ØØ Void
Double LP edition: Lengths of stretched distortion rattle the grey matter, unnervingly slow and severe. With Sunn O)))’s second album, ØØ Void, the sonic misery nurtured to functionality by Greg Anderson and Stephen O’Malley stays simple and repetitive, a tabula rasa having yet to realize the full scope of its potential. With this album, Sunn O))) worked as a three-piece, collaborator Stuart Dalquist coming up with its opener, “Richard,” which is a solid fourteen and a half minutes of be…
Like Little Garrisons Besieged
Luminance Trio is a is a collaborative effort joining sound artists Eugenio Maggi (Cría Cuervos, Slave Auction), Gianmaria Aprile (Ultraviolet Makes Me sick, Fratto9under the sky records) and Andrea Ferraris (Airchamber 3,Ur,Ulna, John Russel, Sil Muir). "Like Little Garrisons Besieged" brings them far from their respective discographies and finds them sailing in the apparently quiet waters of free-folk, electroacoustics and minimal drones. The music, resulting from live sessions and painstakin…
Not a leaf remains as it was
In 1995 Steve Peters and Steve Roden toured as a trio with singer Anna Homler; sometimes they would vocalize behind her, and they liked the way their voices blended together. They then spent about 15 years saying that “someday” they should record a voice-based project together. Aside from the physical distance between them, the problem was always: What would we sing? Neither wanted to write or sing lyrics.Inspiration came in the form of a book of Japanese jisei – poems allegedly written by monks…
Frkwys Vol. 06
"Frkwys Vol. 6 features four pieces composed and performed by artists Julianna Barwick and Ikue Mori as part of a month long installation curated by RVNG Intl. at White Columns gallery, New York City, NY. For the installation, a particle board cubicle was custom constructed and placed at the center of the Project Space. The cubicle wall separated Julianna and Ikue to their respective seated work stations, while stationary web cams captured the musicians at work/play and became interactiv…
FRKYS Vol. 8
"Volume 8 in the ongoing FRKWYS series on RVNG Intl. is a double album-length collaboration between Blues Control and Laraaji. Following the 'fodder first' tradition of previous FRKWYS installments, Vol. 8 was birthed over e-mail dialogue between RVNG and Russ Waterhouse and Lea Cho of Blues Control. Blues Control's evolved output gracefully arcs with influence and innovation that gleams electronic, New Age, and hard rock terrains. Laraaji's name came up early in that conversation and felt intri…
And Never Ending Nights
Please allow us the pleasure of introducing Axel Willner's Loops Of Your Heart. Hailing from Sweden, the man behind this record alone needs no introduction, as he is already well-known in the electronic music scene for his project The Field. Loops Of Your Heart reflects Axel's experience in Germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of Cologne Tape, a group that formed while he was staying there. You can also he…
OvalDNA
In many ways, O, released on Thrill Jockey after a nine-year break, was a second debut album for Markus Popp aka Oval. A radical break with old concepts and methods, a new beginning. While Popp's artistic approach in the 1990s and early 2000s was more of a structural, theoretical nature, O was just about the music itself. Themes such as the means of production, limitations, dogma and concept took a back seat to a musical sensibility. Instead of writing new software to synthesize and proces…
The Mortimer Trap
The Mortimer Trap is an epic, 77-minute "variation" of Morton Feldman's For Bunita Marcus, constructed by German experimentalist and techno icon Thomas Brinkmann and Australian sound artist Oren Ambarchi. Pulsating waves of claustrophobic ambience generated from who-knows-what patiently builds into a throbbing, rhythmic pulse of gorgeous sonic density. Since the '80s, Thomas Brinkmann has experimented with sound, its textures and its construction methods. His custom-built two-arm turntable …
Era
Limited edition of 300 handnumbered copies on red vinyl, with a download-coupon included! Solo-project of Stefania Pedretti (also member in OVO and ALLUN). Experimental minimal music, with vocals, downtuned guitar, violin, cello and field-recordings, combined to monolithic compositions with a threatening dark and primeval sound and atmosphere.
Anal Perversions
Ultra limited edition, only 99 copies, for this early industrial artefact, originally produced on tape in 1984 "Since 1982, the Mauthausen Orchestra, mastermined by Pierpaolo Zoppo, have developed their brutal tendencies, reaching, by the last productions, the highest standards of sonic power. With "Necrofellatio" begins the flirtation with the "Aquilifer Sodality"; sexual impetus, and the M.O. support the sound stimulation offered by The Sodality with their mastery of elating power electronics.…
Kibbutz
Outstanding reissue, one of the best Merzbow albums ever made, originally released in 1983 on cassette by the Milanese label Adn, Kibbutz is a mélange of sounds made by Masami Akita aka Merzbow on drums, guitar and effects supported, in those years, by Kiyoshi Mizutani at the keyboards and recorded at Kitijoji Music Studio in Tokyo. In this first period, the sounds produced by the duo were amplified up to the distortion producing long sonic-anti psychedelic jam session. The three tracks on Kibb…
Threnody for Marcus Junius Brutus
Atmospheric radical electronics at their highest peak. Key of Shame is the creature born from the collaboration of Mark Morgan (Sightings) and Pat Murano (No Neck Blues Band, Decimus, Malkuth, K. Salvatore) revealing the black side of psychedelics.
