We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 15% discount on all available VOD Records items until Monday at midnight!

Electronic /

Evening Star
With just two albums recorded at various points over a four year period, Fripp & Eno had established a rudimentary route map of some of music's future possibilities. That they still sound so fresh and alive with potential is testament to the strength of the duo's original ideas. As with"No Pussyfooting", it has been re-mastered using the original master tapes by Simon Heyworth, overseen by Robert Fripp. Fripp and Eno have both gone on to more diverse and successful careers, but No Pussyfooting a…
No Pussyfooting
Lovely expanded reissue! The two side-long tracks (at least, in the days of vinyl) are not, however, merely experiments in improvisation and primitive looping—although that would have been enough. As different as each track is, together they opened a window into an area of possibility that previously did not exist. "The Heavenly Music Corporation" begins with a single, sustaining note, a fifth added a minute in and a gentle pulse created as the loops softly ebb and flow. Despite its harmonic sta…
Exercices d'improvisation
** Edition limited to 350 copies, includes an insert with the complete score by Luc Ferrari. ** Luc Ferrari conceived this work in 1977 as a sequence of seven individually or collectively improvised exercises for tape and any instrument or group of instruments. Never performed before, "Exercices d'improvisation" have been released by the GOL collective and issued now on LP by PLANAM. The seven exercises follow each others in a suite of growing intensity where GOL acoustic and electric instrument…
Gol & Charles Hayward
** Edition limited to 350 copies. ** For this new "gollaboration" the French combo GOL confronts the British drums legend Charles Hayward (This Heat) for a rough/delicate and intense/mellow paradoxical music delight. The studio side compiles four improvised sessions exploring some possible oblique acceptations of the word "rock", while the live side recorded at 104, Paris, in dec 2008 during the Sonic protest festival, takes the encounters into the realm of psychedelia. The apparently chaotic ho…
Yellow
First 7 " by Luciano Maggiore, Yellow collects 4 brief sculptures, each of which has been developed (o built) using the sound of a single object without effects or filters.Recorded between 2009 and 2010 and mastered by Giuseppe Ielasi, it is the first selection of a serie of pieces all built on the same principle. A chaotic psychedelia embedded in a rigorous composition process.
Live at Outside Inside
Squadra Omega is a blast! This brand new psych-rock impro-unit (with members from some of the best bands of Italian postpunk, rock'n'roll and noise scene like With Love, Mojomatics, Maledetto and Be invisible Now) is at their third album now. Drums, bass, synths, guitar and saxophone drives this long live session played and recorded at the Outside Inside studio in front of a small number of close friends. A single track of pure psychedelic vibes, bass and guitar melting in incredible krautrock r…
The Electric Harpsichord
Finally available again, reprinted in 500 copies only housed in a elegant white boxed edition:: Known to the very few, The Electric Harpsichord is possibly THE obscure masterpiece of the days of the early American minimalism. Recorded live in 1976 after many years of study under the guidance of Pandit Pran Nath and LaMonte Young, it has finally found the perfect home in the DieSchachtel ART catalogue: a lavishly produced and innovative silver/black cardboard book+CD edition, that gives the …
Cluster II
Beautiful legit 2010 remastered reissue on Brain, deluxe gatefold cover, including a digital download coupon...Cluster II is the second full-length album by German electronic music group Cluster. It was recorded at Star-Studio in Hamburg, Germany in 1972 and was the first release for the legendary Krautrock label Brain Records, a relationship which would last until 1975 and include the subsequent album Zuckerzeit as well as the first two Harmonia albums, a group which included both remaini…
Anello. Naga. Sunyata
"… The Sonic Architecture pieces are constructed geometrically according to a mathematical scheme which is based on the symbolism of numbers. On the basis of whatever drives my senses, I gather together a great mass of recorded sounds from everyday life: the street, the wind, streams, the noise of cars, of conversations, of birds, of singing… accompanied by everything that resonates around them. …" — Mireille Capelle3 Sonic Architectures. Each Sonic Architecture consists of two compositions. Eac…
Irrlicht
Vinyl version of Klaus Schulze's first solo album, from 1972. "After stints in the legendary bands Tangerine Dream and Ash Ra Tempel, Irrlicht was Klaus Schulze's first stab at a a solo project. He had radical ideas for the newly developed electronic music scene which are blatantly present here. Equipped with a small orchestra, 4-track, guitar, percussion, organ, and a little electronic gadgetry, he created a 'cosmic classic'. No synthesizers were used here, just a remarkable use of sampl…
The Lost Jockeys
