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Electronic /

brown, blue, brown on blue (for Mark Rothko)
“I finished "brown, blue, brown on blue (for Mark Rothko)" in mid-july 1999, and it picks up where "Slow Gestures / Cérémonie Désir (for Heike)" left off (actually, the two pieces can be listened to as one large work in two parts...). It is dedicated to my favorite painter, Mark Rothko, and the title is taken from one of his paintings that has accompanied me for a long time as print hanging beside my bed. I finally got a chance to see this painting in an exhibition of Rothko's works at the Musée…
impossible grey
A wildly beautiful. Dangerously low frequencies, that is if you’ve a good system and neighbors. Lovely bright hard sounds, too. You doubtless already like the scratchy sound at the beginnings or endings of LPs
Monochrome Rust / Differential
As with many LINE releases, describing the hyperminimal microsounds of Bernhard Günter’s Monochrome Rust/ Differential is difficult like telling a sketch artist about the features of a ghost’s face seen from a distance – a long time ago – while you were drunk. Extremely vague yet undeniable! Two single-piece CDs are part of Günter’s “triptychon”, with Monochrome Rust (44:30) being the third piece (following Monochrome White and Polychrome w/Neon Nails). A digital degradation of Polychrome, the t…
Immersion
Split LP. Two pieces: 'Immer-sound' by Bernard Parmegiani. 'Transparency' by Philip Samartzis. 'To become immersed in sound, what could be more pleasant? Diving underwater where fish glide across your eyes, signs of a random visual score, mute but shimmering. However, as fish are not the sea, sounds are not music. They are only components within a specific order; random for some, composed for others. Both circulate in their own space. Without them, all life seems to be forgotten. The space to ex…
La creation du monde (1982-84)
This is a sprawling, ambitious painting in sound modeled on the birth of the universe. Moving from roiling, gaseous clouds of hiss and static through sharp peels of detailed, unrestrained texture, this is acousmatic music at its very finest, literally creating a universe of sound out of thin air. (AMG)
De natura sonorum
Classic 1975 recording of mostly quiet, resonating electronic sounds. "With the music of Bernard Parmegiani something in us is freed and comes out of passivity. This thing, which I know now was blocked without my knowing where, is the buzzing and Time within the flesh -- a humming of millions of closed mouths between the cells. What is the murmur made up of? The body develops a tongue in listening to this music, and there is within it great movement of the sound material... it is music that make…
Sonare
One 25 minute piece, from 1996. A State/CIRM commissioned work. A dreamy five-movement suite that deals with the encounter and metamorphosis of natural sounds and synthetic sounds. Bernard Parmegiani wrote about this piece  "There is already music... of an Italian an character in this title! Sonare: l love this word because it is Italian and because upon hearing it, music simply springs forth from within it. For each of the 5 movements, I have chosen a pseudo-instrumental or synthesis sound whic…
Plain-temps
2006 release, presenting 3 versions of "Plain-Temps". Classic new work from the most important INA GRM composer. The first part of the suite, "Le Present Compose" is from 1991, recorded here in 2006. "The second part is "Entre-Temps" from 1992. "The gradual slowing down of the tick-tock sound of a penduluum with which the this piece opens provides us with not only the most symbolic but also the most illusory image of the passing of time. This is followed by by a constantly changing continuum, ap…
L'oeil Ecoute
An awesome Parmegiani release, featuring: "L'oeil Ecoute" (1970), "La Roue Ferris" (1971), "Especes d'espace" (2002-2003). "Excepting some mixed pieces, his work as a whole takes the form of music for 'fixed sound', coming within the scope of the immense repertoire of electro-acoustic music. In 1971, he made a video film based on the music in 'L'Oeil ecoute', featuring visual imagery processed through a synthesiser. We only need listen to the opening of 'L'Oeil ecoute', a sustained swirl and flu…
La memoire des Sons
Features 3 works: "Capture Éphémère" (1967); "Sons-jeu" (1987); "La Mémoire des Sons" (2001). "Excepting some rare mixed pieces, Bernard Paremegiani's works as a whole take the form of music for 'fixedsounds', coming within the scope of the immense repertoire of electro-acoustic music. From his training in the art of mime and his experience as a sound engineer, Parmegiani has retained a taste for a hand-to-hand approach (sound/embodiment, as we could be tempted to say) with various sound mate-ri…
Violostries
Finally reissued, with new artwork; this has been the most in-demand electroacoustic CD for the past few years. Bernard Parmegiani is one the electroacoustic superstars of the INA GRM universe, and along with various Francois Bayle titles this is a great place to start with the label. This amazing double CD is broken up into 2 parts: the first disc consists of old-style tape-splicing electroacoustic material, dating from 1963 to 1976 ("Violostries," "Pour en Finir avec le Pourvoir d'Orphee" & "D…
Démocratie II
second installment of the “singles” series - a 36-page cd-sized book with a cd tucked into the back-cover... both book/cd contain heidsieck’s “democratie ii” (passe-partout nº27) from 1977-1978.
