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Electronic /

Early Works 1967-82
EM's original selection of Annea Lockwood's early works, which had once featured in Source: Music of the Avant Garde, a now-legendary magazine for new and experimental music from 1967-1973. This CD includes the album Glass World (originally issued on Tangent Records in England, 1970), and trippy, ritual shamanic tape piece "Tiger Balm" (1970). Also her most notable works, series performances "Piano Transplants (1967-1982)" is now re-realized in one single special booklet, containing "Piano Bu…
Tape works
"killer disc of lo-fi tape music & electronic studies from reynols’ Anla Courtis; completely all over the map, from the electric-guitar based musique concrète of “asma de tía de alga” to the almost pietro-grossi-esque bleep-fest of “invisible clown sonata” (what a title!) to the epic closer “encías de viento.” highly recommended." (Mimaroglu)...now back to his real name Alan Courtis, this still comes out under the misspelled Anla Courtis moniker (a slight name change given to him by his former R…
Thrène
Three electroacoustic compositions from André Boucourechliev (1925 - 1997) : 'Thrène' (1973-74). 'Texte I' (1958). 'Texte II' (1959). And 'Concerto pour piano et orchestre' (1977).
Crossings
1990 CD reissue of prime-era Lucier product, with works from 1982-85. Features 'In Memoriam Jon Higgins (for clarinet in A and slow-sweep pure wave oscillator)', 'Septet for Three Winds, Four Strings and Pure Wave Oscillator', and 'Crossings (for small orchestra with slow-sweep pure wave oscillator)'. Said slow-sweep pure wave oscillator produces slowly swept pure waves that oscillate (on separate occasions) a clarinet, three winds and four strings, and a small orchestra. Maximum beat frequency …
Still and moving lines of silence in families of hyperbolas
Double CD release of of a four-part work, initiated in 1972 and recorded as presented here in 1983-4 and 2001. This reissues two long-out-of-print LPs on Lovely, with four added parts (the strings) released for the first time. A series of mostly solo instrument works for the likes of: clarinet, marimba, viola, voice, xylophone, violin, flute, glockenspiel, cello, horn, vibraphone. Performed by: Thomas Ridenour, William Winant, Dan Panner, Rebecca Armstrong, Conrad Harris, Susan…
Insen
With Insen, Alva Noto (aka Carsten Nicolai) and Ryuichi Sakamoto continue their collaboration which started with vrioon. The debut album released on raster-noton in 2003 was voted record of the year 2004 in the electronica category by british magazine The Wire. Particular interest was shown in nicolai's creation towards a new synergy of acoustic piano and digital post production that had not witnessed before, in his approach and interpretation of sakamoto's piano clusters. The strict splitting o…
Xerrox
CD version. 'Xerrox is the new, self-contained project of Alva Noto, which like his transall-series (Transrapid, Transvision and Transspray, Raster-noton 61-63, 2002-2004) is intended to be released in five parts during the next years. On Xerrox, Alva Noto works with samples from muzak, advertising, soundtracks and entertainment programs. These sounds we hear randomly in everyday life and thereby they become an always present and available public domain. With Xerrox Alva Noto manipulates these r…
Transspray
Part 3 of 3** This release is presented in three cds: Transrapid, Transvision and finally, Transspray. Across the 3 installments special emphasis is put on the rhythmic aspects of minimalism, utilising Carsten Nicolai's maverick minimal intricacies in brilliant white surroundings. There's a crisp clarity to Nicolai's construction's that's very hard to dissect - you know that you shouldn't be able to relate to this music's sparse trajectory emotionally, and yet, in between moments of microscopic …
Transvision
art 2 of 3** This release is presented in three cds: Transrapid, Transvision and finally, Transspray. Across the 3 installments special emphasis is put on the rhythmic aspects of minimalism, utilising Carsten Nicolai's maverick minimal intricacies in brilliant white surroundings. There's a crisp clarity to Nicolai's construction's that's very hard to dissect - you know that you shouldn't be able to relate to this music's sparse trajectory emotionally, and yet, in between moments of microscopic d…
Neumatica
Alud is Pablo Rega: home made electronic devices and Alfredo Costa Monteiro: pick-ups on turntable. Recorded in June 2005, Barcelona.
Raw Sangudo
Allison Cameron's compositions can be characterized as rigorous forms within which specific sound worlds are explored. She experiments with the physicality of sound on various instruments, using pithy material to exploit instrumental colours. Most of her works to date have been written for a variety of chamber ensembles encompassing both traditional and unusual groups of instruments.
Rumeur (for solo accordion)
Alfredo Costa Monteiro, accordion. Recorded by Ferran Fages, March 2003 in Barcelona. Rumeur was conceived in continuity; but not in the narrative sense; each piece was developed independently, but always with a common preoccupation: The timbric continuity of each of them and the way it comes about, intuitively directed by a kind of sonorous alliteration. rumeur is about the manifestation of sound in its fluidity, its prolongment, or, better said, its sequence, in the same way that a rumour, by …
Billowy Mass
'Alejandra Salinas and Aeron Bergman began making sound in the mid 1990s in New York City where they were among the first labels to take advantage of affordable cd-r technology to distraibute non-commercial works. They soon became known by their early use of folk and acoustic electronic sounds. Educated in the fine arts, by 2000 they were invited by art institutions to make large scale installations that included sound as an essential element. In 2002 they won an Award of Distinction in Digital …
Proposte Sonore
Seven electronic compositions from the end of the 60s by the soundscape pioneer Albert Mayr (b. 1943), incredible experimentations from near 40 years ago sounding so “contemporary”, today more than ever.“In the fifties and sixties of the past century electro-acoustic music was a very élitist affair; professional equipment was expensive, not easy to find and could be afforded - in sufficient quantity to build a full-scale studio - only by institutions such as universities or broadcasting corporat…
The Evan Dando of noise?
Five blasts of Licht, from the excoriating to the spiritually uplifting. Mr Licht should need no introduction, this is minimalist mantra music for the end of the millennium.
Antiguos Dolmenes del Paleolitico
“Antiguos Dólmenes del Paleolítico (“Ancient Palaeolithic Dolmens”) is a composition in four parts created exclusively with processed no-input feedback and inspired by these stone monuments. It was created in early 2004 and is the first full-length solo CD from Argentinian composer Alan Courtis, a founding member of the group Reynols. Courtis currently lives in Buenos Aires, and has toured extensively in USA, Europe, Japan & Latin America collaborating with artists such as: Pauline Oliveros, Dam…
Volt
"If we recognize that each composer tends to privilege one dimension of musical discourse or another (for example: timbre, harmony, or instrumental virtuosity) in his work and thus conjure up a ‘style,’ listening to the music of Alain Thibault is like listening to a game of rhythms but mostly a game of attacks. The constant and abrupt contrast between silence (or an harmonic background serving a similar function) and the sound itself—cutting and incisive, percussive, vigorous and energeti…
s/t
'1er cahier d'enluminures' (1987). 'La trans-solitaire' (1984). 'Au loin, l'artifice' (1978). 'Le lait - le sang' (1996). '3ème cahier d'enluminures' (1990) (extract). 'Born in 1942 in Le Mans. He ended in the middle of the 60s a classic training at the Conservatoire de Paris (CNSM) with Elsa Barraine, Olivier Messiaen, Marcel Beaufils, and an experimental training at the ORTF (Pierre Schaeffer and the GRM).'
L’Annecy de pierre
A new work from the French composer Alain Savouret made around the city of Annecy. Field recordings and little parts of music with percussion and prepared piano.