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Aidan Baker is a musician & writer currently based in Toronto, Canada. Classically trained in flute, he is self-taught on guitar, drums & various other instruments. He has released numerous CDs on independent labels from around the world. He is author of two books of poetry, two poetry chapbooks, & has published poetry, fiction, & criticism in various international & scholary journals. As a solo artist, Baker explores the deconstructive sonic possibilities of the electric guitar as a primary sou…
Over the past few years AGF has been critically well acclaimed for her poetry-based music and soundworks. Sound and speech have melted into one unique entity. The delicacy and intimacy AGF displays in her work knows very little equals in todays electronic and digital musics. delayonmypillow is no exception and simply is a great piece. Stichting Mixer is very proud to release this excellent work of integration of the human touch in the clinical digital domain of sound.
VERY LAST COPIES AROUND Stasis and stability are nowhere to be found here. Instead, an ever-changing dialogue between structure and chaos shifts from one performer to the next, never resting long before launching again into shuddering flight. Accoustic instruments and vocals form a familiar reference point, but studio treatments take the music into psychedelic and cinematic realms. In their words, “Improvisation is a way to experiment without thinking. When our improvisations ‘work’, the music j…
"The CD "Theology" contains the source recordings used for the LP "The Religious Experience", and is limited to 450 copies. The two albums and their music should be considered as mirror opposites. Where theology is a completely artificial system of belief, a religious experience is the immediate experience of the thing itself. Likewise, the music on "Theology" is complex and elaborate, while "The Religious Experience" is much simpler, going directly to the heart of the material compri…
Barton Workshop. James Fulkerson & Frank Denyer, directors. First Recordings. "James Tenney (1934-2006) was probably the first composer to develop an aesthetic for computer music, realizing that electronic music almost forced the composer to accept noise as music and to abandon the idea of absolute control over a composition. He came to accept Cage's passion for randomness, but from a different angle: computer music can be "unpredictable" (rather than "random"). This CD looks at how Tenney…
"Re-mastered at Piethopraxis in Köln, July 2007. "Hotel Paral.lel", originally released in September 1997 by Mego, was Christian Fennesz's debut solo album. Following up from the EP "Instrument", it was an investigation into the sonic possibilties residing in guitar based digital music, recorded just before mobile computing devices became the norm. A far more darker and experimental work than what was to follow. Freeform noise, sliced techno beats and subtle ambient textures create a time…
** VERY LAST COPIES** As is the case with La Monte Young's Theater of Eternal Music, David Hyke's Harmonic Choir and Pauline Oliveros's Deep Listening Band, Roberto Laneri has had a life long penchant for the droning mysteriosa of the Sound Current and with the Prima Materia ensemble he has expressed it in a disciplined, expansive and singular way (Terry Riley). In 1977 an obscure Italian private label issued a record that sounded like it came from outer space. A long and dense trance-inducing d…
Angelo Petronella is an avowed devotee of acousmatics, a musique concrete practice that encourages as much disassociation as possible between the sound on record and the source it was taken from. And though many of Sintesi da un diario's sounds are culled from such well-worn locales as children's playgrounds, country landscapes, and factory floors, repeated exposure reveals a composer intent on draining any familiarity in the pursuit of a total removal of all convention. Birdsong is pulled taut,…
A 1996 CD compiling three early Ashley works from the years 1967-79 -- some of his most experimental and out-there works. A classic electronic music collection and an ideal intro into the somewhat foreboding oeuvre of Robert Ashley's recorded works. The title piece is a 46-minute classic from 1979, which rather famously formed the basis for Nurse With Wound's A Missing Sense. Steven Stapleton's commentary upon this summarizes the intense vibe of this recording: "A Missing Sense was originally co…
A DVD-flashback of early 80s Berlin subculture featuring output by virtuosos of the city’s underground movie scene who rediscovered Super 8 as an adequate outlet for their creative endeavours. Accompanied by a compilation of music, covering a huge range of styles and currents - from punk to ingenious dilettantes, this lavish package recalls the walled in city’s unique feel and lifestyle. By no means a nostalgic review of times long gone, but rather an appraisal (with no claim to completeness) …
It's probably safe to call Mr. Andre Almuro an unsung hero. And while his scantly available catalog certainly provides reason why, its contents offer ample argument to the contrary. Not long after the conclusion of his apprenticeship to Pierre Schaeffer, he began crafting in what could easily be called the Almuro aesthetic: sparce pieces built from limited sound elements, often timbrally altered percussive sounds, slowly paced and coated thick in reverb and tape echo.While Dépli does not quite m…
Four CD box set with 96-page book and enhanced CD-ROM featuring interviews, performance footage and video scores. Includes the massive "Four Violins" (1964) -- one of the world's most important and space-inhaling pieces of music ever, which was only briefly available on LP. Mainline it as loud as you possibly can. Plus: "Early Minimalism: April, 1965" (for solo violin and string quartet) ; "Early Minimalism: May 1965" [performed here by Conrad, Alexandria Gelencser (cello) and Jim O'Rour…