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A very special edition for this première of a new opus of the legendary minimalist composer Tom Johnson. 50' minutes of a unique piece for four organs, recorded live at Orgelpark, Amsterdam, The Netherlands. "“I have two good minimalist composer friends who have been writing drone music for many years: Phill Niblock and Eliane Radigue. When I told them I had finally left my metric melodies and harmonies and was writing a one-note piece, they were quite surprised and pleased. So am …
**restocked, very last** Limited to just 110 copies, and belive, this is a masterwork... This LP collects two different pieces recorded in December 2010 and sometime in 2009 – both offering different fields of surface stasis/hidden activity…The first, ‘Automatic Music for Erik Griswold’ was recorded in Bundaberg, Australia using a ‘Eurorack’ modular synthesiser plugged into a borrowed guitar amplifier. It was made in preparation for a concert in Osaka in January 2011 organised by Tetsuya Um…
Some bands produce a CD every week; by now it seems 'normal' to have three year gaps in releasing records for Beequeen, which is a fresh antidote to the music business of more = more. For Beequeen, like good wine, things mature given more time. Whereas 'Sandancing' (2008) featured Olga Wallis a guest singer, on this new album she's a fully fledged bandmember, adding her beautiful voice to Beequeen's off beat songs. 'Port Out Starboard Home' features surreal dream-pop, but always with that unique…
Limited edition split album from two of Earth’s avant-garde super powers: Asmus Tietchens and Kouhei Matsunaga. Last summer Important released some highly praised records with Kouhei Matsunaga including a collaborative CD with Sean Booth (Autechre) and Mika Vainio (Pan Sonic), a split LP with Mika Vainio and a full length CD of his own solo work. The breath and quality of Kouhei's work was apparent across these three releases and his compositions for this split LP serve to create connections be…
A new Astral Social Club album is always a highlight of the year and Generator Breaker is no exception. Neil Campbell is one of the veterans of the British DIY/Drone/Noise scene and with ASC he has slowly formulated his very own and unique musical universe, akin to the psychedelic visions of his contemporaries and sometimes collaborators Sunroof! and Vibracathedral Orchestra but with a more electronic, less rock-influenced approach, instead aiming towards a heavily layered techno-infused …
Like its predecessor 'Rotary Signal Emitter', this is a proper headful of intuitive sample mulching and cheap, busted electronics, bubbling and fried with a knowing sense of psychedelia. In the course of eleven tracks on 'Toad Blinker' Dan Hayhurst clearly rejects the normative values imposed on Techno which so many producers get bogged down in and ends up with something genuinely marvellous and thoroughly endearing. OK it might not rock a dancefloor, per se, but its rocking our tiny minds…
Ghost Lanes (the A side) was recorded during the first ever duo session that Gareth and Rutger had, at STEIM, Amsterdam, June 2009. The two hadn't met before, but immediately there was a strange chemistry between them, and without much discussion, it was plug-in and play, and two albums and an EP were recorded. Ghost Lanes was then released as a very limited 3-inch CDr. A year and a half later, they settled at STEIM again, for another fruitful session. That's when Mackerel Sky was recorded. A pe…
Swiss Mountain Transport Systems consists of location recordings made during the summer and fall of 2008 of the various transport systems which are specific to mountainous terrain Ð gondolas (aerial cable cars), funiculars, and chairlifts Ð of different types, of different vintages, and accessing different elevations, in different parts of Switzerland. In this way the album is a sonic investigation of the integration of such technology into the Swiss social-geographical landscape. Recorded from …
Fennesz's first solo release since Black Sea (2008) is a 4 track 10 vinyl, with a CD version soon available. Using acoustic and electric guitars, bass, synths, computers, Fennesz continues to engage and entrance us in equal measure.'Liminal', 'July', 'Shift', 'Seven Stars' (with Steven Hess on drums).Fennesz writes: Seven Stars was recorded in Vienna in January 2011. I recorded and mixed the album within 3 weeks. Liminal and July were existing pieces which I have reworked. (I wrote an early ve…
Based in Oakland, California, Gregg Kowalsky and Marielle Jakobsons share internationally spanning solo careers as creative practitioners with a solid foundation in drone music composition and performance. However, it is a mutual love for analogue electric sound sources and tape multitracking that has resulted in their psychedelic, trance-inducing collaboration as Date Palms. Honey Devash, Date Palms' first release on Mexican Summer, is testament to their captivating skill for layering a…
