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Classic 1975 recording of mostly quiet, resonating electronic sounds. "With the music of Bernard Parmegiani something in us is freed and comes out of passivity. This thing, which I know now was blocked without my knowing where, is the buzzing and Time within the flesh -- a humming of millions of closed mouths between the cells. What is the murmur made up of? The body develops a tongue in listening to this music, and there is within it great movement of the sound material... it is music that make…
One 25 minute piece, from 1996. A State/CIRM commissioned work. A dreamy five-movement suite that deals with the encounter and metamorphosis of natural sounds and synthetic sounds. Bernard Parmegiani wrote about this piece "There is already music... of an Italian an character in this title! Sonare: l love this word because it is Italian and because upon hearing it, music simply springs forth from within it. For each of the 5 movements, I have chosen a pseudo-instrumental or synthesis sound whic…
2006 release, presenting 3 versions of "Plain-Temps". Classic new work from the most important INA GRM composer. The first part of the suite, "Le Present Compose" is from 1991, recorded here in 2006. "The second part is "Entre-Temps" from 1992. "The gradual slowing down of the tick-tock sound of a penduluum with which the this piece opens provides us with not only the most symbolic but also the most illusory image of the passing of time. This is followed by by a constantly changing continuum, ap…
An awesome Parmegiani release, featuring: "L'oeil Ecoute" (1970), "La Roue Ferris" (1971), "Especes d'espace" (2002-2003). "Excepting some mixed pieces, his work as a whole takes the form of music for 'fixed sound', coming within the scope of the immense repertoire of electro-acoustic music. In 1971, he made a video film based on the music in 'L'Oeil ecoute', featuring visual imagery processed through a synthesiser. We only need listen to the opening of 'L'Oeil ecoute', a sustained swirl and flu…
Features 3 works: "Capture Éphémère" (1967); "Sons-jeu" (1987); "La Mémoire des Sons" (2001). "Excepting some rare mixed pieces, Bernard Paremegiani's works as a whole take the form of music for 'fixedsounds', coming within the scope of the immense repertoire of electro-acoustic music. From his training in the art of mime and his experience as a sound engineer, Parmegiani has retained a taste for a hand-to-hand approach (sound/embodiment, as we could be tempted to say) with various sound mate-ri…
Finally reissued, with new artwork; this has been the most in-demand electroacoustic CD for the past few years. Bernard Parmegiani is one the electroacoustic superstars of the INA GRM universe, and along with various Francois Bayle titles this is a great place to start with the label. This amazing double CD is broken up into 2 parts: the first disc consists of old-style tape-splicing electroacoustic material, dating from 1963 to 1976 ("Violostries," "Pour en Finir avec le Pourvoir d'Orphee" & "D…
second installment of the “singles” series - a 36-page cd-sized book with a cd tucked into the back-cover... both book/cd contain heidsieck’s “democratie ii” (passe-partout nº27) from 1977-1978.
Originally issued in 1979, first time on CD with bonus tracks. Although Barton and his wife Priscilla McLean have had a long and distinguished history of LP and compact disc albums throughout their professional composer/performer career, this album is unique in that it is the first one to present, on one CD, such a broad and comprehensive picture of their purely electronic music, spanning 1975 through 2001. Interestingly, although their materials and equipment have changed, their ideas of …
The first collaboration by these two renowned sound artists. Fabrication saw its beginning during the production of Re-post-refabricated, a project in which artists were selected by Richard Chartier to rework/create new works from his 1998 CD Postfabricated for its reissue in 2003. As it was intended as an open project, Asmus Tietchens continued to explore the source materials and suggested further formal collaboration. This evolved into the collaborative work Fabrication. The CD comes in a full…
LINE is proud to present Z-Menge the new installment of the continuing Mengen series from influential German electronic music pioneer Asmus Tietchens. LINE will be releasing the subsequent works in this series. Zeta-Menge means Zeta quantity.“Another approach to ultimate situations, nearly stillness before becoming silent as Samuel Beckett taught us. End Game. Microtones and structures are only the tools. The Night Of Lead revisited…”Asmus Tietchens’ first released his unique electronic music in…
8th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Described by Tietchens himself as his »Industrial« album, »Geboren, um zu Dienen« was originally released on the spanish Esplendor Geometrico label in 1986. The CD version incl. three unreleased bonus tracks from the same period and comes with a full colour fold-out booklet incl. liner notes by Tietchens himself.
10th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. »Notturno« was originally released by spanish label Discos Esplendor Geometrico in 1987 and also by Barooni on CD in 1992. Remastered version in a first edition of 600 copies in jewel case with full colour artwork and poster booklet also feat. the original front and back cover.
Coagulate is the debut release from electroacoustic improvisation duo Anthony Pateras & Robin Fox. Utilizing a diverse array of approaches and forms, this album presents incredible real-time mutations of acoustic and electronic resources fused by a chaotic and physical improvisational language. From discarded piano frames to feedback to ingested microphones to vintage synthesizers, resources are combined, deconstructed, developed and devastated through both linear and non-linear trajectories. Os…
EM's original selection of Annea Lockwood's early works, which had once featured in Source: Music of the Avant Garde, a now-legendary magazine for new and experimental music from 1967-1973. This CD includes the album Glass World (originally issued on Tangent Records in England, 1970), and trippy, ritual shamanic tape piece "Tiger Balm" (1970). Also her most notable works, series performances "Piano Transplants (1967-1982)" is now re-realized in one single special booklet, containing "Piano Bu…
"killer disc of lo-fi tape music & electronic studies from reynols’ Anla Courtis; completely all over the map, from the electric-guitar based musique concrète of “asma de tía de alga” to the almost pietro-grossi-esque bleep-fest of “invisible clown sonata” (what a title!) to the epic closer “encías de viento.” highly recommended." (Mimaroglu)...now back to his real name Alan Courtis, this still comes out under the misspelled Anla Courtis moniker (a slight name change given to him by his former R…
Three electroacoustic compositions from André Boucourechliev (1925 - 1997) : 'Thrène' (1973-74). 'Texte I' (1958). 'Texte II' (1959). And 'Concerto pour piano et orchestre' (1977).
1990 CD reissue of prime-era Lucier product, with works from 1982-85. Features 'In Memoriam Jon Higgins (for clarinet in A and slow-sweep pure wave oscillator)', 'Septet for Three Winds, Four Strings and Pure Wave Oscillator', and 'Crossings (for small orchestra with slow-sweep pure wave oscillator)'. Said slow-sweep pure wave oscillator produces slowly swept pure waves that oscillate (on separate occasions) a clarinet, three winds and four strings, and a small orchestra. Maximum beat frequency …
Double CD release of of a four-part work, initiated in 1972 and recorded as presented here in 1983-4 and 2001. This reissues two long-out-of-print LPs on Lovely, with four added parts (the strings) released for the first time. A series of mostly solo instrument works for the likes of: clarinet, marimba, viola, voice, xylophone, violin, flute, glockenspiel, cello, horn, vibraphone. Performed by: Thomas Ridenour, William Winant, Dan Panner, Rebecca Armstrong, Conrad Harris, Susan…
With Insen, Alva Noto (aka Carsten Nicolai) and Ryuichi Sakamoto continue their collaboration which started with vrioon. The debut album released on raster-noton in 2003 was voted record of the year 2004 in the electronica category by british magazine The Wire. Particular interest was shown in nicolai's creation towards a new synergy of acoustic piano and digital post production that had not witnessed before, in his approach and interpretation of sakamoto's piano clusters. The strict splitting o…