Three Works For Live Electronics
Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms created electronically by analog, rather than digital, circuitry. With analog circuitry, the time-base common to the rhythms can be varied in many different ways by a performer, and can eventually become unstable. Untitled is a part of a series of works composed in the 1970s that were developed through experiments in gen…
Live electronic music
This CD of early works by David Tudor, available also as the CD insert to Volume 14 of Leonardo Music Journal, presents three previously unreleased works. 'Anima Pepsi' (1970), which combines sounds of animals, insects, and other like sounds with electronic processing, was composed for the EAT (Experiments in Art and Technology) pavilion at the World's Fair in Osaka, Japan, in 1970. 'Toneburst' (1975), a classic, commissioned by the Merce Cunningham Dance Company, is based on pure electronic fee…
Invisible Gold
David Rosenboom (b. 1947) has been widely acclaimed as a pioneer in American experimental music since the 1960's. He is a composer, performer, conductor, interdisciplinary artist, author, and educator having explored ideas in his work about the spontaneous evolution of forms, languages for improvisation, new techniques for ensembles, cross-cultural collaborations, performance art, computer music systems, interactive multi-media, compositional algorithms, and the structure of the brain and nervou…
Brainwave music
CD reissue of biofeedback/brainwave music masterpieces from 1971 to 1974, using analog synthesizers, piano, and text. Includes a bonus track, a previously-unreleased 2001 piece featuring biofeedback-driven computer synthesis, violin and oboe. With original cover art. Listed in Alan Licht's "Minimalism Top 10 Pt. 3": "The sidelong 'Portable Gold and Philosopher's Stones (Music from Brains in Fours)' uses brain waves to trigger synths. A spiraling, oozing piece, it's the best analog synth mi…
Autonomous and dynamical systems
This CD features four new compositions, all for electronic sound makers of one sort or another, and all four reveal his innate musicality. These are works that live between the arts and the sciences, coming from his lifelong involvement with interdisciplinary ideas.
Sem
If it's initially difficult to identify these two pieces as based on location recordings, you may just have to take David Daniell's word for it. But whether or not these pieces aurally signify the times and locations specified in their titles, they do speak to a steely-unto-meditative concentration and an obsession with the irreducibility of individual sound events—the non-identity of the similar. All of which moves... gradually, gracefully... to conclude in an earthy layer of strings. These are…
Wave train
"double lp reprint of the famous david behrman wave train compact disc issued a couple of years ago. experimental music from 1959-68: 'canons' featuring david tudor on piano and christoph caskel on percussion; 'ricecar' a prepared piece performed by david behrman in the early 1960s; 'wave train' a powerful feedback piece performed live with gordon mumma; 'players with circuits' a combination of live electronics and amplified acoustic sound; 'sounds for a film by bob watts' for outdoor environmen…
Leapday Night
A series of three pieces/suites; 'Leapday Night', 'A Traveler's Dream Journal', and 'Interspecies Smalltalk' involving Rhys Chatham/Ben Neill (on trumpet/mutantrumpet), Fluxus mainstay Takehisa Kosugi (violin), and David Behrman himself on electronics. Behrman creates thickly layered liquid sounds utilizing this complex computer music system which absorbs, actually hears, the sounds of instrumentalists, then plays off their improvisations with its own synthesized reactions. The system consists o…
On the Other Ocean
On the Other Ocean is an improvisation by Maggi Payne and Arthur Stidfole centered around six pitches which, when they are played, activate electronic pitch-sensing circuits connected to the "interrupt" line and input ports of a microcomputer, Kim-1. The microcomputer can sense the order and timing in which the six pitches are played and can react by sending harmony-changing messages to two handmade music synthesizers. The relationship between the two musicians and the computer is an interactive…
Paesaggi di libero ascolto
David Monacchi’s eclectic approach to sound include both the acoustic and the electronic world.The real and the artificial. He easily mix them together and, working with a lot of different sound sources, he’s able to define a rich and ever-growing palette of “sound colors”. His primary research with field recordings forms his “travelling baggage” of inspirations. His meticolous action and dedication gives the exact coordinates of his method, so well balanced between the “natural” (chaotic) and t…
Oramics