Staggering 5LP + 10" boxset covering the German punk, wave and minimal synth scene of the late '70s and early to mid '80s - limited to 600 individually numbered copies for the world** This is Vinyl On Demand's first volume of what looks to be a comprehensive retrospective mining a dynamic phase of German music between 1978-1984. The legendary boutique label here gives focus to unreleased tracks, demos and rare cassette material from 11 bands: PVC, White Russia, No More, Didaktische Einheit…
A new collection of killer, tempered synthesizer workouts from Darren Ho on Spectrum Spools. The seven tracks featured have are have the kind of fragile beauty - and playfulness - that we associate with the early electronic music of Wendy Carlos, Daphne Oram, Raymond Scott and their ilk. There's a strong narrative arc to the album, but each track explores distinct territory: 'Slow Sum' parts one and two' are playful agglomerations of phased analogue patterns, 'In Peru' a Budd/Roedelius-style amb…
An amazing limited LP that features four new Rhys Chatham compositions that were performed live at Kassay's exhibition at Art: Concept in Paris in 2010, and loosely functions as an audio catalogue to the exhibition. Reve Parisien contains compositions that were both performed live and used as a soundtrack through Kassay’s exhibition. These compositions mark a change in direction for Chatham, who has abandoned the trumpet style he developed in the nineties for a non-distorted, less effects-driven…
Lau Nau, Islaja, and Kuupuu all together in one band - it's like the dreamiest aQ daydream come true! All three of these ladies have been responsible for some of the most mystical and beautiful recordings of the last few years, all of which have become permanent favorites with everyone here. Lau Nau, and Islaja's recent recordings have shown them moving toward a more direct approach in their songwriting, but this project really lets all of these ladies dig deep into their textured, exper…
Burnt Hills are a collective from Albany, NY. Every monday they use to jam and host shows at the Heldberg basement, which is also the headquarter of Flipped Out Records, exquisite label and mailorder active for 25 years. If you are lucky enough to attend one of their shows, you will probably realize that you are experiencing something more than a concert… It’s in fact a proper ritual that finds its perfect expression in a music that combines the freedom of free jazz, the fire of garage ro…
Million Year Spree is the first in an occasional series of shared LPs where two like-minded souls meet under one umbrella. Hamilton, Ontario's Fossils have long been the reigning kings of no-fi acoustic sewage, producing an endless stream of outstandingly dire handcut confusion. Calfornia's Darksmith came to public attention last year via their peerless Total Vacuum LP (Hanson). Wilting electronics, floppy turntableism and sun-baked cassette protocol are combined and destroyed in a claustrophobi…
Here’s a new 7″ from the ‘Bestiario’ series by Italian percussionist Enrico Malatesta. Bestiario is a series of short compositions for solo acoustic percussion, recorded live with no overdubs or editing. Using extremely dense micro-structures, broken rhythms and fast tempi on a very reduced percussion set, those pieces are meant to explore a multi-directional sonic dimension, while keeping a high level of tension.
7″ record, black vinyl (cut at dubplates & mastering, berlin), printed labels …
Originally created as a saleable nicknack for an Angst Hase Pfeffer Nase tour of solo guitar shredding but since the destination was Miami, Florida, home of booty bass and sick beats, something which facilitated rump-shaking and toe-tapping seemed more applicable. Two side-long pieces which combine all of the best things known to man: feedback loops, hyperstatic drum machines, digital rot, and frightfully decrepit fairground machinery.
Chris Cooper is the most reliable member of AHPN, as well as…
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
In contrast to the melange of its ‘successor,’ Hearing Metal 3 has moments of separation wherein Stuart and Pisaro can be discretely heard. For this piece, Stuart revisits the textures of ricefall (2), delicately and not-so-delicately pouring grains onto surfaces. When combined with Pisaro’s tones, the resonances explore a full territory uncharted by ricefall (2). However, there are still moments of Pisaro/Stuart mixing, like when Stuart’s “sixteen suspended cymbals” bow against Pisaro’s s…