This session has been recorded live in the WFMU Studio (engineered by Glenn Luttman) edited by Pat Murano and mastered by Giuseppe Ielasi. A journey through industrial minimalism evolving from bubbling metal drones into indecipherable structures of su…
Audio Combine
restocked: The music comprising John Bischoff’s new CD ‘Audio Combine’, just released on New World Records, is beautiful, fascinating, thoroughly enjoyable. Philip Perkins’s engineering and production values are superb.The five tracks on the disc are diverse, representing Bischoff compositions from 2004 to mid-2011. The third track ‘Local Color’ evokes traditional chinese zhong bells, but also especially calls into question the ‘who’ of music performance [in asmuch as some of the bells are compu…
From The Kitchen Archives No. 5 - Pianos in The Kitchen
The 5th volume from NYC's The Kitchen performance center focuses on piano music from performers Philip Glass, Meredith Monk, Charlemagne Palestine, Anthony Davis, Harold Budd, and Dennis Russel Davies. Pianos in The Kitchen brings together select concert recordings of solo piano works performed at The Kitchen from 1976 through 1983, including works from the 1976 Bösendorfer Festival and the 1983 series of benefit concerts that supported the purchase of a new Steinway Baby Grand piano for the…
Plug Music Ramoon
**Individually Hand Numbered and Stamped** Recorded over the course of a single day, direct to analogue tape, Plug Music Ramoon brings together multi-instrumental free-rockers Neil Campbell, John-Clyde Evans and Stewart Keith for a new limited edition LP. 'Flamingo Moon' kicks us off with a terrific dirge hinged together by rhythmic synth patterns, providing an exoskeleton of modulated filter patterns. It's not long before the 'anything goes' factor of 'Punk Rocker / Mug Cracker' takes over, ham…
Daydream Repeater
It’s time to welcome in the era of New Exotica with “Daydream Repeater”, the debut LP by Co La, gentleman and purveyor of all things avant-luxury. Matthew Papich designs a new sonic territory, creating something that nods to Jamaican Rocksteady and 50′s American Pop in spirit, but ultimately presents an elegant re-purposing of those parts into fresh, smart, electronic music. For all seeking an attitude adjustment in the era of austerity, try burning one for Co La’s cultivated luxury sound – you …
Magnified Palette
NNA is proud to present the debut LP by Diamond Catalog, the new duo of Lala Conchita and “Glamorous” Pat Maherr (Indignant Senility, Expressway Yo-Yo Dieting, and so on). This full-length is the definitive statement of Diamond Catalog’s concoction of cross-bred dance music and mutated, swirling noise bricolage. “Magnified Palette” seems to exist in five dimensions of sound, with factory-booming beats creating a mechanical-yet-organic framework for devious sonic chatter to wind its way through. …
Kill And Release
Coppertone is Los Angeles’ Sasha Wiseman, a one-woman pop damager specializing in cold, beat-driven anthems swathed in quietly intimidating atmospherics. “Kill and Release” offers bodily transport into a world that’s as surreal and synthetic as it is strangely familiar – something like the dream sequence of a horror film. A woman armed with a net, a knife, keyboards, and lust. Limited edition pressing of 300 copies.
Untitled
Open the gates to the mystifying world of Belgian electronic producer Hans Dens’ Innercity project. Truly alien, truly futuristic rhythmic mantras and techno miscalculations. Dens’ unique minimal beat style, combining elements of electronic, Kraut, and New Age weirdness, creates an otherworldly entity that transcends our earthly boundaries. Limited edition pressing of 300 copies.
Any Colour We Liked
is the highly anticipated and Anna’s first release in co-operation with the Mannequin label from Rome, Italy. CHROMAGAIN were Luca Pastore (bass, guitar, synthesiser, lyrics, backing vocals), Silvio Ferrero (synthesisers) and Davide Bassino (vocals, lyrics) from Torino, Italy, and was formed in 1982. CHROMAGAIN had two other singers (at first Riccardo Acuto, then Danilo ‘Dana’ Barbero) before Davide Bassino joined as the main vocalist and core member. They started as a post-punk outfit in 1982, …