Tip! Comes with 16 page booklet. Daphne Oram is best-known for the design of her Oramics system, and also for co-founding the BBC Radiophonic Workshop in 1957, but until the release of this material, the only easily-available piece of music by her on CD was the 8-minute long "Four Aspects." There was also a 7" EP from 1962 on HMV, released as part of the Listen, Move and Dance series that was specifically designed to help children dance. Although the short pieces on this record are very basic, i…
Sphæra
In Daniel Teruggi's own words: Between 1984 and 1989, my acousmatic work was focused on processing and merging the four fundamental substances. Each « element » gradually became articulated with the others, thus crystallizing my subjective perception of their materiality. Over the years, helped by the enthusiasm of a Greek friend who propelled me into the Socratic universe, what started out as an exploratory path has become a circular, spherical unity, in which each occurrence simultaneously bel…
Deluge & Sunder
Edition of 350 numbered and signed copies packaged in deluxe gatefold sleeves. A CD edition of what every DANIEL MENCHE fan considers his finest work to date. Remastered and expanded with a bonus album Sunder, a follow up to Deluge. Deluge & Sunder is actually a surprising departure from previous explorations by Mr. Menche as the tones are generated by real live instruments (bass guitar, accordion, piano and melodica) as played by a real live Menche. The rumbly counterpoint that so well defines …
In memory of John Balance and homage to Coil
These artists explore and express, openly and without limits, what Coil’s heritage suggests to them, an opportunity to make an homage to Geff Rushton aka John Balance who left us on November 13th 2004. Coilectif is also an homage to all the musicians and illustrators Scherer & Ouporov participating to the project united for the first time in such an outline, where each one of them expresses what Coil’s universe evoques to him through lunar, astral and visionary excursions, keeping his own artist…
The chronograph
Collaborating under the moniker Coelacanth, Loren Chasse and Jim Haynes construct sound to favor empathy, evocation, and transcendence. Initially, Coelacanth's quest may have been to engage the drone supreme, an aesthetic previously sought by C.M. von Hausswolff, Morton Feldman, and :zoviet*france:. Yet, the duo is known to get distracted by the minutae of sound itself, or some instantaneous revelation about the history of decay, or simply the sublime beauty of nature. The drone in fact does go …
There are no crows flying around the hancock building
In August 2003, Lampo invited Swedish artist CM von Hausswolff to do a project specific to Chicago. Intrepid traveler that he is, Hausswolff ascended to the top of the 100-story John Hancock Building and collected sounds from the open-air observation deck. While taking in the sights, he recorded building vibrations, passing breezes and overheard speech from tourists. Later, in his Stockholm studio, he added a series of feedback rotations to suggest crows (guardians or enemies?) encircling the co…
Musica Mundana / L'Estran
'Musica Mundana': Mixed, fusion and root music, work on 'harmonisation' of various music and vocals. A genuine alchemy! 'L'Estran': What a beautiful metaphor is this piece of coastline. It conveys an impression of in-between, uncertainty, contraries. After studying music in the French National Music School, a decisive encounter with Ivo Malec, Guy Reibel, Jacques Lejeune and Jean Schwarz at the GRM will introduce him to electroacoustic music which he will afterwards focus on. He has composed aro…
Chrysopee Electronique-Bourges
One of the best in the series, a collection devoted to works realised in the Bourges studios, as well as the Annual Volumes of the works of the International Academy of Electroacoustic Music.
Storm
1. Chris Watson - No Man's Land. Late October on the strands of Budle Bay where dense layers of transient alien voices are swamped by a full moon tide creeping across the island's silver causeway. Now lapping out of the gathering gloom an immersive sea wash is filling then draining away carrying slow currents from here to another place. There are no reference points in this darkness. Glimmer dawn in the gaping mouth of a sea cave below Tarbet Gulley where the siren songs of Cromarty, Forth & Tyn…
Weather report
After working with Cabaret Voltaire and The Hafler Trio, Watson became a sound recordist for the UK's Royal Society for the Protection of Birds. He has since joined a film and video production company, working for BBC wildlife documentaries and occasional feature films. It is with this naturalist spirit and background that Watson applies his work, capturing sound footage that illustrates a deep understanding of silence, space, and ecological wonderment. Weather Report understands that the weathe…