The Lost Jockey was a large aggregate of British new music performers who came together on this LP to play compositions by three of its members: Andrew Poppy, John Barker and Orlando Gough. Poppy is the best known of the three-he worked with Psychic TV on their first two albums and made two rather dated EPs for ZTT in the mid-80s-and his pieces here are better than the later works but still forgettable. It’s Gough’s side-long “Hoovering the Beach I & II” that’s worth the price of admission-with …
Lessness
Following in the tradition of minimalist composers such as La Monte Young, Yoshi Wada, and Charlemagne Palestine, Sun Circle exemplifies a contemporary focus on long form drone music.  Members Greg Davis and Zach Wallace have shown their interest in the field most recently with extended works on Kranky and Root Strata respectively; together on Lessness, they show a deep-rooted interest in the power of simple forms.  Building upon themes from their recent solo work (Davis’ subtly shifting tonal w…
Zones Without People
'Zones Without People' was released in 2009 on a highly limited vinyl run for Arbor. All seven tracks featured in his Wire chart-topping 'Rifts' compilation, predating his mindblowing 'Returnal' album (surely one of the best of 2010) and displaying its prodigiously gifted creator amidst some of his most affective synthscapes. From the outset we could consider this to be classic material, as the miniature 'Computer Vision' - one of his very earliest creations circa 2004 - plugs into a spir…
Bright Failing Star
Bright Failing Star is probably one of the most straightforward albums I've made, and under some of the most trying circumstances I've encountered in recent years. The south London flat we were in at the time had suffered flood damage during the summer before we moved in, and our room had it's sodden carpet ripped out and the bare concrete floor exposed. This was never fixed in the duration we lived there so by December it was bloody freezing. To compound this we had no hot water for 5 months, c…
Selektiv hogst
Tetuzi Akiyama (guitar), Toshimaru Nakamura (no-input mixing board), Espen Reinertsen (saxophone & flute), Eivind L¿nning (trumpet), Martin Taxt (tuba). Selektiv hogst, meaning selection cutting, is a continuation of the music developed on the album Varianter av d¿de trær, released on SOFA in 2008. Since then, the quartet has performed numerous concerts in Japan and Europe, finding a particular way of making music together. 'Selektiv hogst' sees the former quartet of Tetuzi Akiyama, Marti…
Lisbon Concert
The highly influential composer and improviser recorded live in Lisbon at the Festival Dos Capuchos, 16th July 1995. "This gorgeous set of piano improvisations reflects minimalist composer Terry Riley's lifelong study of Indian music. It is an outstanding recording which captures Terry Riley at an inspired peak. Performances of such spontaneous and beautiful music are scarce and even less-frequently performed by the composer himself at such a late stage in an extraordinary career. To soun…
Symphonie Pour Un Homme Seul / Concerto Des Ambiguites
Electronic / avant-garde music pioneer and founder of the French musique concrète movement, Pierre Schaeffer, a radio engineer, believed that any sound could be music, and was one of the first to experiment with tape looping, splicing and sampling. He was also one of the first to record music on magnetic tape. Drawing inspiration from the Italian Futurists, he emphasized the double meaning of the word "play", meaning to play an instrument, but also to have fun and enjoy oneself. Pierre Henry, a …
Le Microphone Bien Tempere'
Electronic music pioneer, Pierre Henry, was a classically trained French pianist and percussionist, but gained notoriety as one of the driving forces behind the French avante-garde movement "musique concrète", which attempted make music by using "real" sounds, like trains on tracks, dogs barking, footsteps, etc., in place of actual instruments and then electronically manipulate them in ways that had never been seen before, effectively redefining the very idea of music itself, and forcing …
Musique Sans Titre / Spatiodynamisme
Pierre Henry was a student and collaborator of Musique Concréte pioneer Pierre Schaeffer. The first side of the LP, composed in 1951 at the Studio d'Essai of the RTF, is notably one of his earliest attempts at the discipline. 'Spatiodynamisme' however, is based on 1954 recordings of a Nicolas Schöfer sculpture and was elaborated in his first private studio APSOM while he was still under the tutleage of Pierre Schaeffer's Groupe de Recherche de Musique Concréte. It was intended to as a sou…
Haut-Voltage / Coexistence
Accompanying the Doxy's coverage of early Henry recordings, 'Haut Voltage' is his 22 minute composition made in 1956, featuring his own vocals and designed to soundtrack a stage production by French choreographer Maurice Béjart. The second composition was written in 1959 after Henry had left Pierre Scaeffer's RTF and set to work in his own studio. During the period he realized that in order to evolve Musique Concréte it would have to begin to use electronics. 'Coexistence' is his first at…