Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966)
Reissue of a double LP edited in 1978. Realized at the Studio of the Netherlands Radio Union, Studio of Delft Technical Institute, Philips Studio, Studio of Utrecht State University, Studio of Ton Bruynèl, and CEM Studio in Bilthoven. With Hans Kox: 'Three Pieces For Electronic Organ'. Ton De Leeuw: 'Study'. Jan Boerman: 'Musique Concrète'. Jaap Spek: 'Impulses'. Rudolf Escher: 'The Long Christmas Dinner'. Henk Badings: 'Cain And Abel'. Dick Raaijmakers: 'Piano-Forte'. Ton De Leeuw: 'Antiphonie'…
Erector
Originally recorded in 1980, Erector was harsher and less 'industrial' sounding than the first two albums and arguably became the seminal influence, along with The 150 Murderous Passions LP, for the subsequent wave in the mid/late '80s of noise projects (in particular Japanese); also featured for the first time in vinyl format is the originally banned cover art by Steven Stapleton.
Telescope Mind
Tussle's early output on Troubleman Unlimited proved to be quite a hit with tastemakers like John Peel and Trevor Jackson. Now, a few years down the line the group have lost one of their founding members (oddly, Vetiver's Andy Cabic used to play bass for the band) but have honed their modernised take on disco and rhythm music, with Telescope Mind achieving an immensely successful blend of experimental techniques and pop minimalism. After the brief, introductory piece, 'Lyre', 'Warning' comes acr…
Kokt Kveite
Overlooked 12" from Bjorn Torske. With references to 23 Skidoo, This Heat, Residents, Idut Boy and Count Ossie and his unique blend of quirky, avant-garde, dubbed out, psychedelic sounds Torske creates a whole new genre: the free-disco. B-side track 'Soloppgang Over Yukigaya' was featured on Prins Thomas' 'Cosmo Galactic Prism' mix-cd, and rightly so.
Where Were You On Christmas?
A brand new Christmas single from long-running Los Angeles avant-garde pioneer TOM RECCHION. Includes the Yuletide faves "Where Were You On Christmas?" and "A Christmas Filled With Tears." Limited edition pressing, imported from The Netherlands.
Laugh China Doll
In 1984 when “Laugh China Doll” and “Dance, China Doll” first appeared, it was difficult enough to try and suss the Legendary Pink Dots. For the few, the proud, the brave who actually had some of the early cassettes, it was apparent that LPDs’ had some serious avant-garde habits. For those who only had the LPD records as cosmological references, the progressive accents left a bizarre and refreshing taste in the midst of the early post wave synth landscape. So what now of all this China Doll busi…
Provocative Electronics
Provocative Electronics is an exploration in analog synthesizers and recording techniques. As in the days of musique concrete and the beginning years of synthesizer development, Ortmann experiments with tones and his own brand of electronic tweakage. Provocative Electronics is not a homage, but yet another document in the ongoing history of Electronic Music. For fans of the 20th century Greek composer Xenakis, minimalist John Cage, or pioneer of musique concrete Pierre Schaeffer, Mort Garson, Mi…
Ride A Dove
Shockingly violent, brain-exploding music that says it's rock right on the cover. Otherwise, you might think it was a snuff record. Will thrill you with the joy of living, but will also make you run outside and start a fistfight. S'okay though, as the band started plenty of fights themselves. Miami's greatest. Bill Orcutt, Adris Hoyos. Tracklisting: I Started a Band, Self Expression, The Man in the Mirror, Ride a Dove, Free Pussy, The Man in the Mirror Part II.
Exactly As I Am
Exactly As I Am is the third and final release in The Hafler Trio's collaborative series with Jonsi Birgisson of Sigur Ros. Like the first two in the series Exactly As I Am is a double full length release and is comprised of all new material recorded in May/June of 2005. Exactly As I Am is lavishly packaged in a special die cut oversized package printed on two different types of parchment, meant to imitate small editions of French poetry ca. 1900.
Yesterday & Today
Double vinyl LP pressing includes bonus CD pressing of this 2009 release. The Field is Axel Willner, and 2007's Here We Go Sublime was one of the year's most acclaimed releases, receiving a 9.0 from Pitchfork as well as universal praise. It was a soundtrack to the spit-shined airport of your dreams - faceless, futuristic, and fuzzy. Now, Willner expands his palette, continuing the oblique sampling strategy while building up the rhythmic architecture.
