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Electronic music pioneer, Pierre Henry, was a classically trained French pianist and percussionist, but gained notoriety as one of the driving forces behind the French avante-garde movement "musique concrète", which attempted make music by using "real" sounds, like trains on tracks, dogs barking, footsteps, etc., in place of actual instruments and then electronically manipulate them in ways that had never been seen before, effectively redefining the very idea of music itself, and forcing …
Pierre Henry was a student and collaborator of Musique Concréte pioneer Pierre Schaeffer. The first side of the LP, composed in 1951 at the Studio d'Essai of the RTF, is notably one of his earliest attempts at the discipline. 'Spatiodynamisme' however, is based on 1954 recordings of a Nicolas Schöfer sculpture and was elaborated in his first private studio APSOM while he was still under the tutleage of Pierre Schaeffer's Groupe de Recherche de Musique Concréte. It was intended to as a sou…
Accompanying the Doxy's coverage of early Henry recordings, 'Haut Voltage' is his 22 minute composition made in 1956, featuring his own vocals and designed to soundtrack a stage production by French choreographer Maurice Béjart. The second composition was written in 1959 after Henry had left Pierre Scaeffer's RTF and set to work in his own studio. During the period he realized that in order to evolve Musique Concréte it would have to begin to use electronics. 'Coexistence' is his first at…
In the wild sampling dark forest that daft giraffe commonly referred to as Okapi (www.okapi.it) struts about tuning a more than 100 hundred elements orchestra, all of which ruthlessly plundered, to celebrate the notorious Kyrgyz composer Aldo Kapi (1896-1952) of whom the early works (1914-1926) in between scratch music, electro-acustic extravaganza and slot-machine soundtracks are presented in this brilliant 12" volume 2.
** 180 gram vinyl housed in a heavy textured glossy gatefold de-bossed and spot finished with 2 full page full color glossy inserts. Includes a sealed envelope containing a card with free download code ** The expanded and definitive double LP edition of Kevin Drumm's groundbreaking first album, originally released in 1997. Featuring some of the most fiercely abstract and organic guitar work ever heard, Drumm's debut is both jarring and completely alien. Dubbed by some as the greatest prepared gu…
Maranha belongs to the same minimalist tradition as Paul Panhuysen and Arnold Dreyblatt. It is serious, deeply careful stuff (as anyone who has seen one of Maranha’s complex scores will attest), but informed throughout with a sense of practical experiment and discovery rather than the austere conceptualism or mathematical certainty that certain other minimalists adhere to. Like Panhuysen and Dreyblatt, Maranha pays a great deal of attention to instrumental timbre - he’s used the glass har…
LP edition: born out of both creative empathy and chance, Organ Eye were formed in the wake of a live concert of David Maranha (Osso Exotico) and Minit (Jasmine Guffond & Torben Tilly), which took place at the ZDB Gallery in Lisbon, Portugal at the end of February 2005. With the addition of Patricia Machás (also a member of Osso Exotico), the quartet that now forms Organ Eye was completed and in March and December of 2006, they recorded their eponymous debut album.The two raga-like tracks that c…
Oustanding new release!! Although with irregular appearances in recent years, Osso Exotico is by far one of the most consistent music projects in Portuguese experimental music. "Sablier" is their ninth album,, and the band includes André e David as well, Francisco Tropa, Patrícia Machás e Manuel Mota. Truly deluxe LP edition, gatefold cover, with and additional DVD
The three piece group from Portugal explore in ten tracks the possibilities of the church organ. The members play in various combinations on different organs. The outcome is very varied. The opening piece is barely audible, but the second piece is a loud, repitive, all register open one. Of course it's hard to see this music without any religious overtones, but Osso Exotico don't give a clue in that direction: all their pieces are untitled. Meditative pieces in most cases, but less minimal then …
new work by David Jackman aka Organum after completing the recent "Holy" trilogy ('Sanctus', 'Amen' and 'Omega'). SOROW is not an album that expands the trilogy still farther, but opens a new chapter in Organum's career. On the basis of the European organ drones and the Indian Tanpura foundation, the gentle Japanese temple bell compliments the piece. ....
