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When White Noise’s debut album, An Electric Storm, landed on Island Records in 1969, it must have sounded like nothing else. Packaged in a striking black and white sleeve that pictured a spark of lightning streaking across a black sky, this was an album that - quite rightly as it turned out - resembled as much a scientific experiment as any conventional musical document.
White Noise were first conceived when American electronic engineer David Vorhaus-- following a lecture by BBC Radiophonic Work…
Dark Entries again shines a spotlight on bathhouse disco don Patrick Cowley with a newly remastered release of Kickin’ In. Although Cowley tragically passed from AIDS-related illness in 1982, he left an extensive archive of unreleased tapes, many of which Dark Entries has had the honor of releasing. While working as a lighting technician at The City, SF’s disco cabaret, Cowley saw rising star Frank Loverde perform. Cowley asked Loverde to contribute vocals to some material in progress, and Frank…
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies.
In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and ado…
*2024 stock. 50 copies limited edition* Recorded to 1/4 inch tape on a 2-track reel to reel during 2021 by Ben Van Houdt using oscillators, tape recorders, tube preamp and effects.
*2024 stock. 50 copies limited edition* "The second tape started to develop when I was looking for a way to play Tape Cuts live. A track was composed and its shapes were repeatedly explored. The final form was ultimately recorded in a single take on 1/4 inch tape, mirroring a live performance and celebrating one moment in time.
After completing this recording I was faced with a mass of tape loops left hanging on the wall, the wreckage of the composing process. Layers and layers of sound buried a…
*50 copies limited edition* "It was a slow growing body of work with material continuously transforming, being re-recorded and discarded, lost sounds emerging from forgotten loops and a few staple tracks dragging at me to dig deeper. I also found myself working on other music during this time and gradually the Blue Cut tapes went lingering into hibernation.
However, early spring brought me focus when I was unable to play music due to surgery I had undergone. Seemingly, the only way of creating m…
What if Coil would have gone playing Black Metal music? Well, we cannot say it for sure, but probably the outcome could have been something very similar to some of these last Teatro Satanico tracks. Heavily influenced by explicit occult and esoteric topics, “Enochian Musick For Beginners" is an unforeseen psychedelic journey beyond the frontiers of the usual post-industrial noise. A true original mixture of electric and electronic frequencies. It got something new, something that inspires awe, s…
After two demos and a trilogy of albums (on OEC, Tesco and Unrest) Böltorn decided to call it quits.The goals were achieved, there was nothing more to accomplish. In their wake they did however leave one recording behind; a "live in the studio" session recorded in January of 2022. These recordings are the most uncompromising ones the band ever did and fueled by anger, rage and alcohol in the company of good friends this is as hard and good as it gets.The live & final BØLTORN album. In one word: …
The summer of love is here...Claudio Frassine (MADEMOISELLE BISTOURI / NORTH CENTRAL) teams up with Henrik Nordvargr Björkk (FOLKSTORM / MZ. 412 / BØLTORN) to bring some seriously filthy noise to your dungeon.This is as extreme as it gets; blazing textures and walls of feedback collide with junk noise, roaring electronics and the commanding lyrics of Nordvargr.Harsh noise connoisseurs as well as power electronics fans take note - this is how it's done!A fantastic heavyweight debut.In a coupld of…
Eternal Paralysis and Peony Crackers was the first two tape albums by Incapacitants released back in 1981 and 1983 by Toshiji Mikawa alone (in the beginning Incapacitants was a solo project) on his own label Pariah Tapes. Two cult and very rare tapes finally made available again, 40 years after their first release. Original tapes has been digitally transferred from the original tapes by din-i-ilahi (advaita records) and was completely re-mastered for best experience on CD format by Mr. Mikawa.
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A limited CDr included with the A Castle Popping LP (R11, 2015). Tub of Deep Green Ink compliments the nature of the A Castle Popping, presenting ten tracks from 2011-2014. Ranging from layered string recordings, like the pastoral 2012 piece Inverness String Variations, to computerized-vocal experiments, as with ADR Aria & The Wind Sick (both from 2014). Human voice is dissected and stitched back together; examined under odd light. 2011’s Rooms of Night explores the interior of Sean’s old house …
Seeing Matthew Erickson perform live is an impressive experience. The sound he gets by blasting his saxophone through his Fender Twin literally shakes you to the core. Erickson has a great ear for experimental music; exercising tasteful timing and restraint, which I am finding to be more and more important. Whether performing in the sax-guitar duo Sudden Oak, or solo as Radiant Husk, his sonic presence has earned the respect of many.
CD contains commissioned works by Q.R. Ghazala: Sacrifice To Isis, , Mike Hovancsek/Paul Guerguerian:Three Cold Floors, Tom Dimuzio: Inception, Marie Goyette: Short-Cuts: Brahms, Ken Ando: Danseuse, Robert Iolini: Congo, Zimbabwe, Giovanni Venosta: Le Ombre Di Otello, Keith Rowe/A. De Fillips: Feu Brilliant, Brian Woodbury's Variety Orchestra:Shenandoah/Innsbruck, Richard Barrett: The Unthinkable, Stevan Tickmayer: Heterophony, Volapuk: Des objets de la plus grande importance, Boris Kovacs: Extr…
On the CD: John Oswald/John Zorn, Biota, Cornelius Cardew, ZGA, If Bwana, Kalahari Surfers + Lesogo Rampolokeng, Koongoortoog (Tuva),Blitziods, Al Margolis, Tom Nunn, Thinking Plague, Adenoid Quartet, N.O.R.M.A., Les Sales Combles, R.Deutsch, Martin Burlas, Peter Machajdik, David Myers, Chris Cutler/Fred Frith. New, found and commissioned work.
Commissioned materials from Robert Wyatt, Iva Bittova / Pavel Fajt, LA 1919, Jocelyn Robert, James Grigsby, J. Lachan, Henry Kaiser, Increase The Angle, Bill Gilonis, David Thomas, Jospeh Racaille, John Oswald, Musci / Venosta, Luciano Margiorani, 5UU'S, When, Jean Derome. Taken from Volume 2 of the influential Quarterly, remastered, with an exquisite book by Dirk Vallons. L
Selections from Volume 1 of the ReR Quarterly,including the legendary recording of the so-called 'supergroup' Duck And Cover (Tom Cora, Chris Cutler, Heiner Goebbels, Fred Frith, Alfred Harth, Dagmar Krause and George Lewis), Biota, Steve Moore, CASSIX, 5UU's, John Oswald. With generous book.
Re-issue of Bob Ostertag's Getting A Head, and underground classic of tape manipulation from before the days of samplers. Best known for his work with computers, here a young Ostertag plays an instrument consisting of a highly unstable and peculiar recording system, which uses helium balloons to hold up tape loops between three tape recorders made to malfunction in a variety of ways. The record marks one of the first, and to this day one of the only, times that tape manipulation techniques devel…
The spirit of enquiry and experiment is still alive and kicking - in Portugal anyway. On this double CD, Vitor looks twice at the same material. On CD one we get his unique take on guitar improvisation, which is electric, songlike and mixes genres in an unusual way. Then he takes all the pieces on that CD and orchestrates them with drums, bass, piano, guitar, clarinet and trumpet, to make a duplicate CD on which the same pieces appear as quite different pieces. You can choose one or the other, o…