Discovery
Clear and Discovery were originally released as two companion CDRs by James Ferraro (of the whole Skaters / Lamborghini Crystal / 90120 / Splash / Nirvana axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discov…
Clear
Clear and Discovery were originally released as two companion CDRs by James Ferraro (of the whole Skaters / Lamborghini Crystal / 90120 / Splash / Nirvana axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discov…
Mu part 1 & 2
These are the ltd papersleeve CD exact repros of the original BYG Actuel LP series from the early 70s, seem to be of a better general quality than the previous Get Back reissues -- and more readily available. "Originally recorded on August 22nd, 1969 at Studio Saravah in Paris, this album became the first one of the whole BYG/Actuel series+2nd album album recorded at Studio Saravah in Paris on August 22, 1969 by Don Cherry (pocket trumpet, piano, Indian flute, bamboo flute, voice, bells, percuss…
Comme
Billy Gomberg (b 1979, Chicago) is a musician and video artist living in Brooklyn, New York. His studio practice incorporates analog synthesis, digital treatments, acoustic recordings and custom programming that gives rise to electronic sound caught gazing at its own physicality, acoustics in love with their own abstraction. Billy's debut CD release displays abstract and complex dimensions of texture and tone that might make more sense at first on a subconscious level before it will on a conscio…
Close Up
With the saxophonist player Bertrand Gauguet, the trumpet player Franz Hautzinger and the analogue synthesizer player Thomas Lehn, this is a trio with three european musicians who are invested in the improv and new music. Gauguet-Hautzinger-Lehn works to surimpose different sonic spaces : acoustic, amplified, natural or electronic, works to build temporal structures or architectures and works to generate the modulations of an open and combinatory 'chamber music'.
How much better if Plymouth rock had landed on the pilgrims
David Rosenboom (b. 1947) has been widely acclaimed as an innovator in American experimental music since the 1960s. Although much of his work has been collaborative, virtually none of his large-scale collaborative works has hitherto been documented on record. How Much Better If Plymouth Rock Had Landed on the Pilgrims (1969-71) is considered to be one of the most important, prompting the following Washington Post review after a 1970 performance: 'If there were a device whereby one could plug int…
Magic & Return
Editions Mego has finally reissued the woefully out-of-print complete recorded oeuvre of this massively influential and infrequently convening laptop supergroup. Unsurprisingly, it still sounds great. The Magic Sound Of...’ and ‘The Return Of...’, originally released in 1999 and 2002. Fenn O’Berg (Christian Fennesz, Jim O’Rourke and Peter Rehberg) first hit the scene after a surprise appearance at the Nickelsdorf Festival in 1997. Throughout 1998 and 1999 the trio toured extensively throughout A…
Rozenhall
A re-mastering and repackaging of two previously released LP’s (2001 & 2003), this CD is a collection of 5 quite different pieces. All are mixed-moving-surrounding sounds and natural and manipulated noise - some can be considered as drone though they aren’t at all. No name for Rozenhall’s style. Very intense. As the CD liner notes say, “Play loud!”. Trk 1: “A Plumage…” - Early 60’s satellite type mixed sounds going round and round the Earth, then they come at you. Grabs your ears with claws. Sho…
Works, 1965-1995
Massive and essential! This box set gives the listener all of Reich's major works. I can't even attempt to describe them individually, but every one of these 10 CDs is compelling. For the totally uninitiated, take out "Music for 18 Musicians" (presented here in a crystalline new recording) to get an idea of what the core of this guy is all about. From there, you might want to listen to "Different Trains," "Electric Counterpoint" and "Six Marimbas" to get an idea of the pointillistic pulse minima…
Untitled (angle. 1)
'Untitled (angle.1) is a stereo composition based on the eight-channel installation Untitled.First exhibited February 11 Ð March 13, 2009 at the Art Gallery of the University of Maryland (USA), Untitled is the unique first collaborative project between visual artist Linn Meyers and sound artist Richard Chartier, in an installation where optical and sonic patterns intersect. With an architectural transformation of the space, two fifteen foot long by eight foot high walls meet in an enfolding chev…