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Electronic /

Regolelettroniche
Italians Maurizio Bianchi and Emanuela De Angelis have a generation between them, but that does not prevent them from delivering their first collaboration entitled "Regolelettroniche".However, to get there, they had to agree on a few rules, alluded to in titles such as "Earthly Principle" and "Cosmic Norms", and through these "rulelectronics" credited to both of them.That being said, these rules are left unexplained; listeners can discover them on their own when they experience this drone-based …
Micromal Sonorities
Collaboration works. Embossed gatefold sleeve. w / poster & obi. Originally planned to be released in 2006, but not actually released until April 2007.
Electrostatic Deflection
"Electrostatic Deflection" is a new industrial-music masterwork, created through collaboration with Maurizio Bianchi, and Israeli musician Maor Appelbaum. It's represents Bianchi's more extreme direction... a sample of whats comming in the future from the historic Italian composer. Amazing impact, immense slabs of industrial sound in motion. Sweeping vistas of intense static energy, storm-fronts moving across the stereo field, an acoustic tidal wave approaching landfall, breathtaking deep and da…
Experimentum Mundi
CD reissue of the ultra rare Multhipla related (on its sublabel Fonia) LP from 1981 - the works of Giorgio Battistelli (b. 1953) are often linked to the theater, and even his instrumental works are highly dramatic, with various instruments and elements considered as 'characters' in a drama. For the past 20 years, 'Experimentum Mundi' has been one of the most-performed works of 'musique concrete,' i.e. music made with everyday objects instead of conventional instruments. In this work, 16 everyday…
Ananta
**Highly recommended!** Hitoshi Kojo (aka Spiracle) professes to have some difficulties in falling asleep. When sleep comes to him, it can often arrive at dawn, when the colors of the sun begin to break through the darkness of night and when some are just rising after their own good night's sleep. ananta is a twin set of compositions that urge the listener toward a dreamless sleep-state, while reflecting the glowing warmth of a blossoming sunrise. In constructing the two variations of ananta, Ko…
Aural Spaces
I've been in touch with Ian MIDDLETON for over 13 years now, lured into contact by a remora lathe-cut lp, I believe, which sounded similar in intent to ifco material that karla and I were working on at the time. IanIan's music has always had both organic and artificial elements combined with the vague melancholy of distant beauty. With Aural spaces, Ian has refined and distilled his processes into a gorgeous electronic diamond. To quote my good friend oskar spee, 'Aural spaces is an exotic, scie…
Null
BRAND NEW! “What can we hear now? A sound, as though grains of sand trickle down onto a fine membrane….” This sound, as though grains of finest sand trickle onto a membrane–the last thing that the narrator in Stanislaw Lem’s “Solaris” hears when he starts out on his journey to a world that is falling apart–is the most fitting way to describe the characteristics of Luigi Archetti’s music NULL.Stylistically, the compositions can be placed within the field of planar tonal design, and with this, als…
Februar
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
Transient Places
Music in the here and now. An event in an everyday situation. A connecting link between actual occurrences and the deepest depths of one's inner world. A balancing act between total control and the inexplicable. An acoustic journey through the present. It is with his ears that Luigi Archetti journeys into the guitar's pick-up, to the limits of the audible. He hears, listens and gathers until he has a whole depot of sounds at his disposal, which he then processes by structured planning or b…
Niederländische Sprichwörter
Luigi Archetti und Michael Heisch spent over two years experimenting in the studio. The result is the album the "Netherlandish Proverbs" – a musical approach to the painting by Pieter Bruegel the Elder (1525 – 1569). Conceived by a process of random selection, the album presents the listener with freshly perceptible, kaleidoscopic-like audio experiences."The Netherlandish Proverbs" is one of Pieter Bruegel the Elder's best known paintings. It contains over 100 sayings and idioms illustrating hum…
