Loop End
Limited edition of 150 copies. Martin Luiten and Frans de Waard are both from Nijmegen and both part of the same musical 'scene' - if there is such a thing. They played together in 2003 when their bands Girlfriends and Beequeen played a collaborative concert, and the two met on the sunday afternoon improvisation concerts. Yet its not been until this year that they decided to work together, Martin on guitar and electronics and Frans picking the sound up with his laptop. Extremely fruitful session…
Electronics
Presenting a second volume of collaborative works between European avant garde ensemble Zeitkratzer and modern electronic composers. Terre Thaemlitz developed the present pieces for and with Zeitkratzer. The starting points were Thaemlitz' releases Means From An End and Couture Cosmetique, which show him as an electroacoustic composer with an amazing sensibility for sound and harsh cutting techniques. This is especially evident on "Sloppy 42nds," and moreover, Thaemlitz' filtering techniques are…
SOUND 1
As the title well underlines, "Sound 1" electronic sonority is a starting point in Charlemagne Palestine researches for the Golden Sonority. Previously unpublished, this radical and foundamental work has now been released on LP record in collaboration with the New Media Dept of Centre Pompidou (National Museum of Modern Art) in Paris for the first "Ouvres sonores" event, December 15th, 2008. Charlemagne Palesitne started to dream of an expressive continuous evermoving everchanging sound form; an…
Pandamoniahbleeummm!!!!
Volume 2, "Pandamoniahbleeummm!!!!" marks the encounter with Charlemagne Palestine, pionneer of strumming music and piano maximalism, in the St. Eustache Church in Paris, known for its world famous church organ. The following battle, in form of a long incantatory improvisation, Charlemagne Palestine playing the church organ and GOL doing the electronics, bass, guitar, and the flutes part, combines many attributes of a pagan ritual.GOL was formed in 1988 in Paris by Jean-Marcel Busson, Frédéric R…
Red Mecca
It's a taught, dense, horrific slab lacking a lull. Dashes of Richard H. Kirk's synthesizer are welded to Chris Watson's tape effects for singed lashes of white noise, best heard on the lurching 'Sly Doubt' and the jolting 'Spread the Virus.' Throughout, Mallinder's sinister jibber jabbering punctuates the high-pitched menace. The record contains all the characteristics that have made the Sheffield group such an influential entity when it comes to electronic music.
Un Peu De Neige Salie
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
in C
Features three Terry Riley pieces: "In C", "In DO(M)", "In Moscow". "In April 2000 the American composer and performer on the keyboard Terry Riley performed in Moscow: one evening at Moscow Conservatory's Rachmaninoff Hall, which was the closing evening of the SKIF #4 (the Sergey Kuryokhin International Festival), and in two days at a large-scale concert at the Cultural Center 'DOM', which was the opening concert of the 13th 'Alternativa' festival of contemporary music. At the opening concert of…
At Last A New Dawn
Following on from 2004's Yellow Horizon, At Last A New Dawn comes as a momentous deployment of Peter Wright's adventurous, emotionally resonant electroacoustic music. This double disc set offers an extensive portrait of Wright's work, opening up with the threatening hum of 'Urban Wolves', a piece that escalates in intensity, slowly fleshing out what began as an oddly hollow-sounding sonic husk, only to segue into the unnerving noise and field recording melange 'Death Ships Approaching', a piece …
Playthroughs
The source material for every piece on Playthroughs is guitar: acoustic, electric or otherwise. From Sept. 2001 to April 2002 Keith Fullerton Whitman transformed those guitar pieces via laptop computer into the tracks on Playthroughs. Whitman has used ring modulators, granular shuffling algorithms, delays and spectral effects in a process that owes a lot to Terry Riley's Time Lag Accumulator and Steve Riech's 'Piano Phases.' Technology and Whitman's careful selection of notes combine to create s…
Lisbon
Lisbon is a new CD EP by Keith Fullerton Whitman, a document of his live shows after an extensive performance schedule in 2005 in the wake of the acclaimed Multiples CD. As Whitman describes it: 'This recording, captured to hard disk on stage at Galeria Zé Dos Bois on October 4th 2005, is... a single lilting piece of static sine-tone harmonics, squared-off electric guitar haze, clangorous room-tone eruptions, and high-end synth freakouts....'
