with “Noise Techno” the album is almost celebratory b…
Debut album from Ron Morelli, founder of the influential L.I.E.S. label featuring 8 electronic variants; from House and industrial tape experiments to saturated metallic beat tracks... There’s so much that could be said about Ron Morelli, his L.I.E.S. label, or the fact that his debut album comes to you via Hospital Productions, but instead, here are some words from the man himself. “I’m a regular guy, enjoy a good steak, drinking beer, and occasionally a game of pro basketball, Republican talk …