Electronic landscapes
Originally issued in 1979, first time on CD with bonus tracks. Although Barton and his wife Priscilla McLean have had a long and distinguished history of LP and compact disc albums throughout their professional composer/performer career, this album is unique in that it is the first one to present, on one CD, such a broad and comprehensive picture of their purely electronic music, spanning 1975 through 2001. Interestingly, although their materials and equipment have changed, their ideas of …
Berlin
Axel Dörner: trumpet. Computer? mattin: computer. Nice duo of feedback, cut-up, walls of silence.. 'Anti-music' ?
Fabrication
The first collaboration by these two renowned sound artists. Fabrication saw its beginning during the production of Re-post-refabricated, a project in which artists were selected by Richard Chartier to rework/create new works from his 1998 CD Postfabricated for its reissue in 2003. As it was intended as an open project, Asmus Tietchens continued to explore the source materials and suggested further formal collaboration. This evolved into the collaborative work Fabrication. The CD comes in a full…
Z-menge
LINE is proud to present Z-Menge the new installment of the continuing Mengen series from influential German electronic music pioneer Asmus Tietchens. LINE will be releasing the subsequent works in this series. Zeta-Menge means Zeta quantity.“Another approach to ultimate situations, nearly stillness before becoming silent as Samuel Beckett taught us. End Game. Microtones and structures are only the tools. The Night Of Lead revisited…”Asmus Tietchens’ first released his unique electronic music in…
Geboren, um zu dienen
8th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Described by Tietchens himself as his »Industrial« album, »Geboren, um zu Dienen« was originally released on the spanish Esplendor Geometrico label in 1986. The CD version incl. three unreleased bonus tracks from the same period and comes with a full colour fold-out booklet incl. liner notes by Tietchens himself.
Notturno
10th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. »Notturno« was originally released by spanish label Discos Esplendor Geometrico in 1987 and also by Barooni on CD in 1992. Remastered version in a first edition of 600 copies in jewel case with full colour artwork and poster booklet also feat. the original front and back cover.
Coagulate
Coagulate is the debut release from electroacoustic improvisation duo Anthony Pateras & Robin Fox. Utilizing a diverse array of approaches and forms, this album presents incredible real-time mutations of acoustic and electronic resources fused by a chaotic and physical improvisational language. From discarded piano frames to feedback to ingested microphones to vintage synthesizers, resources are combined, deconstructed, developed and devastated through both linear and non-linear trajectories. Os…
Early Works 1967-82
EM's original selection of Annea Lockwood's early works, which had once featured in Source: Music of the Avant Garde, a now-legendary magazine for new and experimental music from 1967-1973. This CD includes the album Glass World (originally issued on Tangent Records in England, 1970), and trippy, ritual shamanic tape piece "Tiger Balm" (1970). Also her most notable works, series performances "Piano Transplants (1967-1982)" is now re-realized in one single special booklet, containing "Piano Bu…