I Love My Organ
The bulk of the material on Tom Recchion's second album for Birdman was recorded just after the completion of Chaotica in the mid-'80s, and sounds like a natural continuation of that record (despite the absence of any Esquivel). Recchion is assisted on some tracks by noted musician, composer, author, journalist for The Wire, and music curator David Toop (himself a collaborator with Eno, Jon Hassell, John Zorn, Talvin Singh, Adrian Sherwood, and Scanner). Recchion labored on I Love My Organ for y…
Moving Parts
Performer, sculptor, and sound artist Christian Marclay has been experimenting with phonograph records and turntables, applying the constructs of hip-hop to avant-garde sound art deconstruction since 1979. Having teamed up with Japanese turntablist and guitar player Otomo Yoshihide for their collaboration Moving Parts, the two continue in their ongoing quest to evolve music and sound far beyond anything that is even remotely accessible to a mainstream audience. Moving Parts is a ravenous bricola…
Songs For Europe
Songs for Europe is the highly anticipated recording by two of the most respected names in experimental music. Philip Jeck and Janek Schaefer are best known for their work using vinyl and record players in creative ways through performance and installation. On their debut album together they have produced music that bursts with energetic character, fleeting melodies and skittering rhythms that all translate an evocative sense of place. As an architect turned sound artist, Janek has always been i…
Synapse - Shaihulud
What we will have if we should mix the best works of "Bad Sector" and "Klaus Schulze", with the hypnotic-trance analogue electronic from "Runes Order" adding to this mix a deep ambient's quality? We will obtain the delightful pearl which was collected from the different and best styles of intellectual electronic music! The meeting of synthesist Raffaele Serra and Alio Die (supported this time by Zeit) create here an excellent quality of sound, in "Synapse - Shaihulud" . you will find differents…
Schwarzschild Radius
The return by FIVE THOUSAND SPIRITS Schwarzschild Radius CD, second part of a series, it is an unbroken journey of great intensity that Raffaele Serra ed Alio Die have characterized with an electronic refine touch and a flood vitality, always at the threshold of a mystery's whirlpool, an electronic mantra that in these lands have already given some kind of dependance. Great second chapter after the great 'Quantum Consciousness'.
Quantum Consciousness
After seven years of silence they are heard again. Raffaele Serra and Alio Die's Quantum Consciousness is an mysterious electronic journey (5 tracks without interruption) that, though still ambient music, comes close to '70s-era electronic cosmic music. An unbroken journey of great intensity characterized with an electronic refined touch and a flood- like vitality, always at the threshold of mystery's whirlpool. Powerful electronic mantras that in these lands have already given some kind of eart…
Copula
A collaboration project between Die Sonne Satan & Runes Order. Dark atmospheres and death ambient, remember the cold swedish scene...
Intangible Opacity
Intangible Opacity dares to visit the place where the Earth’s
atmosphere ends and the infinity of space begins, following the physical
and chemical processes that occur in the ionosphere. The sound is based
on warm but at the same time somehow distanced synthetic textures, and
classical “el-music”.
Gino Fioravanti, alias Aglaia, that with each new release continues to
expand their vocabulary and to enriches its palette of sounds and
colors. The immersive power of this work has reached the …
Sospensione d'estate
CUBE's music is designed to blur the architectural spaces that we occupy during our waking hours of the day. Whether it be an office cubical, a personal listening space or subtly defined spaces within an architectural environment. CUBE's music is music at the edge of perception, music meant to expand interior space. One long relaxing and meditative track, enriched by multilayered textures from little sounds (rattles, tubes, flutes, etc) played in the wilderness, and field recordings supported by…
Hidden
Project from Poland by Piotr Jurczak. After different CDr released on different labels ,finally Hidden will be printed in CD, ltd edition of 500 copies. The music by Busso de la Lune will be for sure well receipted from ambient listeners fans everywhere.