Silent Surface
In a world in which the accoustic signs of the times ever more point to storm, in which we are constantly subjected to wild gesticulation and loud pounding for instant attention, together with bogus packages full of meaningless self-expression – in such times it is no small pleasure to be offered an opportunity to hold hand to ear and just listen. «Silent Surface» – 'surface' does not carry the meaning of 'superficial' – by and with Luigi Archetti (guitar, electronics) and Jan Schlegel (base, el…
The Crackle Of My Soul
'Written and recorded by Gordon Sharp at Belmont Shore (ca), mid-levels (hk) & kobe (japan) 2001-2009. Mastered at Piethopraxis, july 2009. Dedicated to Matt Kinnison (1965-2008). Cindytalk have been active since 1982, which we won't go into here (a quick Google search will satisfy that need). During The 80s and 90s Their sound was defined by broken down rock structures and abstract piano ambience. A third side to Their coin emerged at The dawn Of The 21st Century with a turn towards obscure com…
Pétrole
A musique concrète composition, produced between 2007 and 2009. Pétrole features contributions from Dominique Repecaud (electric guitars) and Axel Dörner (trumpet) alongside the esoteric talents of Bertrand Sinapi (the whistler), Rocco Calaudi (Harley Davidson conductor), Kinuko HIGASHI (whip) and Yuko HIGASHI (Citroen CX 2000) amongst others. With thanks to Akin Fernandez, Daido Moriyama and Hisako Motoo.
Timelines Los Angeles
'Computer (Laptop), guitar: Mark Trayle. Percussion, Synthesizer (Analog), Composed By (Graphical Score) : Jason Kahn. Piano (Prepared): Olivia Block. Saxophone (Alto, Sopranino), electronics (Live-electronics): Ulrich Krieger. Recorded by Clay Chaplin April 25, 2008 in Los Angeles at the Cal Arts Center for Experiments in Art, Information and Technology Festival.'
The Conjurer
This new long player finds the duo finally documenting something that is a bit closer to their very heavy live sets, w/ expanding peaks of white light distortion & enormous valleys of bottom end. Each side opens w/ a brief funeral dirge to set the mood, a precession of bare bones drum beats & bell like guitar statements that bridge the gap to the wider open spaces of the almost side long "Across The Desert Of Ash" & "Ancient Of Days."
The Long Afternoon Of Earth
The latest Preservation release hails from the USA's Midwest, featuring a double helping of songs from multi-instrumentalist and lo-fi folkster Clare Adrienne Cameron Hubbard. Although each CD is only an EP's length, the two sets of songs have been divided to denote the stylistic differences between sets, even though Hubbard's songwriting tone remains steady throughout. On the first disc Caethua evokes the raw intimacy of Diane Cluck, occasionally augmenting her spindly acoustic guitar accompani…
Raiders
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
Almanac
Dragon Turtle Almanac is a heavy trip; a document of transformation, entropy, and causality. Dragon Turtle evokes Morricone landscapes as if painted by Glenn Branca, where dream atmospheres meet brutal realities of nature and relationships. These forces are both beautiful ("Causality", "Belt of Venus") and destructive ("Moon Fallout", "Burn the Leaves"). The textures and layers move with a sense of urgency and purpose ("Hometime", "Hourglass"). The duality of Tom Asselin and Brian Lightbody's mu…
Peace Conference
"Mountain Ocean Sun is a project fronted by His Name Is Alive main man Warren Defever, who collaborates with three like-minded drone artists for an hour-long recording of shruti box, harmonium, bells, gongs and violin. The group's first performance was at a 500 year old Buddhist temple in Osaka, and that pretty much sets the tone for the quartet's quasi-mystical approach to soundscaping. Defever himself continues to mythologise, describing the recording as having been made "on a mountain, in the…
Psychic Mud Shrine
You'll probably know Evan Caminiti as one half of the brilliant avant-metal band Barn Owl, but here he's forging a path as a solo artist for Digitalis, devising four towering guitar pieces that move beyond the pursuit of drone and sludge and take on a more slippery, mystical quality. Protracted sustains are still snaking all over this album, but there's a carefully chiselled-out textural quality here that transcends any preconceptions you might have about this being an exercise in Earth-aping st…