Armed with four 8011 DPA hydrophones, DPA 4060 omni mics, a Telinga parabolic reflector mic and and a Sound Devices 744T digital hard disk recorder, Jana Winderen studies and records wild places which have a particular importance in our understanding of the complexity and fragility of marine ecosystems. The recordings were made on field trips to the Barents Sea (north of Norway and Russia), Greenland and Norway, deep in crevasses of glaciers, in fjords and in the open ocean. These elements are t…
Douglas Quin's Fathom brings together four extended underwater soundscapes-two each from the Arctic and Antarctic. The recordings have been gathered over a period of 15 years, capturing an extraordinary palette of sonic voices, events, spaces, and textures. To the human ear, these soundscapes are haunting and otherworldly; yet they are very much of this world-out of earreach. The tracks are minimally edited and are his first field recordings to be archived in vinyl. Included with the rele…
Gorgeous collection of rare and early italian wave releases from 1982 - 1987, after an exhausting work of "archeological" research, selected by Danza and with intro text by Fred Ventura in a limited run of 500
RESTOCKED, brand new Giuseppe Ielasi CD on his own Senufo art editions: “15tapes” is a suite of 15 short pieces, very different in character and dynamics, edited from improvisations on various tape machines. the music was recorded during the year 2009, and then edited, recomposed and mastered in tübingen, april 2010. total lenght 20 minutes. artwork by alessandro brivio, beautifully letterpressed by ben owen / middle press.
The zeitkratzer ensemble performing two tracks by John Duncan in a collaboration promoted last year by Podewil in Berlin. A project started over a year ago, the result of continuous and tenatious work over several meetings between Duncan and the musicians, in charge of performing two originally electronic compositions with their acoustic instruments.The 27 minutes of the first piece revisit NAV-FLEX, a composition published last year by Duncan in the double CD with Francisco López, NAV. In zeit…
Presenting the music of Phill Niblock the composer himself described his work as: "No melodies, no rythm, no bullshit" (!!!) Niblock's music is the definitive bath of harmonics that one could experience, a music to listen to at high volume in order to create extraordinary stop-the-clock-to-eternity effect and maximum stimulation of the eardrums with lush milky-way kind of sound phenomenons…This is his first legendary album, complete of the rare insert and handsigned.
"For this live-to-air outing, Raphael Lyon’s primary instrument is a customised organ, with which he sketches out simple cyclical themes that suggest either a more rudimentary take on Terry Riley’s Persian Surgery Dervishes or a more involved reworking of Rick Wright’s Eastern-tinged organ mantras on Pink Floyd’s Ummagumma. He adds field recordings and occasional processed vocal incantations. Though modest in ambition, this is impressively concentrated work; its sense of warmth and honesty under…
NINE SUGGESTIONS gathers collaborations over the past couple of years between sound installation artist John Duncan and the two members of Pan Sonic, Mika Vainio and Ilpo Väisänen. Duncan's previous collaborators have included Elliott Sharp, Bernhard Günter and Carl Michael von Hausswolff, and the album is on his own label. As Pan Sonic's reputation would lead you to expect, there's enormous confidence here in the handling of material, whether we're talking about distorted screeching like the st…
Recorded in Tokyo, New York and Los Angeles. Walpurgisnachet recorded with Joe Potts. Purge recorded live at Anticlub, Los Angeles. Live recording engineered by Joseph Hammer. Mastered by John Duncan at Unormori, Tokyo. The result is a terrific industrial album, rusty, acid and distorted soundscape with a massive use of FM waves and voices recorded along with low frequency sounds.
Compiling the results of what was originally intended to be a compositional collaboration between John Duncan and renowned sound artist Asmus Tietchens, Da Sich Die Machtgier… transcends its tumultuous creation to stand as a distinctive addition to the catalogue of both artists "Asmus Tietchens proposed that he and I work together years ago — many years ago. For a variety of reasons it didn't happen , and at this point I don't remember any of them. Finally we agreed to start: I asked him to send…